“He presents the volume,” he avows, “rather as a series of inquiries than as dogmatic doctrine, and strives,” he says, “to support them only by such an amount of controversy as is legitimately due from one who invites the public to a new discussion.”
NEW PUBLICATIONS.
Essays and Reviews By Rt. Rev. J. L. Spalding, D.D. 1 vol. 12mo, pp. 355. New York: The Catholic Publication Society. 1877.
The author of these essays has been recently raised to the dignity of the episcopate and appointed to the newly-created see of Peoria, Ill. His name and fame as an author, preacher, and orator are already widely known in this country. His Life of Archbishop Spalding, his illustrious uncle, will remain one of the landmarks of Catholic history and biography in the United States. By this important and valuable work the name of the learned and distinguished author is at present best known outside of the immediate circle with whom friendship and the round of daily life connect him. He has done, however, much more than this. He has used his great gifts incessantly and in whatever way they could prove of service to the cause which every word he utters and every line he writes proclaim he has alone at heart—the growth and strengthening of Christ’s church, the defence of Catholic faith and doctrine, and the spread of Christ’s kingdom on earth. With this view he has even gone down to that lowly, much neglected, yet most important field of editing a series of Catholic school-books—that issued by the Catholic Publication Society.
He has been a constant and most valued contributor to the pages of this magazine, and a selection of his articles—which, had he chosen, might have been much larger—goes to form the present volume of Essays and Reviews. As they come before us now in book-form we are glad to have this opportunity of saying publicly what we have always felt, not only in regard to these but also all other contributions from the same pen: that they are of the very best kind of that peculiarly modern, peculiarly favorite, and peculiarly difficult form of literature—the magazine article. Dr. Brownson used to say that there were not half a dozen men in this country who could write a really good review article. Whether that be so or not, we are sure that the veteran reviewer would not have excluded these essays from his category. And what we here state regarding them is only an echo of the general opinion, so far as it reaches us through the medium of the public press and the private verdict of excellent judges. The style is fascinating, glowing, brilliant. There are here and there passages of extreme beauty and eloquence. There is nothing like mere verbiage or redundance. There is a man behind it all—a man of knowledge, of wide yet careful culture, writing in dead earnest, observing the march of events while the history of the past is ever present to him, with power and courage to say what he means in a manner that all will understand. Not one of these articles fell dead. The leading one, “The Catholic Church in the United States, 1776-1876,” excited universal interest and attention not alone in this country but abroad, and a distinguished writer in the Correspondant made it the chief text of an important article on the United States. No history or historical sketch that we have seen gives so complete and profound a view of the history, the trials, and struggles of the Catholic Church in this country within the century as that article. The other essays are of a piece with it. Their very titles speak their timeliness: “The Persecution of the Church in the German Empire,” “Prussia and the Church” (three essays), “German Journalism,” etc. Perhaps the most valuable of all, however, are the three essays on the “Comparative Influence of Catholicism and Protestantism on National Prosperity,” for which M. de Laveleye’s well-known pamphlet furnished a text. They are eminently characteristic of the writer. He faces everything, shirks nothing. He takes up the subjects of “Wealth,” “Education,” and “Morality”—just the very points on which Protestant writers are in the habit of claiming superiority for Protestant over Catholic nations—and how he treats them we leave to the reader’s enjoyment.
We are often asked the kind of article needed for The Catholic World. We can recommend no better text-book to such applicants than this volume of Essays and Reviews; nor can we recommend anything fresher, better, or more interesting to Catholics generally who are anxious to defend their faith on points where it is often believed to be most assailable.
Magister Choralis: a Theoretical and Practical Manual of Gregorian Chant for the use of the clergy, seminarists, organists, choir-masters, choristers, etc. By Rev. Francis Xavier Haberl, cathedral choir-master, Ratisbon. Translated and enlarged (from the fourth German edition) by Rev. N. Donnelly, Cathedral Church of the Immaculate Conception, Dublin. Ratisbon, New York, and Cincinnati: Frederick Pustet.
This excellent and most timely work is one we have long desired to see. Many pastors of churches and their organists have been willing to do something towards the introduction of the holy chant in the divine offices, but the means of instruction have been almost wholly wanting. Very few organists and choir-directors in the United States have made any study whatever of the chant, and the greater number are not able to read even its notation. We have felt and lamented the difficulties in the way of those who, convinced of the claims of Gregorian chant, and wearied and disgusted with the wretched cheap concert performances they have been forced to endure at Holy Mass and Vespers, have longed to rid themselves of the “church music” nuisance and again hear the true song of the church resounding in the sanctuary. Even with ample pecuniary resources it would not have been enough to issue an order to the choir-director to organize a Gregorian choir, or even to sing some portions of the chant from the organ gallery. The work before us solves almost all these difficulties. Of course the organist will need to study the character of the chant in other works, that he may be able to appreciate its tonality and style, and to give it its true accompaniment, without which he would be more likely to produce poor music than good chant, or a detestable mixture of both, such as one commonly finds published in various Catholic “choir-books” and books of so-called “Services of the Catholic Church.”
We recommend to Gregorian organists the careful study of the harmonies of John Lambert in his harmonized Gradual and Vesperal, the Organum Comitans by Dr. Witt, and the Accompagnment d’Orgue pour le Graduel et Antiphonarium de Rheims et Cambrai, by Messrs. Dietsch and Tessier.
The only faults we have to find with Father Haberl’s work are, first, the rules as given for the Italian pronunciation of Latin, especially for the pronunciation of the word excelsis, which is directed to be pronounced egg-shell-sis! and, second, the rule on page 66 directing the elision of the last vowel of a word when followed by another vowel in the next word, in the verses of hymns; and we regret to see this rule carried out in the new Vesperal as published by Mr. Pustet. This rule may do for reading classic poetry, but, if we mistake not, such elision is absolutely forbidden in the recitation of the divine Office, whether read or sung. In all former editions of the Vesperal we have found an extra note provided for the superfluous syllable.