——Give me some light,—he said,—more light,—I want to see the picture.
He had started either from a dream or a wandering reverie. I was not unwilling to have more light in the apartment, and presently had lighted an astral lamp that stood on a table.—He pointed to a portrait hanging against the wall.—Look at her,—he said,—look, at her! Wasn't that a pretty neck to slip a hangman's noose over?
The portrait was of a young woman, something more than twenty years old, perhaps. There were few pictures of any merit painted in New England before the time of Smibert, and I am at a loss to know what artist—could have taken this half-length, which was evidently from life. It was somewhat stiff and flat, but the grace of the figure and the sweetness of the expression reminded me of the angels of the early Florentine painters. She must have been of some consideration, for she was dressed in paduasoy and lace with hanging sleeves, and the old carved frame showed how the picture had been prized by its former owners. A proud eye she had, with all her sweetness.—I think it was that which hanged her, as his strong arm hanged Minister George Burroughs;—but it may have been a little mole on one cheek, which the artist had just hinted as a beauty rather than a deformity. You know, I suppose, that nursling imps addict themselves, after the fashion of young opossums, to these little excrescences. "Witch-marks" were good evidence that a young woman was one of the Devil's wet-nurses;—I should like to have seen you make fun of them in those days!—Then she had a brooch in her bodice, that might have been taken for some devilish amulet or other; and she wore a ring upon one of her fingers, with a red stone in it, that flamed as if the painter had dipped his pencil in fire;—who knows but that it was given her by a midnight suitor fresh from that fierce element, and licensed for a season to leave his couch of flame to tempt the unsanctified hearts of earthly maidens and brand their cheeks with the print of his scorching kisses?
She and I,—he said, as he looked steadfastly at the canvas,—she and I are the last of 'em.—She will stay, and I shall go. They never painted me,—except when the boys used to make pictures of me with chalk on the board-fences. They said the doctors would want my skeleton when I was dead.—You are my friend, if you are a doctor,—a'n't you?
I just gave him my hand. I had not the heart to speak. I want to lie still,—he said,—after I am put to bed upon the hill yonder. Can't you have a great stone laid over me, as they did over the first settlers in the old burying-ground at Dorchester, so as to keep the wolves from digging them up? I never slept easy over the sod;—I should like to lie quiet under it. And besides,—he said, in a kind of scared whisper,—I don't want to have my bones stared at, as my body has been. I don't doubt I was a remarkable case; but, for God's sake, oh, for God's sake, don't let 'em make a show of the cage I have been shut up in and looked through the bars of for so many years!
I have heard it said that the art of healing makes men hardhearted and indifferent to human suffering. I am willing to own that there is often a professional hardness in surgeons, just as there is in theologians,—only much less in degree than in these last. It does not commonly improve the sympathies of a man to be in the habit of thrusting knives into his fellow-creatures and burning them with red-hot irons, any more than it improves them to hold the blinding-white cautery of Gehenna by its cool handle and score and crisp young souls with it until they are scorched into the belief of —Transubstantiation or the Immaculate Conception. And, to say the plain truth, I think there are a good many coarse people in both callings. A delicate nature will not commonly choose a pursuit which implies the habitual infliction of suffering, so readily as some gentler office. Yet, while I am writing this paragraph, there passes by my window, on his daily errand of duty, not seeing me, though I catch a glimpse of his manly features through the oval glass of his chaise, as he rides by, a surgeon of skill and standing, so friendly, so modest, so tender-hearted in all his ways, that, if he had not approved himself at once adroit and firm, one would have said he was of too kindly a mould to be the minister of pain, even if it were saving pain. You may be sure that some men, even among those who have chosen the task of pruning their fellow-creatures, grow more and more thoughtful and truly compassionate in the midst of their cruel experience. They become less nervous, but more sympathetic. They have a truer sensibility for others' pain, the more they study pain and disease in the light of science. I have said this without claiming any special growth in humanity for myself, though I do hope I grow tenderer in my feelings as I grow older. At any rate, this was not a time in which professional habits could keep down certain instincts of older date than these. This poor little man's appeal to my humanity against the supposed rapacity of Science, which he feared would have her "specimen," if his ghost should walk restlessly a thousand years, waiting for his bones to be laid in the dust, touched my heart. But I felt bound to speak cheerily.—We won't die yet awhile, if we can help it,—I said,—and I trust we can help it. But don't be afraid; if I live longest, I will see that your resting-place is kept sacred till the dandelions and buttercups blow over you. He seemed to have got his wits together by this time, and to have a vague consciousness that he might have been saying more than he meant for anybody's ears.—I have been talking a little wild, Sir, eh?—he said.—There is a great buzzing in my head with those drops of yours, and I doubt If my tongue has not been a little looser than I would have it, Sir. But I don't much want to live. Sir; that's the truth of the matter; and it does rather please me to think that fifty years from now nobody will know that the place where I lie doesn't hold as stout and straight a man as the best of 'em that stretch out as if they were proud of the room they take. You may get me well, if you can, Sir, if you think it worth while to try; but I tell you there has been no time for this many a year when the smell of fresh earth was not sweeter to me than all the flowers that grow out of it. There's no anodyne like your good clean gravel, Sir. But if you can keep me about awhile, and it amuses you to try, you may show your skill upon me, if you like. There is a pleasure or two that I love the daylight for, and I think the night is not far off, at best.