"Heaven give you many, many merry days and nights," he telegraphed to me on the first night, and after that first night, the jolliest that I ever saw, he wrote delighting in my success. It was a success, there was no doubt about it. Some people accused the "Merry Wives" of rollicking and "mafficking" overmuch, but these were the people who forgot that we were acting in a farce, and that farce is farce, even when Shakespeare is the author. The audience at first used to seem rather amazed. This thwacking, rough-and-tumble, Rabelaisian horse-play Shakespeare? Impossible! But as the evening went on we used to capture even the most civilized, and force them to return to a simple Jacobian frame of mind.
In my later career I think I have had no success like this. Letters rained on me—yes, even love-letters, as if, to quote Mrs. Page, it were still "the holiday-time of my beauty." As I would always rather make an audience laugh than see them weep, it may be guessed how much I enjoyed the hearty laughter at His Majesty's during the run of the madcap absurdity of "Merry Wives of Windsor."
MISS TERRY'S GARDEN AT WINCHELSEA;
FROM A PHOTOGRAPH GIVEN BY HER TO MISS EVELYN SMALLEY
On the nineteenth of July, 1902, I acted at the Lyceum for the last time, although I did not know it then. These last Lyceum days were very sad. The reception given by Henry to the Indian princes who were in England for the Coronation was the last flash of the splendid hospitality which had for so many years been one of the glories of the theatre.
During my provincial tour with Henry Irving in the autumn of this year I thought long and anxiously over the proposition that I should play in "Dante." I heard the play read, and saw no possible part for me in it. I refused a large sum of money to go to America with Henry Irving, because I could not consent to play a part even worse than the one that I had played in "Robespierre." As things turned out, although "Dante" did fairly well at Drury Lane, the Americans would have none of it, and Henry had to fall back upon his repertoire.
Ibsen's "Vikings"
Having made the decision against "Dante," I began to wonder what I should do. My partnership with Henry Irving was definitely broken; most inevitably and naturally "dissolved." There were many roads open to me. I chose the one which was, from a financial point of view, madness. Instead of going to America, and earning £12,000, I decided to take a theatre with my son, and produce plays in conjunction with him.