“To be able to stand is to have confidence;” and to have confidence means that the disciple is sure of himself, that he has surrendered his emotions, his very self, even his humanity; that he is incapable of fear and unconscious of pain; that his whole consciousness is centred in the divine life, which is expressed symbolically by the term “the Masters;” that he has neither eyes, nor ears, nor speech, nor power, save in and for the divine ray on which his highest sense has touched. Then is he fearless, free from suffering, free from anxiety or dismay; his soul stands without shrinking or desire of postponement, in the full blaze of the divine light which penetrates through and through his being. Then he has come into his inheritance and can claim his kinship with the teachers of men; he is upright, he has raised his head, he breathes the same air that they do.

But before it is in any way possible for him to do this, the feet of the soul must be washed in the blood of the heart.

The sacrifice, or surrender of the heart of man, and its emotions, is the first of the rules; it involves the “attaining of an equilibrium which cannot be shaken by personal emotion.” This is done by the stoic philosopher; he, too, stands aside and looks equably upon his own sufferings, as well as on those of others.

In the same way that “tears” in the language of occultists expresses the soul of emotion, not its material appearance, so blood expresses, not that blood which is an essential of physical life, but the vital creative principle in man’s nature, which drives him into human life in order to experience pain and pleasure, joy and sorrow. When he has let the blood flow from the heart he stands before the Masters as a pure spirit which no longer wishes to incarnate for the sake of emotion and experience. Through great cycles of time successive incarnations in gross matter may yet be his lot; but he no longer desires them, the crude wish to live has departed from him. When he takes upon him man’s form in the flesh he does it in the pursuit of a divine object, to accomplish the work of “the Masters,” and for no other end. He looks neither for pleasure nor pain, asks for no heaven, and fears no hell; yet he has entered upon a great inheritance which is not so much a compensation for these things surrendered, as a state which simply blots out the memory of them. He lives now not in the world, but with it; his horizon has extended itself to the width of the whole universe.

Δ

THE WHITE MONK.

By the Author of the “Professor of Alchemy.”

Part I.—Ralph’s Story.

“It was after this manner, as they say,” began Ralph, swinging himself on to a bench and pouring out for himself a tankard of our good home-brewed, as I crouched in the hay opposite to him. “Two centuries agone and thirty years or so, there dwelt in this very house which I serve—and which one day, young master, you shall rule!—Sir Gilbert de Troyes, your ancestor, and his lady, and four fair sons, and a lovely daughter. Of these sons, twain were at the wars, one was in his nurse’s lap, and another was gone to Italy, to finish his studies at Parma. Thus did the old nobles use to ruin their sons!

“This young foregoer of yours (a goodly youth!) fell in with the usual temptations of Satan. He held, with the poets, that the world is the best book for men to read; and he studied it, I ween, with diligence. Now there was a certain damsel, winsome enough, I doubt not, in the Italian style, with black hair and the devil—save the mark!—in her wandering eyes. So it came to pass that Master Gilbert, younger, wooed her for his bride, like an honest gentleman, as the old tales say he was; and so great is the power of one upright soul amongst others, that the young witch—she was but young, poor soul! and teachable—was charmed herself from her Italian ways, and vowed to love and follow only him; and the day before their marriage, she was walking with him in the streets of Parma, by night—for Master Gilbert had a governor along with him in Italy, who must be hoodwinked—when there chanced to espy them one Pietro Rinucci, a clerkly fellow (with a curse upon him!) who was even studying also at Parma, and who loved the Italian witch himself.