JORDAENS, JACOB (1593-1678), Flemish painter, was born and died at Antwerp. He studied, like Rubens, under Adam van Noort, and his marriage with his master’s daughter in 1616, the year after his admission to the gild of painters, prevented him from visiting Rome. He was forced to content himself with studying such examples of the Italian masters as he found at home; but a far more potent influence was exerted upon his style by Rubens, who employed him sometimes to reproduce small sketches in large. Jordaens is second to Rubens alone in their special department of the Flemish school. In both there is the same warmth of colour, truth to nature, mastery of chiaroscuro and energy of expression; but Jordaens is wanting in dignity of conception, and is inferior in choice of forms, in the character of his heads, and in correctness of drawing. Not seldom he sins against good taste, and in some of his humorous pieces the coarseness is only atoned for by the animation. Of these last he seems in some cases to have painted several replicas. He employed his pencil also in biblical, mythological, historical and allegorical subjects, and is well-known as a portrait painter. He also etched some plates.
See the elaborate work on the painter, by Max Rooses (1908).
JORDAN, CAMILLE (1771-1821), French politician, was born in Lyons on the 11th of January 1771 of a well-to-do mercantile family. He was educated in Lyons, and from an early age was imbued with royalist principles. He actively supported by voice, pen and musket his native town in its resistance to the Convention; and when Lyons fell, in October 1793, Jordan fled. From Switzerland he passed in six months to England, where he formed acquaintances with other French exiles and with prominent British statesmen, and imbibed a lasting admiration for the English Constitution. In 1796 he returned to France, and next year he was sent by Lyons as a deputy to the Council of Five Hundred. There his eloquence won him consideration. He earnestly supported what he felt to be true freedom, especially in matters of religious worship, though the energetic appeal on behalf of church bells in his Rapport sur la liberté des cultes procured him the sobriquet of Jordan-Cloche. Proscribed at the coup d’état of the 18th Fructidor (4th of September 1797) he escaped to Basel. Thence he went to Germany, where he met Goethe. Back again in France by 1800, he boldly published in 1802 his Vrai sens du vote national pour le consulat à vie, in which he exposed the ambitious schemes of Bonaparte. He was unmolested, however, and during the First Empire lived in literary retirement at Lyons with his wife and family, producing for the Lyons academy occasional papers on the Influence réciproque de l’éloquence sur la Révolution et de la Révolution sur l’éloquence; Études sur Klopstock, &c. At the restoration in 1814 he again emerged into public life. By Louis XVIII. he was ennobled and named a councillor of state; and from 1816 he sat in the chamber of deputies as representative of Ain. At first he supported the ministry, but when they began to show signs of reaction he separated from them, and gradually came to be at the head of the constitutional opposition. His speeches in the chamber were always eloquent and powerful. Though warned by failing health to resign, Camille Jordan remained at his post till his death at Paris, on the 19th of May 1821.
To his pen we owe Lettre à M. Lamourette (1791); Histoire de la conversion d’une dame Parisienne (1792); La Loi et la religion vengées (1792); Adresse à ses commettants sur la révolution du 4 Septembre 1797 (1797); Sur les troubles de Lyon (1818); La Session de 1817 (1818). His Discours were collected in 1818. The “Fragments choisis,” and translations from the German, were published in L’Abeille française. Besides the various histories of the time, see further details vol. x. of the Revue encyclopédique; a paper on Jordan and Madame de Staël, by C. A. Sainte-Beuve, in the Revue des deux mondes for March 1868 and R. Boubée, “Camille Jordan à Weimar,” in the Correspondant (1901), ccv. 718-738 and 948-970.
JORDAN, DOROTHEA (1762-1816), Irish actress, was born near Waterford, Ireland, in 1762. Her mother, Grace Phillips, at one time known as Mrs Frances, was a Dublin actress. Her father, whose name was Bland, was according to one account an army captain, but more probably a stage hand. Dorothy Jordan made her first appearance on the stage in 1777 in Dublin as Phoebe in As You Like It. After acting elsewhere in Ireland she appeared in 1782 at Leeds, and subsequently at other Yorkshire towns, in a variety of parts, including Lady Teazle. It was at this time that she began calling herself Mrs Jordan. In 1785 she made her first London appearance at Drury Lane as Peggy in A Country Girl. Before the end of her first season she had become an established public favourite, her acting in comedy being declared second only to that of Kitty Clive. Her engagement at Drury Lane lasted till 1809, and she played a large variety of parts. But gradually it came to be recognized that her special talent lay in comedy, her Lady Teazle, Rosalind and Imogen being specially liked, and such “breeches” parts as William in Rosina. During the rebuilding of Drury Lane she played at the Haymarket; she transferred her services in 1811 to Covent Garden. Here, in 1814, she made her last appearance on the London stage, and the following year, at Margate, retired altogether. Mrs Jordan’s private life was one of the scandals of the period. She had a daughter by her first manager, in Ireland, and four children by Sir Richard Ford, whose name she bore for some years. In 1790 she became the mistress of the duke of Clarence (afterwards William IV.), and bore him ten children, who were ennobled under the name of Fitz Clarence, the eldest being created earl of Munster. In 1811 they separated by mutual consent, Mrs Jordan being granted a liberal allowance. In 1815 she went abroad. According to one story she was in danger of imprisonment for debt. If so, the debt must have been incurred on behalf of others—probably her relations, who appear to have been continually borrowing from her—for her own personal debts were very much more than covered by her savings. She is generally understood to have died at St Cloud, near Paris, on the 3rd of July 1816, but the story that under an assumed name she lived for seven years after that date in England finds some credence.
See James Boaden, Life of Mrs Jordan (1831); The Great Illegitimates (1830); John Genest, Account of the Stage; Tate Wilkinson, The Wandering Patentee; Memoirs and Amorous Adventures by Sea and Land of King William IV. (1830); The Georgian Era (1838).