Queries.
DUTCH TRANSLATION OF A TRACT BY ROBERT GREENE.
I was thinking of sending you a note or two on an early Dutch translation of a very celebrated English tract when your last number came to hand, by which I find that so much interest has been produced by "Notes and Queries" in Holland, that certain literati are about to establish a similar work in that country. If I mistake not, what I now transmit will be acceptable to your Batavian friends, and not unwelcome to those who approve of your undertaking on this side of the water.
A good deal has been advanced lately regarding the interest taken by the inhabitants of Holland, Belgium, and Germany, in our ancient drama; and in consistency with what was said by Thomas Heywood more than 200 years ago, some new information has been supplied respecting the encouragement given to English players abroad. The fact itself was well-known, and the author last cited (Shakspeare Society's reprint of the Apology for Actors, 1841, p. 58.) furnishes the name of the very play performed on one occasion at Amsterdam. The popularity of our drama there perhaps contributed to the popularity of our lighter literature, (especially of such as came from the pens of our most notorious playwrights,) in the same part of Europe, and may account for the circumstance I am about to mention.
At this time of day I need hardly allude to the reputation the celebrated Robert Greene obtained in England, both as a dramatist and a pamphleteer; and although we have no distinct evidence on the point, we need hardly doubt that some of his plays had been represented with applause in Holland. The Four Sons of Aymon, which Heywood tells us was acted with such strange effect at Amsterdam, must have been a piece of precisely the same kind as Greene's Orlando Furioso, which we know was extraordinarily popular in this kingdom, and may have been equally so abroad. We may thus suppose that Greene's fame had spread to the Netherlands, and that anything written by him would be well received by Batavian readers.
His Quip for an Upstart Courtier, or, a Quaint Dispute between Velvet-breeches and Cloth-breeches, was published in London in 1592, and went through two, if not three, impressions in its first year. It was often reprinted, and editions in 1606, 1615, 1620, 1625, and 1635, have come down to us, besides others that, no doubt, have entirely disappeared. That the fame of this production extended to Holland, I have the proof before me: it is a copy of the tract in Dutch, with the following imprint—"Tot Leyden. By Thomas Basson. M.D.CI." A friend of mine writes me from Rotterdam, that he has a copy, without date, but printed about twenty or five-and-twenty years after mine of 1601, which shows how long the popularity of the tract was maintained; and I have little doubt that mine is not by any means the earliest Dutch impression, if only because the wood-cut of the Courtier and the Countryman (copied with the greatest precision from the London impression of 1592) is much worn and blurred. The title-page runs as follows, and the name of Robert Greene is rendered obvious upon it for the sake of its attraction:—
"Een Seer vermakelick Proces tusschen Fluweele-Broeck ende Laken-Broeck. Waer in verhaldt werdt het misbruyck van de meeste deel der Menschen. Gheshreven int Engelsch door Robert Greene, ende nu int Neder-landtsch overgheset. Wederom oversien."
At the back of this title is printed a short address from the translator to the Edele ende welghesinde Leser, which states little more than that the original had been received from England, and concludes with the subsequent quatrain:—