—I believe I shall sleep now; you may leave me, and come, if you like, in the morning. Before I passed out, I took one more glance round the apartment. The beautiful face of the portrait looked at me, as portraits often do, with a frightful kind of intelligence in its eyes. The drapery fluttered on the still outstretched arm of the tall object near the window;—a crack of this was open, no doubt, and some breath of wind stirred the hanging folds. In my excited state, I seemed to see something ominous in that arm pointing to the heavens. I thought of the figures in the Dance of Death at Basle, and that other on the panels of the covered Bridge at Lucerne; and it seemed to me that the grim mask who mingles with every crowd and glides over every threshold was pointing the sick man to his far home, and would soon stretch out his bony hand and lead him or drag him on the unmeasured journey towards it. The fancy had possession of me, and I shivered again as when I first entered the chamber. The picture and the shrouded shape; I saw only these two objects. They were enough. The house was deadly still, and the night-wind, blowing through an open window, struck me as from a field of ice, at the moment I passed into the creaking corridor. As I turned into the common passage, a white figure, holding a lamp, stood full before me. I thought at first it was one of those images made to stand in niches and hold a light in their hands. But the illusion was momentary, and my eyes speedily recovered from the shock of the bright flame and snowy drapery to see that the figure was a breathing one. It was Iris, in one of her statue-trances. She had come down, whether sleeping or waking, I knew not at first, led by an instinct that told her she was wanted,—or, possibly, having overheard and interpreted the sound of our movements,—or, it may be, having learned from the servant that there was trouble which might ask for a woman's hand. I sometimes think women have a sixth sense, which tells them that others, whom they cannot see or hear, are in suffering. How surely we find them at the bedside of the dying! How strongly does Nature plead for them, that we should draw our first breath in their arms, as we sigh away our last upon their faithful breasts!
With white, bare feet, her hair loosely knotted, dressed as the starlight knew her, and the morning when she rose from slumber, save that she had twisted a scarf round her long dress, she stood still as a stone before me, holding in one hand a lighted coil of wax-taper, and in the other a silver goblet. I held my own lamp close to her, as if she had been a figure of marble, and she did not stir. There was no breach of propriety then, to scare the Poor Relation with and breed scandal out of. She had been "warned in a dream," doubtless suggested by her waking knowledge and the sounds which had reached her exalted sense. There was nothing more natural than that she should have risen and girdled her waist, and lighted her taper, and found the silver goblet with "Ex dono pupillorum" on it, from which she had taken her milk and possets through all her childish years, and so gone blindly out to find her place at the bedside,—a Sister of Charity without the cap and rosary; nay, unknowing whither her feet were leading her, and with wide, blank eyes seeing nothing but the vision that beckoned her along.—Well, I must wake her from her slumber or trance. I called her name, but she did not heed my voice.
The Devil put it into my head that I would kiss one handsome young girl before I died, and now was my chance. She never would know it, and I should carry the remembrance of it with me into the grave, and a rose perhaps grow out of my dust, as out of Lord Lovel's, in memory of that immortal moment! Would it wake her from her trance? and would she see me in the flush of my stolen triumph, and hate and despise me ever after? Or should I carry off my trophy undetected, and always from that time say to myself, when I looked upon her in the glory of youth and the splendor of beauty, "My lips have touched those roses and made their sweetness mine forever"? You think my cheek was flushed, perhaps, and my eyes were glittering with this midnight flash of opportunity. On the contrary, I believe I was pale, very pale, and I know that I trembled. Ah, it is the pale passions that are the fiercest,—it is the violence of the chill that gives the measure of the fever! The fighting-boy of our school always turned white when he went out to a pitched battle with the bully of some neighboring village; but we knew what his bloodless cheeks meant,—the blood was all in his stout heart,—he was a slight boy, and there was not enough to redden his face and fill his heart both at once.
Perhaps it is making a good deal of a slight matter, to tell the internal conflicts in the heart of a quiet person something more than juvenile and something less than senile, as to whether he should be guilty of an impropriety, and, if he were, whether he would get caught in his indiscretion. And yet the memory of the kiss that Margaret of Scotland gave to Alain Chartier has lasted four hundred years, and put it into the head of many an ill-favored poet, whether Victoria or Eugénie would do as much by him, if she happened to pass him when he was asleep. And have we ever forgotten that the fresh cheek of the young John Milton tingled under the lips of some high-born Italian beauty, who, I believe, did not think to leave her card by the side of the slumbering youth, but has bequeathed the memory of her pretty deed to all coming time? The sound of a kiss is not so loud as that of a cannon, but its echo lasts a deal longer.
There is one disadvantage which the man of philosophical habits of mind suffers, as compared with the man of action. While he is taking an enlarged and rational view of the matter before him, he lets his chance slip through his fingers. Iris woke up, of her own accord, before I had made up my mind what I was going to do about it.