“I aimed at his arm,” said Steinfeld gloomily, “but the cold made my hand shake.”

Carcassonne seemed not to hear the remark. De Mellay glanced at the baron, and then at the bird that lay upon the blood-sprinkled snow more than twenty yards off.

“Quite dead,” said Pilori, letting the arm fall. “It is a painful thing to kill a man,” added the materialist doctor to Steinfeld, who stood regarding his victim with a moody and regretful gaze. “It may be satisfactory to you to know that he could not have lived six months longer.”

In France, a few years ago, duels, even when fatal in result, did not necessarily entail strict judicial investigation, unless such investigation was provoked by the friends of the fallen man. In the instance here recorded no one thought proper to take vindictive steps. Fatello’s coachman was instructed, and largely bribed, to say that his master had been struck with apoplexy in his carriage, and that, on discovering his condition, he had at once driven him to Dr Pilori. The physician’s arrival at the house, in company with the corpse, and the absence of hemorrhage from the wound, rendered it easy to conceal the latter, and gave plausibility to the story, which found general credit. It was not till several days afterwards that a report spread of the real cause of the banker’s death. Even then it attained little publicity, and by many was looked upon as a malicious fabrication. Before it got wind, however, the survivors of the domestic drama we have narrated, were far from its scene. By a will made a month before his death, Fatello had left the whole of his great riches, with the exception of some munificent donations to public charities, and of an ample legacy to Captain Carcassonne, to a cousin of his own name in Alsace. But he could not alienate his wife’s fortune, or deprive her of the splendid jointure secured to her by her father’s cautious greediness; and these constituted very large wealth, with which his widow, shortly after his death, left Paris for her native country. Her Parisian friends and acquaintances were edified, in the highest degree, by the grief she displayed at Fatello’s decease. She was disconsolate; and, for at least a day and a half, “cette pauvre Madame Fatello” was the prevailing topic of conversation, and the object of universal sympathy. Henpecked husbands held her up as a model of conjugal affection; and wicked wives secretly wondered at the poignant regret shown by such a young, rich, and handsome widow, for so ugly, unprepossessing, and morose a man. But it occurred to no one to seek the cause of her excessive grief in a bridal wreath instead of in a funeral shroud; to trace the source of her sorrow to the loss of an expected husband whom she passionately loved, not to that of a departed one, whom she never regretted.

Although little apprehensive of persecution, many motives concurred to render Paris an undesirable residence for the survivor of the duel in which Fatello met his death. The day after the fatal meeting, a travelling carriage left Paris by the road to Brussels. It contained Ernest von Steinfeld and his bride. In spite of some practice in duelling, and of the triple armour of selfishness in which he was habitually cased, there was a cloud upon the baron’s brow which change of scene and the caresses of his young wife did not always suffice to dissipate. And, although sensible to his bride’s beauty and fascination, and grateful, as far as it was in his nature to be so, for the passionate affection she showed him, it may be doubted whether he would not have repulsed her endearments, and spurned her from him, had he detected a secret that lay buried in the innermost recesses of her heart—had he recognised, in Sebastiana Gonfalon, the writer of the two anonymous letters that tended so materially to bring about her marriage, and the violent death of Sigismund Fatello.

As it was, the Baroness von Steinfeld had not long to congratulate herself on the success of her culpable manœuvres, whose sole extenuation was to be found in the fiery passions of her race, and in a moral education totally neglected. Doubtless, when planning and carrying out her guilty scheme, the possibility of so terrible a result never occurred to her; and it were attributing improbable depravity to one so young to doubt that she felt remorse at the catastrophe. She did not long await her punishment. Bright as were her hopes of happiness when led to the altar by the man she adored, she soon was bitterly convinced, that no true or permanent felicity could be the consequence of a union achieved by guilty artifice, and sealed with a brother’s blood. A few months were sufficient to darken her destiny and blight her joys. Her fortune swallowed up by Steinfeld’s debts and extravagance, her person speedily became indifferent to the sated and cold-hearted voluptuary; and whilst her reckless husband, faithful to nothing but to his hatred of matrimonial ties, again galloped upon the road to ruin, in the most dissipated circles of the Austrian capital, she saw herself condemned to solitude and unavailing regrets, in the very castle where she had anticipated an existence of unalloyed bliss.


THE BOXES.

[MAGA. February 1829.]