JOLY DE LOTBINIÈRE, SIR HENRI GUSTAVE (1829-1908), Canadian politician, was born at Epernay in France on the 5th of December 1829. His father, Gaspard Pierre Gustave Joly, the owner of famous vineyards at Epernay, was of Huguenot descent, and married Julie Christine, grand-daughter of Eustache Gaspard Michel Chartier de Lotbinière, marquis de Lotbinière (one of Montcalm’s engineers at Quebec); he thus became seigneur de Lotbinière. Henri Gustave adopted the name of de Lotbinière in 1888, under a statute of the province of Quebec. He was educated in Paris, and called to the bar of lower Canada in 1858. On the 6th of May 1856 he married Margaretta Josepha (d. 1904), daughter of Hammond Gowen, of Quebec. At the general election of 1861 he was elected to the house of assembly of the province of Canada as Liberal member for the county of Lotbinière, and from 1867 to 1874 he represented the same county in the House of Commons, Ottawa, and in the legislative assembly, Quebec. Joly was opposed to confederation and supported Dorion in the stand which he took on this question. In 1878 he was called by Luc Letellier de St Just, lieutenant-governor of Quebec, to form an administration, which was defeated in 1879, and until 1883 he was leader of the opposition. During his brief administration he adopted a policy of retrenchment, and endeavoured to abolish the legislative council. In 1885, as a protest against the attitude of his party towards Louis Riel, who was tried and executed for high treason, he retired from public life. Early in the year 1895 he was induced again to take an active part in the campaign of his party, and at the general election of 1896 he was returned as member for the county of Portneuf. He had already in 1895 been created K.C.M.G. On the formation of Sir Wilfrid Laurier’s administration he accepted the office of controller of inland revenue, and a year later he became a privy councillor, as minister of inland revenue. From 1900 to 1906 he was lieutenant-governor of the province of British Columbia. He twice declined a seat in the senate, but rendered eminent service to Canada by promoting the interest of agriculture, horticulture and of forestry. He died on the 17th of November 1908.
(A. G. D.)
JOMINI, ANTOINE HENRI, Baron (1779-1869), general in the French and afterwards in the Russian service, and one of the most celebrated writers on the art of war, was born on the 6th of March 1779 at Payerne in the canton of Vaud, Switzerland, where his father was syndic. His youthful preference for a military life was disappointed by the dissolution of the Swiss regiments of France at the Revolution. For some time he was a clerk in a Paris banking-house, until the outbreak of the Swiss revolution. At the age of nineteen he was appointed to a post on the Swiss headquarters staff, and when scarcely twenty-one to the command of a battalion. At the peace of Lunéville in 1801 he returned to business life in Paris, but devoted himself chiefly to preparing the celebrated Traité des grandes opérations militaires, which was published in 1804-1805. Introduced to Marshal Ney, he served in the campaign of Austerlitz as a volunteer aide-de-camp on Ney’s personal staff. In December 1805 Napoleon, being much impressed by a chapter in Jomini’s treatise, made him a colonel in the French service. Ney thereupon made him his principal aide-de-camp. In 1806 Jomini published his views as to the conduct of the impending war with Prussia, and this, along with his knowledge of Frederick the Great’s campaigns, which he had described in the Traité, led Napoleon to attach him to his own headquarters. He was present with Napoleon at the battle of Jena, and at Eylau won the cross of the Legion of Honour. After the peace of Tilsit he was made chief of the staff to Ney, and created a baron. In the Spanish campaign of 1808 his advice was often of the highest value to the marshal, but Jomini quarrelled with his chief, and was left almost at the mercy of his numerous enemies, especially Berthier, the emperor’s chief of staff. Overtures had been made to him, as early as 1807, to enter the Russian service, but Napoleon, hearing of his intention to leave the French army, compelled him to remain in the service with the rank of general of brigade. For some years thereafter Jomini held both a French and a Russian commission, with the consent of both sovereigns. But when war between France and Russia broke out, he was in a difficult position, which he ended by taking a command on the line of communication. He was thus engaged when the retreat from Moscow and the uprising of Prussia transferred the seat of war to central Germany. He promptly rejoined Ney, took part in the battle of Lützen and, as chief of the staff of Ney’s group of corps, rendered distinguished services before and at the battle of Bautzen, and was recommended for the rank of general of division. Berthier, however, not only erased Jomini’s name from the list, but put him under arrest and censured him in army orders for failing to supply certain returns that had been called for. How far Jomini was held responsible for certain misunderstandings which prevented the attainment of all the results hoped for from Ney’s attack (see [Bautzen]) there is no means of knowing. But the pretext for censure was trivial and baseless, and during the armistice Jomini did as he had intended to do in 1809-10, and went into the Russian service. As things then were, this was tantamount to deserting to the enemy, and so it was regarded by Napoleon and by the French army, and by not a few of his new comrades. It must be observed, in Jomini’s defence, that he had for years held a dormant commission in the Russian army, that he had declined to take part in the invasion of Russia in 1812, and that he was a Swiss and not a Frenchman. His patriotism was indeed unquestioned, and he withdrew from the Allied Army in 1814 when he found that he could not prevent the violation of Swiss neutrality. Apart from love of his own country, the desire to study, to teach and to practise the art of war was his ruling motive. At the critical moment of the battle of Eylau he exclaimed, “If I were the Russian commander for two hours!” On joining the allies he received the rank of lieutenant-general and the appointment of aide-de-camp from the tsar, and rendered important assistance during the German campaign, though the charge that he betrayed the numbers, positions and intentions of the French to the enemy was later acknowledged by Napoleon to be without foundation. He declined as a Swiss patriot and as a French officer to take part in the passage of the Rhine at Basel and the subsequent invasion of France.
