The personal history of Jane Austen belongs to the close of the last and the beginning of the present century. Her father through forty years was rector of a parish in the South of England. Mr. Austen was a man of great taste in all literary matters; from him his daughter inherited many of her gifts. He probably guided her early education and influenced the direction of her genius. Her life was passed chiefly in the country. Bath, then a fashionable watering-place, with occasional glimpses of London, must have afforded all the intercourse which she held with what is called "the world." Her travels were limited to excursions in the vicinity of her father's residence. Those were days of post-chaises and sedan-chairs, when the rush of the locomotive was unknown. Steam, that genie of the vapor, was yet a little household elf, singing pleasant times by the evening fire, at quiet hearthstones; it has since expanded into a mighty giant, whose influences are no longer domestic. The circles of fashion are changed also. Those were the days of country-dances and India muslins; the beaux and belles of "the upper rooms" at Bath knew not the whirl of the waltz, nor the ceaseless involvements of "the German." Yet the measures of love and jealousy, of hope and fear, to which their hearts beat time, would be recognized to-night in every ballroom. Infinite sameness, infinite variety, are not more apparent in the outward than in the inward world, and the work of that writer will alone be lasting who recognizes and embodies this eternal law of the great Author.
Jane Austen possessed in a remarkable degree this rare intuition. The following passage is found in Sir Walter Scott's journal, under date of the fourteenth of March, 1826:—"Read again, and for the third time at least, Miss Austen's finely written novel of 'Pride and Prejudice.' That young lady had a talent for describing the involvements and feelings and characters of ordinary life, which is to me the most wonderful I ever met with. The Big Bow-wow strain I can do myself like any now going; but the exquisite touch which renders ordinary commonplace things and characters interesting from truth of the description and the sentiment is denied to me." This is high praise, but it is something more when we recur to the time at which Sir Walter writes this paragraph. It is amid the dreary entries in his journal of 1826, many of which make our hearts ache and our eyes overflow. He read the pages of Jane Austen on the fourteenth of March, and on the fifteenth he writes, "This morning I leave 39 Castle Street for the last time." It was something to have written a book sought for by him at such a moment. Even at Malta, in December, 1831, when the pressure of disease, as well as of misfortune, was upon him, Sir Walter was often found with a volume of Miss Austen in his hand, and said to a friend, "There is a finishing-off in some of her scenes that is really quite above everybody else."
Jane Austen's life-world presented such a limited experience that it is marvellous where she could have found the models from which she studied such a variety of forms. It is only another proof that the secret lies in the genius which seizes, not in the material which is seized. We have been told by one who knew her well, that Miss Austen never intentionally drew portraits from individuals, and avoided, if possible, all sketches that could be recognized. But she was so faithful to Nature, that many of her acquaintance, whose characters had never entered her mind, were much offended, and could not be persuaded that they or their friends had not been depicted in some of her less attractive personages: a feeling which we have frequently shared; for, as the touches of her pencil brought out the light and shades very quietly, we have been startled to recognize our own portrait come gradually out on the canvas, especially since we are not equal to the courage of Cromwell, who said, "Paint me as I am."
In the "Autobiography of Sir Egerton Brydges" we find the following passage: it is characteristic of the man:—
"I remember Jane Austen, the novelist, a little child. Her mother was a Miss Leigh, whose paternal grandmother was a sister of the first Duke of Chandos. Mr. Austen was of a Kentish family, of which several branches have been settled in the Weald, and some are still remaining there. When I knew Jane Austen, I never suspected she was an authoress; but my eyes told me that she was fair and handsome, slight and elegant, with cheeks a little too full. The last time, I think, I saw her was at Ramsgate, in 1803; perhaps she was then about twenty-seven years old. Even then I did not know that she was addicted to literary composition."
We can readily suppose that the spheres of Jane Austen and Sir Egerton could not be very congenial; and it does not appear that he was ever tempted from the contemplation of his own performances, to read her "literary compositions." A letter from Robert Southey to Sir Egerton shows that the latter had not quite forgotten her. Southey writes, under the dale of Keswick, April, 1830:—
"You mention Miss Austen; her novels are more true to Nature, and have (for my sympathies) passages of finer feeling than any others of this age. She was a person of whom I have heard so much, and think so highly, that I regret not having seen her, or ever had an opportunity of testifying to her the respect which I felt for her."
A pleasant anecdote, told to us on good authority in England, is illustrative of Miss Austen's power over various minds. A party of distinguished literary men met at a country-seat; among them was Macaulay, and, we believe, Hallam; at all events, they were men of high reputation. While discussing the merits of various authors, it was proposed that each should write down the name of that work of fiction which had given him the greatest pleasure. Much surprise and amusement followed; for, on opening the slips of paper, seven bore the name of "Mansfield Park,"—a coincidence of opinion most rare, and a tribute to an author unsurpassed.
Had we been of that party at the English country-house, we should have written, "The last novel by Miss Austen which we have read"; yet, forced to a selection, we should have named "Persuasion." But we withdraw our private preference, and, yielding to the decision of seven wise men, place "Mansfield Park" at the head of the list, and leave it there without further comment.
"Persuasion" was her latest work, and bears the impress of a matured mind and perfected style. The language of Miss Austen is, in all her pages, drawn from the "wells of English undefiled." Concise and clear, simple and vigorous, no word can be omitted that she puts down, and none can be added to heighten the effect of her sentences. In "Persuasion" there are passages whose depth and tenderness, welling up from deep fountains of feeling, impress us with the conviction that the angel of sorrow or suffering had troubled the waters, yet had left in them a healing influence, which is felt rather than revealed. Of all the heroines we have known through a long and somewhat varied experience, there is not one whose life-companionship we should so desire to secure as that of Anne Elliot. Ah! could she also forgive our faults and bear with our weaknesses, while we were animated by her sweet and noble example, existence would be, under any aspect, a blessing. This felicity was reserved for Captain Wentworth. Happy man! In "Persuasion" we also find the subtle Mr. Elliot. Here, as with Mr. Crawford in "Mansfield Park," Miss Austen deals dexterously with the character of a man of the world, and uses a nicer discernment than is often found in the writings of women, even those who assume masculine names.