There was an indescribable fascination about the character of Napoleon, which no other man ever possessed, and which all felt who entered his presence. Some military officers of high rank, on one occasion, in these days of his early power, agreed to go and remonstrate with him upon some subject which had given them offense. One of the party thus describes the interview.
"I do not know whence it arises, but there is a charm about that man, which is indescribable and irresistible. I am no admirer of him. I dislike the power to which he has risen. Yet I can not help confessing that there is a something in him, which seems to speak that he is born to command. We went into his apartment determined to declare our minds to him very freely; to expostulate with him warmly, and not to depart till our subjects of complaint were removed. But in his manner of receiving us, there was a certain something, a degree of fascination, which disarmed us in a moment; nor could we utter one word of what we had intended to say. He talked to us for a long time, with an eloquence peculiarly his own, explaining, with the utmost clearness and precision, the necessity for steadily pursuing the line of conduct he had adopted. Without contradicting us in direct terms, he controverted our opinions so ably, that we had not a word to say in reply. We left him, having done nothing else but listen to him, instead of expostulating with him; and fully convinced, at least for the moment, that he was in the right, and that we were in the wrong."
The merchants of Rouen experienced a similar fascination, when they called to remonstrate against some commercial regulations which Napoleon had introduced. They were so entirely disarmed by his frankness, his sincerity, and were so deeply impressed by the extent and the depth of his views, that they retired, saying, "The First Consul understands our interests far better than we do ourselves." "The man," says Lady Morgan, "who, at the head of a vast empire, could plan great and lasting works, conquer nations, and yet talk astronomy with La Place, tragedy with Talma, music with Cherubini, painting with Gerrard, vertu with Denon, and literature and science with any one who would listen to him, was certainly out of the roll of common men."
Napoleon now exerted all his energies for the elevation of France. He sought out and encouraged talent wherever it could be found. No merit escaped his princely munificence. Authors, artists, men of science were loaded with honors and emoluments. He devoted most earnest attention to the education of youth. The navy, commerce, agriculture, manufactures, and all mechanic arts, secured his assiduous care. He labored to the utmost, and with a moral courage above all praise, to discountenance whatever was loose in morals, or enervating or unmanly in amusements or taste. The theatre was the most popular source of entertainment in France. He frowned upon all frivolous and immodest performances, and encouraged those only which were moral, grave, and dignified. In the grandeur of tragedy alone he took pleasure. In his private deportment he exhibited the example of a moral, simple, and toilsome life. Among the forty millions of France, there was not to be found a more temperate and laborious man. When nights of labor succeeded days of toil, his only stimulus was lemonade. He loved his own family and friends, and was loved by them with a fervor which soared into the regions of devotion. Never before did mortal man secure such love. Thousands were ready at any moment to lay down their lives through their affection for him. And that mysterious charm was so strong that it has survived his death. Thousands now live who would brave death in any form from love for Napoleon.
PECULIAR HABITS OF DISTINGUISHED AUTHORS.
Among the curious facts which we find in perusing the biographies of great men, are the circumstances connected with the composition of the works which have made them immortal.
For instance, Bossuet composed his grand sermons on his knees; Bulwer wrote his first novels in full dress, scented; Milton, before commencing his great work, invoked the influence of the Holy Spirit, and prayed that his lips might be touched with a live coal from off the altar; Chrysostom meditated and studied while contemplating a painting of Saint Paul.
Bacon knelt down before composing his great work, and prayed for light from Heaven. Pope never could compose well without first declaiming for some time at the top of his voice, and thus rousing his nervous system to its fullest activity.
Bentham composed after playing a prelude on the organ, or while taking his "ante-jentacular" and "post-prandial" walks in his garden—the same, by the way, that Milton occupied. Saint Bernard composed his Meditations amidst the woods; he delighted in nothing so much as the solitude of the dense forest, finding there, he said, something more profound and suggestive than any thing he could find in books. The storm would sometimes fall upon him there, without for a moment interrupting his meditations. Camoens composed his verses with the roar of battle in his ears; for, the Portuguese poet was a soldier, and a brave one, though a poet. He composed others of his most beautiful verses, at the time when his Indian slave was begging a subsistence for him in the streets. Tasso wrote his finest pieces in the lucid intervals of madness.