In 1815 he was with the emperor Alexander in Paris, and attempted in vain to save the life of his old commander Ney. This almost cost him his position in the Russian service, but he succeeded in making head against his enemies, and took part in the congress of Vienna. Resuming, after a period of several years of retirement and literary work, his post in the Russian army, he was about 1823 made a full general, and thenceforward until his retirement in 1829 he was principally employed in the military education of the tsarevich Nicholas (afterwards emperor) and in the organization of the Russian staff college, which was opened in 1832 and still bears its original name of the Nicholas academy. In 1828 he was employed in the field in the Russo-Turkish War, and at the siege of Varna he was given the grand cordon of the Alexander order. This was his last active service. In 1829 he settled at Brussels where he chiefly lived for the next thirty years. In 1853, after trying without success to bring about a political understanding between France and Russia, Jomini was called to St Petersburg to act as a military adviser to the tsar during the Crimean War. He returned to Brussels on the conclusion of peace in 1856 and some years afterwards settled at Passy near Paris. He was busily employed up to the end of his life in writing treatises, pamphlets and open letters on subjects of military art and history, and in 1859 he was asked by Napoleon III. to furnish a plan of campaign in the Italian War. One of his last essays dealt with the war of 1866 and the influence of the breech-loading rifle, and he died at Passy on the 24th of March 1869 only a year before the Franco-German War. Thus one of the earliest of the great military theorists lived to speculate on the tactics of the present day.
Amongst his numerous works the principal, besides the Traité, are: Histoire critique et militaire des campagnes de la Révolution (1806; new ed. 1819-1824); Vie politique et militaire de Napoléon racontée par lui-même (1827) and, perhaps the best known of all his publications, the theoretical Précis de l’art de la guerre (1836).
See Ferdinand Lecomte, Le Général Jomini, sa vie et ses écrits (1861; new ed. 1888); C. A. Saint-Beuve, Le Général Jomini (1869); A. Pascal, Observations historiques sur la vie, &c., du général Jomini (1842).
JOMMELLI, NICCOLA (1714-1774), Italian composer, was born at Aversa near Naples on the 10th of September 1714. He received his musical education at two of the famous music schools of that capital, being a pupil of the Conservatorio de’ poveri di Gesù Cristo under Feo, and also of the Conservatorio della pietà dei Turchini under Prota, Mancini and Leo. His first opera, L’Errore amoroso, was successfully produced at Naples (under a pseudonym) when Jommelli was only twenty-three. Three years afterwards he went to Rome to bring out two new operas, and thence to Bologna, where he profited by the advice of Padre Martini, the greatest contrapuntist of his age. In the meantime Jommelli’s fame began to spread beyond the limits of his country, and in 1748 he went for the first time to Vienna, where one of his finest operas, Didone, was produced. Three years later he returned to Italy, and in 1753 he obtained the post of chapel-master to the duke of Württemberg at Stuttgart, which city he made his home for a number of years. In the same year he had ten commissions to write operas for princely courts. In Stuttgart he permitted no operas but his own to be produced, and he modified his style in accordance with German taste, so much that, when after an absence of fifteen years he returned to Naples, his countrymen hissed two of his operas off the stage. He retired in consequence to his native village, and only occasionally emerged from his solitude to take part in the musical life of the capital. His death took place on the 25th of August 1774, his last composition being the celebrated Miserere, a setting for two female voices of Saverio Mattei’s Italian paraphrase of Psalm li. Jommelli is the most representative composer of the generation following Leo and Durante. He approaches very closely to Mozart in his style, and is important as one of the composers who, by welding together German and Italian characteristics, helped to form the musical language of the great composers of the classical period of Vienna.