This work from the pen of the learned Benedictine will, no doubt, be warmly welcomed, both because of its authorship and its own intrinsic merit. It will take its rank, however, rather among works of profound hagiological research than as a contribution to popular biographies of the saints. The history of the life and martyrdom of St. Cecilia occupies but a very small portion of the volume. The rest is devoted to the confirmatory testimonies to her life afforded by the liturgies of the church, both Greek and Latin, the history of her relics and of the Roman basilica erected in her honor, and the homage paid to her throughout Christendom in literature and the arts. All this is of the greatest interest and value, and no little thanks are due to the eminent author for his labor and research. As a life of Saint Cecilia it does not satisfy us. The style is crude and laborious, and lacking in the elements of a finished biography. The author has collected materials which would have come from the hand of a Wiseman or a Newman a masterpiece of literary art, a living picture of the life and times of one of the most illustrious saints of the church. But he does not appear to know how to take advantage of the treasure which he has gathered together with so much painstaking labor. Hence the scenes in the life of Saint Cecilia furnished him by the quaint and charming descriptions in the "Acts" of the saint—her espousals, the vision of the angel seen by her husband, the martyrdom of the two brothers Valerian and Tiburtius, her own interrogatory before the Roman prefect, and sublime death—scenes replete with varied interest, and affording matter for the most powerful dramatic description, and presented to us in the tamest and rudest style. What, for instance, can be more commonplace than the following: Valerian, in presence of Cecilia and the angel, is assured by the heavenly visitor that in return for his consent to the vow of virginity made by his saintly spouse, any request he might make will be granted him. The young man, overcome with gratitude, threw himself at the feet of the divine messenger, and thus expressed his desires: "Nothing in life is more precious to me than the affection of my brother; and now that I am rescued from peril, it would be a bitter trial to leave this beloved brother exposed to danger. I will, therefore, reduce my requests to one: I beseech Christ to deliver my brother, Tiburtius, as he has delivered me, and to perfect us both in the confession of his name."
The translation we should judge to be a faithful one, and is, in the main, correct English. We hardly see how it could be much improved considering the formal unsympathetic style of the original; but we wish that in certain descriptive passages the historical present had been preserved throughout, or altogether avoided. We are surprised to see the authors styled upon the title page as the Reverend Prosper per Guéranger, abbé de Solesmes. It is not common to attach the title of Rev. to the name of authors and prelates of such note as Dom Guéranger, and abbé de' for 'abbot of' is not in good taste.
A fancy portrait accompanies the volume, representing Saint Cecilia with a harp, which ill accords with the Antiphon quoted on the title-page: "Cantantibus organis, Cecilia Domino decantabat," and which is, moreover, so completely at variance with all representations of her by both ancient and modern artists, and we would willingly dispense with that; but the book is, for the reasons we have assigned, of such value, that we thank the enterprising publisher for the opportunity afforded the American public of perusing the work in English.
SPANISH PAPERS AND OTHER MISCELLANIES, hitherto unpublished or uncollected, by WASHINGTON IRVING. Arranged and edited by PIERRE M. IRVING. 2 vols., 12mo. With a portrait after Wilkie. New York: G. P. Putnam. Hurd and Houghton. 1866.
In the first of these volumes we are presented with a choice selection of papers by the illustrious author, consisting of several charming Spanish legends, illustrative of the events of the conquest of Spain by the Moors, the greater portion of which is newly published. The second volume contains some early contributions to the Morning Chronicle, when the author was but nineteen years of age. These were his first essays in print, but they are none the less remarkable for the fine humor they display, and for which he became so much admired him after years. [{287}] The biographical sketches, which follow, of Captain James Lawrence, Lieutenant Burrows, Commodore Perry, and Captain David Porter possess no little historical value; and the extended memoir of the child poet, Margaret Miller Davidson, the younger sister of the well-known youthful authoress, Lucretia Maria Davidson, is full of the most touching and romantic interest. A number of reviews and miscellaneous papers close these volumes, which need no further praise from us than to say that they are all marked with the genius of Washington Irving. We have been so much charmed by the perusal of the Spanish legends that we could not refrain from placing one of them entire before our readers—the Legend of Count Julian and his family. It will be found in the pages of the present number of THE CATHOLIC WORLD. The form in which the publication is given is as credible to the publishers, as it is worthy of the interesting matter.
LAURENTIA: A Tale of Japan. By Lady Georgiana Fullerton. (American Reprint) Baltimore: Kelly and Piet, 174 Baltimore street. 1866.
Lady Georgiana Fullerton consecrates her high intellectual gifts and finished culture with a noble devotion to the sacred cause of the Catholic religion. In her latest story of Laurentia, she has chosen her theme from the comparatively unknown history of the Catholic Church in Japan, and appears to have derived her materials chiefly from the work of F. Charlevoix on that subject.
F. Charlevoix's History of Christianity in Japan is one of the most intensely interesting books we have ever read, and unfolds a page in the annals of the church equalling the records of the first three centuries in glory. The persistent misrepresentation and suppression of truth, which the enemies of the Catholic religion make use of just so far as the credulousness of the public will permit, have hitherto kept the facts in regard to this topic under a veil of mist. This veil is lifting, however, and is destined soon, we trust, to disappear before the rays of truth.
Lady Fullerton's story is well adapted to awaken attention to this subject, if the general apathy and aversion to all Catholic literature does not prevent its being read. Its incidents are mainly historical, with just enough of embellishment and portraiture of imaginary characters and incidents to make it life-like. It is written with that ardor of feeling and in that glowing style, chastened by good taste, which are characteristic of Lady Georgiana's productions. As a work of art it is not equal to her master-piece, Constance Sherwood. The events described are, however, so replete with the highest and most absorbing interest, that one feels no inclination to advert to the mere artistic merit of plot, style, or description. It combines the fascination of a well-written sensation novel, with the utility of a solid book of spiritual reading. We recommend it to all who read anything at all except the daily papers, and advise all parents, whether they read or do not read themselves, to give it to their children. The latter, we are sure, will not find it hard to take.
VIGNETTES, Biographical Sketches of Madame Swetchine, La Soeur Rosalie, Madame Pape Carpentier, Madame Lamertine, etc. By Bessie Rayner Parkes. London and New-York: Alexander Strahan. 1866.