| It's noon when Thirty-five is due, |
| An' she comes on time like a flash of light, |
| An' you hear her whistle "Too-tee-too!" |
| Long 'fore the pilot swings in sight. |
| Bill Madden's drivin' her in to-day, |
| An' he's calling his sweetheart far away— |
| Gertrude Hurd lives down by the mill; |
| You might see her blushin'; she knows it's Bill. |
| "Tudie, tudie! Toot-ee! Tudie, tudie! Tu!" |
| |
| Six-five, A.M. there's a local comes, |
| Makes up at Bristol, runnin' east; |
| An' the way her whistle sings and hums |
| Is a livin' caution to man and beast. |
| Every one knows who Jack White calls,— |
| Little Lou Woodbury, down by the falls; |
| Summer or Winter, always the same, |
| She hears her lover callin' her name— |
| "Lou-ie! Lou-ie! Lou-iee!" |
| |
| But at one fifty-one, old Sixty-four— |
| Boston express, runs east, clear through— |
| Drowns her rattle and rumble and roar |
| With the softest whistle that ever blew. |
| An' away on the furthest edge of town |
| Sweet Sue Winthrop's eyes of brown |
| Shine like the starlight, bright and clear, |
| When she hears the whistle of Abel Gear, |
| "You-oo! Su-u-u-u-u-e!" |
| |
| Along at midnight a freight comes in, |
| Leaves Berlin sometime—I don't know when; |
| But it rumbles along with a fearful din |
| Till it reaches the Y-switch there and then |
| The clearest notes of the softest bell |
| That out of a brazen goblet fell |
| Wake Nellie Minton out of her dreams; |
| To her like a wedding-bell it seems— |
| "Nell, Nell, Nell! Nell, Nell, Nell!" |
| |
| Tom Willson rides on the right-hand side, |
| Givin' her steam at every stride; |
| An' he touches the whistle, low an' clear, |
| For Lulu Gray on the hill, to hear— |
| "Lu-Lu! Loo-Loo! Loo-oo!" |
| |
| So it goes all day an' all night |
| Till the old folks have voted the thing a bore; |
| Old maids and bachelors say it ain't right |
| For folks to do courtin' with such a roar. |
| But the engineers their kisses will blow |
| From a whistle valve to the girls they know, |
| An' stokers the name of their sweethearts tell; |
| With the "Too-too-too" and the swinging bell. |
| |
| R.J. Burdette. |
| She stood at the bar of justice, |
| A creature wan and wild, |
| In form too small for a woman, |
| In features too old for a child; |
| For a look so worn and pathetic |
| Was stamped on her pale young face, |
| It seemed long years of suffering |
| Must have left that silent trace. |
| |
| "Your name?" said the judge, as he eyed her |
| With kindly look yet keen,— |
| "Is Mary McGuire, if you please, sir." |
| And your age?"—"I am turned fifteen." |
| "Well, Mary," and then from a paper |
| He slowly and gravely read, |
| "You are charged here—I'm sorry to say it— |
| With stealing three loaves of bread. |
| |
| "You look not like an offender, |
| And I hope that you can show |
| The charge to be false. Now, tell me, |
| Are you guilty of this, or no?" |
| A passionate burst of weeping |
| Was at first her sole reply. |
| But she dried her eyes in a moment, |
| And looked in the judge's eye. |
| |
| "I will tell you just how it was, sir: |
| My father and mother are dead, |
| And my little brothers and sisters |
| Were hungry and asked me for bread. |
| At first I earned it for them |
| By working hard all day, |
| But somehow, times were bad, sir, |
| And the work all fell away. |
| |
| "I could get no more employment. |
| The weather was bitter cold, |
| The young ones cried and shivered— |
| (Little Johnny's but four years old)— |
| So what was I to do, sir? |
| I am guilty, but do not condemn. |
| I took—oh, was it stealing?— |
| The bread to give to them." |
| |
| Every man in the court-room— |
| Gray-beard and thoughtless youth— |
| Knew, as he looked upon her, |
| That the prisoner spake the truth; |
| Out from their pockets came kerchiefs, |
| Out from their eyes sprung tears, |
| And out from their old faded wallets |
| Treasures hoarded for years. |
| |
| The judge's face was a study, |
| The strangest you ever saw, |
| As he cleared his throat and murmured |
| Something about the law; |
| For one so learned in such matters, |
| So wise in dealing with men, |
| He seemed, on a simple question, |
| Sorely puzzled, just then. |
| |
| But no one blamed him or wondered, |
| When at last these words he heard, |
| "The sentence of this young prisoner |
| Is, for the present, deferred." |
| And no one blamed him or wondered |
| When he went to her and smiled |
| And tenderly led from the court-room, |
| Himself, the "guilty" child. |
| Where did you come from, baby dear? |
| Out of the everywhere into the here. |
| |
| Where did you get your eyes so blue? |
| Out of the sky as I came through. |
| |
| What makes the light in them sparkle and spin? |
| Some of the starry spikes left in. |
| |
| Where did you get that little tear? |
| I found it waiting when I got here. |
| |
| What makes your forehead so smooth and high? |
| A soft hand stroked it as I went by. |
| |
|
| What makes your cheek like a warm white rose? |
| Something better than anyone knows. |
| |
| Whence that three-cornered smile of bliss? |
| Three angels gave me at once a kiss. |
| |
| Where did you get that pearly ear? |
| God spoke, and it came out to hear. |
| |
| Where did you get those arms and hands? |
| Love made itself into hooks and bands. |
| |
| Feet, whence did you come, you darling things? |
| From the same box as the cherubs' wings. |
| |
| How did they all just come to be you? |
| God thought about me, and so I grew. |
| |
| But how did you come to us, you dear? |
| God thought of you, and so I am here. |
| |
| George Macdonald. |