And as he painted, they talked together, quietly, sympathetically, with the understanding and the occasional silence of old friends, these two who had but learned to know each other during the last few days, but from whose short acquaintance were destined to spring, for the one, a friendship which did much to lighten the burden of these last hours, for the other, a love which he was to bear in his heart to the end of an adventurous career.
This girl, who had lost her mother at an early age; who had ever since lived a simple, secluded, somewhat lonely existence, first in the convent of L'Abbaye-aux-Dames, and subsequently under the care of an old aunt at Caen; who had never found a friend in whom to confide her troubles; now for the first time discovered a sympathetic listener, who gradually drew from her the sad story of her life and of the sinister events that led up to the tragedy with which it was to close.
As a girl she had been much alone; had played alone, thought alone, lived alone. And in her case, as in that of many others, solitude had been the mother of great thoughts. Hers was not an unhappy childhood, but her happiness had sprung from sources other than those usually open to children. She drew most of her pleasure from books, from Plutarch, from Corneille, the poet, her ancestor, of whom she was justly proud, and who had declared that poetry and heroism were of the same race, the one carrying out what the other conceived.
So had she grown up at Caen, dreaming much of her country's welfare, filled with a romantic ambition to do something for France, something grand, something noble.
And then came all the horrors of the Revolution. Terrible tales of bloodshed and injustice reached the little sun-kissed village of Caen. The name of Marat was on every tongue—Marat, who made the streets run with blood; Marat, the murderer of thousands whose only crime was loyalty; Marat, through whose wanton ferocity the blood-stained Loire was discolored for miles, to whose rage for extermination the gloomy solitude of the towns and the desolation of the country bore ghastly testimony. The very crimson of the autumn woods seemed to reflect the bloodshed of those cruel September massacres.
It was then, no doubt, that the thought first entered the mind of this young girl; the idea that perhaps she, though only a woman, with no knowledge of the world, without experience, might achieve what men seemed frightened to attempt, something that should help to retrieve the lost honor of France. It was ambitious, surely; but then, was not Joan of Arc a girl?
Marat, the murderer of peace, if only he were dead, thought Charlotte Corday, peace would be restored. "It is expedient for one man to die for all."
The shadow of Marat darkened the whole picture, and in the background stood the scaffold, which liberty was mounting in company with the victims of this murderer, at whose name one shuddered, as at the mention of death. Marat, without Danton's courage or the integrity of Robespierre, seemed but a wild beast bent on devouring France.
Charlotte saw her beloved country in its death agony, she saw the victims and the tyrant. She sought to avenge the one, to punish the other, to save all.
Many a long summer night did she lie awake in her little attic room at Caen, wondering what she should do. Suddenly all seemed to clear before her. Her mind was made up.