"Emma" we know to have been a favorite with the author. "I have drawn a character full of faults," said she, "nevertheless I like her." In Emma's company we meet Mr. Knightley, Harriet Smith, and Frank Churchill. We sit beside good old Mr. Woodhouse, and please him by tasting his gruel. We walk through Highbury, we are patronized by Mrs. Elton, listen forbearingly to the indefatigable Miss Bates, and take an early walk to the post-office with Jane Fairfax. Once we found ourselves actually on "Box Hill," but it did not seem half so real as when we "explored" there with the party from Highbury.
"Pride and Prejudice" is piquant In style and masterly in portraiture. We make perhaps too many disagreeable acquaintances to enjoy ourselves entirely; yet who would forego Mr. Collins, or forget Lady Catherine de Bourgh, though each in their way is more stupid and odious than any one but Miss Austen could induce us to endure. Mr. Darcy's character is ably given; a very difficult one to sustain under all the circumstances in which he is placed. It is no small tribute to the power of the author to concede that she has so managed the workings of his real nature as to make it possible, and even probable, that a high-born, high-bred Englishman of Mr. Darcy's stamp could become the son-in-law of Mrs. Bennet. The scene of Darcy's declaration of love to Elizabeth, at the Hunsford Parsonage, is one of the most remarkable passages in Miss Austen's writings, and, indeed, we remember nothing equal to it among the many writers of fiction who have endeavored to describe that culminating point of human destiny.
"Northanger Abbey" is written in a fine vein of irony, called forth, in some degree, by the romantic school of Mrs. Radcliffe and her imitators. We doubt whether Miss Austen was not over-wise with regard to these romances. Though born after the Radcliffe era, we well remember shivering through the "Mysteries of Udolpho" with as quaking a heart as beat in the bosom of Catherine Morland. If Miss Austen was not equally impressed by the power of these romances, we rejoice that they were written, as with them we should have lost "Northanger Abbey." For ourselves, we spent one very rainy day in the streets of Bath, looking up every nook and corner familiar in the adventures of Catherine, and time, not faith, failed, for a visit to Northanger itself. Bath was also sanctified by the presence of Anne Elliot. Our inn, the "White Hart," (made classic by the adventures of various well-remembered characters,) was hallowed by exquisite memories which connected one of the rooms (we faithfully believed it was our apartment) with the conversation of Anne Elliot and Captain Harville, as they stood by the window, while Captain Wentworth listened and wrote. In vain did we gaze at the windows of Camden Place. No Anne Elliot appeared.
"Sense and Sensibility" was the first novel published by Miss Austen. It is marked by her peculiar genius, though it may be wanting in the nicer finish which experience gave to her later writings.
The Earl of Carlisle, when Lord Morpheth, wrote a poem for some now forgotten annual, entitled "The Lady and the Novel." The following lines occur among the verses:—
"Or is it thou, all-perfect Austen? here
Let one poor wreath adorn thy early bier,
That scarce allowed thy modest worth to claim
The living portion of thy honest fame:
Oh, Mrs. Bennet, Mrs. Morris, too,
While Memory survives, she'll dream of you;
And Mr. Woodhouse, with abstemious lip,
Must thin, but not too thin, the gruel sip;
Miss Bates, our idol, though the village bore,
And Mrs. Elton, ardent to explore;
While the clear style flows on without pretence,
With unstained purity, and unmatched sense."
If the Earl of Carlisle, in whose veins flows "the blood of all the Howards," is willing to acknowledge so many of our friends, who are anything but aristocratic, our republican soul shrinks not from the confession that we should like to accompany good-natured Mrs. Jennings in her hospitable carriage, (so useful to our young ladies of sense and sensibility,) witness the happiness of Elinor at the parsonage, and the reward of Colonel Brandon at the manor-house of Delaford, and share with Mrs. Jennings all the charms of the mulberry-tree and the yew arbor.
An article on "Recent Novels," in "Fraser's Magazine" for December, 1847, written by Mr. G.H. Lewes, contains the following paragraphs:—"What we most heartily enjoy and applaud is truth in the delineations of life and character…. To make our meaning precise, we would say that Fielding and Miss Austen are the greatest novelists in our language…. We would rather have written 'Pride and Prejudice,' or 'Tom Jones,' than any of the 'Waverley Novels'…. Miss Austen has been called a prose Shakspeare,—and among others, by Macaulay. In spite of the sense of incongruity which besets us in the words prose Shakspeare, we confess the greatness of Miss Austen, her marvellous dramatic power, seems, more than anything in Scott, akin to Shakspeare."
The conclusion of this article is devoted to a review of 'Jane Eyre,' and led to the correspondence between Miss Brontè and Mr. Lewes which will be found in the memoir of her life. In these letters it is apparent that Mr. Lewes wishes Miss Brontè to read and to enjoy Miss Austen's works, as he does himself. Mr. Lewes is disappointed, and felt, doubtless, what all true lovers of Jane Austen have experienced, a surprise to find how obtuse otherwise clever people sometimes are. In this instance, however, we think Mr. Lewes expected what was impossible. Charlotte Brontè could not harmonize with Jane Austen. The luminous and familiar star which comes forth into the quiet evening sky when the sun sets amid the amber light of an autumn evening, and the comet which started into sight, unheralded and unnamed, and flamed across the midnight sky, have no affinity, except in the Divine Mind, whence both originate.
The notice of Miss Austen, by Macaulay, to which Mr. Lewes alludes, must be, we presume, the passage which occurs in Macaulay's article on Madame D'Arblay, in the "Edinburgh Review," for January, 1843. We do not find the phrase, "prose Shakspeare," but the meaning is the same; we give the passage as it stands before us:—