Saw Tai.
Saw Ou.
A very curious instrument is known as the Ta'khay, or Alligator: a glance at its form will readily account for its name. There seems a sort of satire in making one of the most silent of savage monsters a medium for the conveyance of sweet sounds. The Ta'khay is a stringed instrument of considerable power, and in tone is not unlike a violoncello. The three strings pass over eleven frets or wide movable bridges, and the shape of the body is rather like that of a guitar. It is placed on the ground, raised on low feet, and the player squats beside it. The strings are sounded by a plectrum, or plucker, shaped like an ivory tooth, fastened to the fingers, and drawn backwards and forwards so rapidly that it produces an almost continuous sweet dreamy sound.
The other two illustrations are both of fiddles, one bearing the name of the Saw Tai, the other of the Saw Ou. The Saw Tai is the real Siamese violin, and is frequently of most elaborate construction. The upper neck of the one shown in the illustration is of gold, beautifully enamelled, while the lower neck is of ivory, richly carved. The back of the instrument is made of cocoa-nut shell, ornamented with jewels. The membrane stretched on the sounding-board, which gives the effect of a pair of bellows, is made of parchment, and has often, as in this special instrument, a jewelled ornament inserted in one corner. The Saw Tai has three strings of silk cord, which, passing over a bridge on the sounding-board, run up to the neck, being bound tightly to it below the pegs. The player sitting cross-legged on the ground holds the fiddle in a sloping posture, and touches the strings with a curiously curved bow.
The Saw Ou, or Chinese fiddle, used in Siam, is suggestive of a modern croquet mallet, with pegs stuck in the handle, and has only two strings, fastened from the pegs to the head. It is played with a bow which the performer cleverly inserts between the strings.
Helena Heath.
STRANGE NESTING-PLACES.
With the return of spring every year the trees take new life, and begin to bud and put forth their leaves. At the same time the birds also feel, as it were, a throb of new life, and begin to busy themselves with the building of their nests, in which, when the weather is warmer, they will lay their eggs and rear their young ones. At these times they are bolder than usual, and timid birds, which in the winter and autumn seek the most secluded woods and distant fields, often build in gardens quite near to houses or to places where men are at work. The habits of birds when they are building their nests are very interesting, and sometimes rather puzzling.