The grape-crop had been so affected by the malattia or blight, that the yield being small, the fruit to an extent was not pressed in the vineyards, and the juice only brought up to the town in goat-skins as usual; but the fruit itself was carried up, by those having the proper places, and was pressed in tubs in the cantine or rooms on the ground-floor, where the wine is kept. Across the huge saddles of the mules, they swung a couple of truncated cone-shaped barrels, and filled them with grapes; these were tumbled into tubs, ranged in the cantina, good, bad and indifferent fruit all together; and when enough were poured in, in jumped the pistatore d'uve or grape-presser, with bare legs and feet, and began pressing and stamping, until the juice ran out in a tolerable stream. This juice was then poured into a headless hogshead, and when more than half-full, they piled on the grapeskins and stones and stems that had undergone the pressure, until the hogshead was full to the top. A weight was then placed over all. In twenty days, fermentation having taken place, they drew from the hogshead the new wine, which was afterward clarified with whites of eggs.

In this rough-and-ready way, the common wine is made. Without selection, all grapes, ripe, unripe, and rotten, sweet and sour, are mashed up together, hurriedly and imperfectly pressed, and the wine is sent to market, to sell for what it will bring. Having thus seen it made, let us see it disposed of.

Of all the monuments to Bacchus, in Rome, the one near the pyramid of Caius Cestius, and still nearer the Protestant burying-ground, is by far the most noticeable. Jealous of the lofty manner in which it lifts its head above the surrounding fields and walls of the city, the church has seen fit to crown its head with a cross, which it seems inclined to shake off. This small mountain of a monument is conical in shape, and is composed entirely of broken crockery; hence its name, Testaccio. In its crockery sides, they have found a certain coolness and evenness of temperature exactly suited to the storage of wine, and to maturing it; hence, all around the mountain are deep vaults, filled with red and white wines, working themselves up for a fit state to enter into the joy and the gullets of the Roman minenti.

If the reader of this sketch is at all of a philosophical frame of mind, and should ever visit Rome, it is the writer's advice that, in the first place, having learned Italian enough, and in the second place, having his purse fairly filled—silver will do—he should, during the month of October, on a holyday, go out to Monte Testaccio alone, or at least in company with some one who knows enough to let him he alone when he wants to be with somebody else, and then and there fraternizing for a few hours with the Roman plebs, let him at his ease see what he shall see. Then shall he sit him down at the door of the Antica Osteria di Cappanone, at the rough wood table, on a rougher wooden bench; talk right and left, with tailors, shoemakers, artists, soldiers, and God knows what, drinking the cool, amber-colored wine of Monte Rotonda, gleaming brightly in the sunlight that dashes through his glass, and so cheerfully winning the good-will of them all—and of some of the young women who are with them—that he shall find himself at some future time either the sheath for a Roman knife, or the recipient of a great deal of affection, and the purchaser of indefinite bottiglie of vino nostrale.

In his ardent pursuit of natural art, Caper believed it his duty to hunt up the picturesque wherever it could be found, and it was while pursuing this duty, in company with Rocjean, that he found himself at Monte Testaccio, one October day, and there made his débût. After a luncheon of raw ham, bread, cheese, sausage, and a bottiglia of wine, they ascended the mountain, and sitting down at the foot of the cross, they quietly smoked and communed with nature unreservedly.

Crumbling old walls of Rome that lay below them; wild, uncultivated Campagna; purple range of mountains, snow-tipped; thousand-legged, ruined aqueducts; distant sea, but faintly revealed through the vail of haze-bounded horizon; yellow Tiber, flowing along crumbling banks; dome of St. Peter's, rising above the hill that shuts the Vatican from sight; pyramid of Caius Cestius; Protestant burying-ground, with the wind sighing through the trees a lullaby over the graves of Shelley and Keats; distant view of Rome, slumbering artistically, and not manufacturingly, in the sunlight of that morning—ye taught one man of the two wild hopes for Rome of the future.

At the foot of the mountain, and adjoining the Protestant burying-ground, there is a powder-magazine. Here a French soldier, acting as sentry, paced his weary round. It was not long before a couple of Roman women passed him. They saluted him; he saluted them. They passed behind the magazine. The sentry, with the courtesy which distinguishes Frenchmen, evidently desired to make his compliments and pay his addresses to the dames. How could this be done? Before long, two of his compatriots, evidently out for a holiday, passed him. He beckoned to one of them, who at once took his gun and turned sentry, while the relieved guard flew to display to the dames his national courtesy. Before Caper had time to smoke a second cigar, the soldier returned to duty, and the one who had relieved him sprung to pay his addresses. During the two hours that Caper and Rocjean studied the scenery, guard was relieved four times.

'Ah!' said Rocjean, 'we are a gallant nation. Let us therefore descend and mingle with what the high-minded John Bulls call 'the lower orders.''

Down they went, and at the first table they came to, they found their shoemaker, the Signore Eugenio Calzolajo, artist in leather, seated with three Roman women. They all resembled each other like three pins. The eldest one held a baby, the caro bambino, in her arms; she was probably twenty years old. The next one was not over eighteen; while the youngest had evidently not passed her sixteenth year.

The artist in leather saluted Caper and Rocjean with the title of Illustrissimi, (they both paid their bills punctually,) and, as he saw that the other tables were full, he at once made room for them, introducing them to his wife and her two sisters. Caper, who saw that the party had just arrived, and had not as yet had time to order any thing from the waiters, told them that the day being his birthday, it was customary among the North-American Indians always to celebrate it with a feast of roast dogs and bottled porter; but, as neither of these articles were to be found at Monte Testaccio, he should command what they had; and arresting a waiter, he ordered such a supply of food and wine, that the eyes of the three Roman girls opened wide as owls'. Their tongues were all unloosened at once, as if by magic, and Caper had the satisfaction of seeing that for what a bottle of Hotel Champaigne costs in the United States, he had provided joy unadulterated, and happy memories for many days, for several descendants of the Caesars.