Let us bear in mind, too, how happily the hours went by with us so recently in the vine-embowered cottage of dear L.H., the beautiful old man with silver hair,—
"As hoary frost with spangles doth attire
The mossy branches of an oak."
The sound of the poet's voice was like the musical fall of water in our ears, and every sentence he uttered then is still a melody. As we sit dreamily here, he speaks to us again of "life's morning march, when his bosom was young," and of his later years, when his struggles were many and keen, and only his pen was the lever which rolled poverty away from his door. We can hear him, as we pause over this leaf, as we heard the old clock that night at sea. He tells us of his cherished companions, now all gone,—of Shelley, and Keats, and Charles Lamb, whom he loved,—of Byron, and Coleridge, and the rest. As we sit at his little table, he hands us a manuscript, and says it is the "Endymion," John Keats's gift to himself. He reads to us from it some of his favorite lines, and the tones of his voice are very tender over his dead friend's poem. As we pass out of his door that evening, the moon falls on his white locks, his thin hand rests for a moment on our shoulder, and we hear him say very kindly, "God bless you!"
In London, not long after this, we meet again the bard of "Rimini," and his discourse is still sweet as any dulcimer. Another old man is with him, a poet also, whose songs are among the bravest in England's Helicon. We observe how these two friends love each other, and as they stand apart in the anteroom, the eldest with his arm around his brother bard, we think it is a very pleasant sight, and not to be forgotten ever. And when, a few months later, we are among the Alpine hills, and word comes to us that L.H. is laid to rest in Kensal Green Churchyard, we are grateful to have looked upon his cheerful countenance, and to have heard him say, "God bless you!"
We cry your mercy, gayest of cities, with your bright Bois de Boulogne, and your splendid café's! We do not much affect your shows, but we cannot dismiss forever the cheerful little room, cloud-environed almost, up to which we have so often toiled, after days of hard walking among the gaudy streets of the French capital. One pleasant scene, at least, rises unbidden, as we recall the past. It is a brisk, healthy morning, and we walk in the direction of the Tuileries. Bending our steps toward the Palace, (it is yet early, and few loiterers are abroad in the leafy avenues,) we observe a group of three persons, not at all distinguished in their appearance, having a roystering good time in the Imperial Garden. One of them is a little boy, with a chubby, laughing face, who shouts loudly to his father, a grave, thoughtful gentleman, who runs backwards, endeavoring to out-race his child. The mother, a fair-haired woman, with her bonnet half loose in the wind, strives to attract the boy's attention and win him to her side. They all run and leap in the merry morning-air, and, as we watch them more nearly, we know them to be the royal family out larking before Paris is astir. Play on, great Emperor, sweet lady, and careless boy-prince! You have hung up a picture in our gallery of memory, very pleasant to look at, this cold night in America. May you always be as happy as when you romped together in the garden!
The days that are fled still knock at the door and enter. We are walking on the banks of the Esk, toward a friendly dwelling in Lasswade,—Mavis Bush they call the pretty place at the foot of the hill. A slight figure, clad in black, waits for us at the garden-gate, and bids us welcome in accents so kindly, that we, too, feel the magic influence of his low, sweet voice,—an effect which Wordsworth described to us years before as eloquence set to music. The face of our host is very pale, and, when he puts his thin arm within ours, we feel how frail a body may contain a spirit of fire. We go into his modest abode and listen to his wonderful talk, wishing all the while that the hours were months, that we might linger there, spellbound, day and night, before the master of our English tongue. He proposes a ramble across the meadows to Roslin Chapel, and on the way he discourses of the fascinating drug so painfully associated with his name in literature,—of Christopher North, in whose companionship he delighted among the Lakes,—of Elia, whom he recalled as the most lovable man among his friends, and whom he has well described elsewhere as a Diogenes with the heart of a Saint John. In the dark evening he insists upon setting out with us on our return to Edinburgh. When it grows late, and the mists are heavy on the mountains, we stand together, clasping hands of farewell in the dim road, the cold Scotch hills looming up all about us. As the small figure of the English Opium-Eater glides away into the midnight distance, our eyes strain after him to catch one more glimpse. The Esk roars, and we hear his footsteps no longer.
The scene changes, as the clock strikes in the entry. We are lingering in the piazza of the Winged Lion, and the bronze giants in their turret overlooking the square raise their hammers and beat the solemn march of Time. As we float away through the watery streets, old Shylock shuffles across the bridge,—black barges glide by us in the silent canals,—groups of unfamiliar faces lean from the balconies,—and we hear the plashing waters lap the crumbling walls of Venice, with its dead Doges and decaying palaces.
Again we stir the fire, and feel it is home all about us. But we like to sit here and think of that rosy evening, last summer, when we came walking into Interlachen, and beheld the ghost-like figure of the Jungfrau issuing out of her cloudy palace to welcome the stars,—of a cool, bright, autumnal morning on the western battlements overlooking Genoa, the blue Mediterranean below mirroring the silent fleet that lay so motionless on its bosom,—of a midnight visit to the Colosseum with a band of German students, who bore torches in and out of the time-worn arches, and sang their echoing songs to the full moon,—of days, how many and how magical! when we awoke every morning to say, "We are in Rome!"
But it grows late, and it is time now to give over these reflections. So we wind up our watch, and put out the candle.
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