It was a quaint old print, copied, doubtless, from a picture in the church of St. Nicholas, in Bari, and represented the sainted archbishop standing on the shore, with the sea and ships behind him. At his right knelt a youth on the sands; at his left three infants were rising out of a tub, commemorative of two of his miracles.
“After having given me this relic of his great patron, Monsignor, full of zeal for his honor and of pity for my ignorance, began to tell me something of his life, and how knowing of an impoverished noble family, driven to desperation by need, and almost deciding to sell the daughters to a life of vice, since they had no money to marry them, this young saint went slily by night, and dropped a bag of gold in at the window sufficient for a dot for the eldest; and, after a while, in the same manner, provided for the others, the family rejoicing over their escape and repenting of their evil resolution. When Monsignor had got so far with his story, I broke out, 'Why, it is Santa Claus!’ And, sure enough, it was. The great saint was no longer a stranger to me. I had known, without knowing, him all my life, from the time when I had first read the wonderful illustrated story-books of Christmas, and seen my mother hang my stocking in the chimney-corner before taking me off to bed on Christmas eve.”
The Signora was very glad to have this little story to tell by way of making an inclined plane to the saying of good-night. Undercover of it she escaped to her own room without being entrapped into a private interview, which she almost suspected Mr. Vane of plotting.
Then they had a little expedition for the morning to see the making of tapestry in the great hospice of St. Michael.
“If the weather and the time of day were not so hot,” the Signora said, “we would go a little further on, to the scene of a miracle of Santa Francesca Romana; but I don’t believe we shall be able to do so. A little way from the hospital is the Porta Portese, and outside that is the vineyard where that beloved saint and her companions worked one January day from dawn till noon, without having anything to eat or drink. They had forgotten to bring provisions; and Francesca, when she saw her companions suffering from thirst, accused herself of having neglected to provide for them. She was then, you know, a mother-superior, and these were her oblates. Well, the youngest of them, almost crying with thirst, begged to be allowed to go to a fountain out on the public road. The saint told her to be patient, and, withdrawing herself, began to pray: 'Lord Jesus, help us in our need; for I have been thoughtless in neglecting to provide food for my sisters.’ 'She’d much better take us home at once,' said the poor little nun to herself. And then Francesca, rising from her knees, pointed to a tree around which twined a vine loaded with large clusters of grapes—just as many clusters as there were poor nuns to eat them. They had passed this very tree again and again, and seen the vine dead and withered that very day. That same Santa Francesca is one of the dearest saints in the calender,” the Signora said. “Though, to be sure,” she added, “when we think over their lives, each one seems to be the dearest.”
“My idea of saintliness is always associated with asceticism,” said Isabel.
“If only the asceticism be not sour, as it never is with the saints,” responded the Signora with a sigh. “About the most uncomfortable company one can have is that of a person who, we cannot doubt, is virtuous in many ways, but who looks upon one with an expression full of suspicion and condemnation, without seeming aware that in so doing he has committed a sin against charity which, according to St. Paul, renders his other virtues nothing. To my mind, one of the first requisites of a Christian character is to mind one’s own business.”
“Oh! I don’t mean asceticism that goes only far enough to stir up the bile,” Isabel said, “but that which clears the heart, so that the light of charity shines quite through it and brightens every object it looks upon.”
They were already on their way to the asylum of St. Michael—that immense establishment, which contains a little world within itself, where beauty and charity dwell together; where the young find protection and instruction, and the old a refuge, under the same roof; where music, sculpture, painting, and kindred arts have made their home. Here the poor, instead of being swept away like dead leaves from a garden, to decay in obscure disgrace, slip, consoled and unashamed, into the grave, like fallen leaves that die in peace between the embracing roots of the green tree they once helped to adorn. The long, arched corridors were fresh and cool, the brilliant day entering only in a tender light, or, here and there, in some splash of gold that burned only the spot it fell upon. Fountains murmured in the courts, and all the business of the place moved with a subdued and leisurely action which made work seem a pleasure. It was not toil, but occupation—that wise and healthy degree of work which makes work possible for many years, instead of crowding the force of a whole life into a few feverish days. There was not a face which showed anxious and nervous hurry. All were calm and cheerful.
Our friends did not attempt to see anything more than the tapestry-making and mending, the first in the men’s department, the last done entirely by women and girls. The two immense halls devoted to these works, with the ante-chambers, were completely hung with old tapestries, making a softly and richly-colored picture-gallery of the whole place. In the manufacturing hall upright frames held the great squares of the warp, with the design drawn or stamped carefully on the closely-stretched threads. Behind these sat the weaver, working in the figures with long spools of colored wools, pressing down closely each stitch with a little instrument he held in the left hand. A score or more of these bobbins hung at the back of the tapestry, each to be caught up and woven in in its turn. Across the lower part of the carpet already a yard was splendidly woven of solid and brilliant color. In another part of the hall hung a large picture for a future weaving—a balcony with a vine and figures—and on a table under it were arranged the myriad selected shades and colors that composed it. Here all in the work was brightly colored; but when they went to the other part of the building, where the women were occupied in restoring, it was like passing from dazzling midsummer to a late October day. The very light and atmosphere of the place seemed different. Stretched on large frames laid out like country quilting-frames were dim old tapestries with figures of gods and goddesses, of mythical heroes and heroines, or of historical persons and events, the fabrics all more or less ragged, but inestimably precious. Girls were grouped around these, mending, directed by an artist. Hanging on the walls were other tapestries that had been repaired, and so perfectly that it was impossible to distinguish what part had been restored without looking at the wrong side of the work. Lying in bunches and snarls on the work, or hanging in long rows of varied hues on the wall, were skeins of wool, of every shade and color, dim, dark, soft, or pallid, like colors seen by night, by the stars, or by the moon, or colors guessed at by eyes half-blind or by eyes that are dying. There was a suggestion of tragedy in those old new colors, as in sad or blighted faces of children. And how much more of interest and tragedy in the old tapestries for which they had lost all their brightness! Nothing else is so interwoven with romantic possibilities as old tapestry. Luxury, which may have been regal, clings to it, but it is the luxury of olden times, when the beggar touched the prince. Mystery and terror are its companions; for who knows who or what may sometimes have been hidden behind that splendid curtain? Lifting its fold on some day of an age gone by, what white, cold face might have been found there between it and the wall, what sliding figure of a hiding spy, what twinkle of a dagger-point in the dusky corner! And then what pageants does it not suggest of the times when life was a picture!