DESCRIPTION OF STEEL FASHION PLATE FOR APRIL.
Fig. 1st.—Dinner-dress of rose-colored cashmere, the flounces trimmed with velvet points of a rich dark brown; the opening in the front of the basque is made by laying the corsage back from the shoulder to the line of the waist, sloping the width gradually. Short wide sleeves trimmed to correspond. Bonnet of rose-colored taffeta ribbon, with a border and bands of pale green, tied with strings of the same. The inside has a very full ruche of blonde, with a single damask rose placed high up on the right side.
Fig. 2d.—Plain walking-dress of mode-colored silk, the skirt entirely plain. The corsage is close and high, with a short basque, trimming of black guipure lace and velvet ribbon; the sleeves are opened on the back and forearm, trimmed to correspond. Knots of velvet ribbon close the corsage. White drawn bonnet, the brim very shallow, full trimmed, the lace having blue crape convolvulus bells, intermixed at irregular distances.
Child's dress of plain white cashmere, flounced; blue cloak of full Talma pattern. White drawn bonnet, with double wreath of daisies inside the brim.
CHITCHAT UPON NEW YORK AND PHILADELPHIA FASHIONS FOR APRIL.
The month of April with us is principally devoted to shopping; the changes of dress do not begin to be general before May, although the preparations are, of course, made at this time. The principal consideration of the month would seem to be mantillas, scarfs, etc., bonnets, and the making up of dresses.
For a large variety of styles, in the mantilla department, we are indebted to Brodie, of New York, who ranks at the head of this manufacture. In our next number, we shall give a more detailed account of his large establishment, entirely devoted to cloaks, mantillas, and scarfs. And here we are bewildered with the variety, in attempting to select for our readers.
Although velvet is not in season, strictly speaking, we must notice a scarf mantilla of royal purple, the rich and costly fabric being decorated by embroidery, the design a heavy wreath of grape leaves, purple clusters, and twining tendrils. They are shaded with exquisite art, the leaves and tendrils in different stitches, the clusters in rich raised work, the effect of which it is impossible to describe.
A bridal scarf of rich embroidery on a white ground, as pure as the bridal dress itself, is one of the next most costly importations. No other house uses so much embroidery as Brodie, and we are assured by him that the French needle-work, exquisite as it is, can be excelled in this country. His establishment alone affords employment to hundreds in this branch of female industry, through the busy seasons of the year.
The woven embroidery now so much the style, where bouquets, wreaths, etc., are brocaded on a plain ground, is brought into service the present season. The Oriental scarf we notice, as combining richness of material and effect, with plainness of form and decoration. It has a deep border of palm leaves in bright shades, gold predominating, on a plain ground of royal purple; the heavy fringe is of the same hue. The form is the simple close-fitting mantilla scarf.