Their souls never had any priority in the life of them;
No background of eternity
Over which they had traversed
From eon to eon,
Sun-system to sun-system,
Planets and stars under them,
Planets and stars over them;
Now dwelling on immeasurable plains of azure
Bigger than space,
Dazzling with the super-tropical brightness
Of passionate flowers without a name,
In all the romance of color and beauty—
Now, in the cities celestial,
Where they made their acquaintances
With other souls, which had never been incarnated,
But were getting themselves ready
By an intuitive obedience
To a well-understood authority,
Which had never spoken,
To take upon themselves the living form
Of some red-browed, fire-eyed Mars-man,
Some pale-faced, languishing son
Of the Phalic planet Venus,
Or wherever else it might be,
In what remote star soever
Quivering on shadowy battlements.
Along the lines of the wilderness,
Of worlds beyond worlds,
These souls were to try their fortunes.
Surely, no experience of this sort
Ever happened unto them,
Although one would like to invest them
With the glory of it, for the sake of the soul.
But they were, to speak truth of them,
A sort of journeyman work,
Not a Phidian statuary,
But a first cast of man,
A rude draft of him;
Huge gulfs, as of dismal Tartarus,
Separating him from the high-born Caucasian.
He, a mere Mongolian,
As good, perhaps, in his faculties,
As any Jap. or Chinaman—
But not of the full-orbed brain,
Star-blown, and harmonious
With all sweet voices as of flutes in him,
And viols, bassoons, and organs;
Capable of the depths and circumferences of thought,
Of sphynxine entertainments,
And the dramas of life and death.
A plain fellow, and a practical,
With picture in him and symbol,
And thus not altogether clay-made,
But touched with the fire of the rainbow,
And the finger of the first light,
Waiting for the second and the third light,
Expectant through the ages,
And disappointed;
Never receiving more,
But going down, at last, a dark man,
And a lonely, through the dark galleries
Of death, and behind the curtain
Where all is light.
I like to think of him, and see his works:
I like to read him in his mounds,
And think I can make out a good deal of his history.
He was a half-dumb man,
Very sorrowful to see,
But brave, nevertheless, and bravely
Struggling to fling out his thoughts,
In a kind of dumb speech;
Struggling, indeed, after poetry
Dædalian forms, and eloquence;
Ambitious of distinguishing himself
In the presence of wolves and bisons
And all organic creatures;
Of making his claim good
Against these, his urgent disputants,
That he was lord of the planet.
If he could not write books,
He could scrawl the earth with his record:
He could make hieroglyphs,
Constellations of mounds and animals,
Effigies of unnamable things,
Monsters, and hybrids unnatural,
Bred of grotesque fancies; and man-forms.
These last, none of your pigmies
A span long in the womb,
And six feet, at full growth, out of it—
But bigger in chest and paunch,
In the girth of his muscular shackle-bones,
Round his colossal shoulders,
Round his Memnonian countenance,
Over the dome of his skull-crypts—
From crown to foot of his body—
Than grimmest of old Welsh giants,
Grimmest of Araby ogres!
Many a time talking with gray hunters,
Who leaned on their rifles against a tree,
And made the bright landscape
And the golden morning fuller of gold and brightness
By the contrast of their furrowed faces,
Their shaggy eyebrows,
And the gay humor laughing in their eyes,
Their unkempt locks, their powder horns, and buskins,
And the wild attire, in general, of their persons—
Many a time have I heard them
Tell of these man-effigies
Lying prone on the floors of the prairie.
And, in my whim for correspondence,
And perpetual seeking after identities,
I have likened them to the stone sculptures, in cathedrals,
Cut by pious hands out of black marble,
Memorial resemblances of holy abbots,
Of Christian knights, founders of religious houses,
Of good lords of fair manors,
Who left largess to these houses,
Beneficed the arched wine-cellars
With yearly butts of canary,
Or, during their lifetime,
Beautified the west front with stately windows
Of colored glass, emblazoned with Scripture stories,
The sunlight in shadowy reflections painting the figures
With blue and gold and crimson
Upon the cold slabs of the pavement.
These effigies, stiff, formal,
Rudely fashioned, and of poor art,
All of them lying, black and stark,
Like a corpse-pageantry visioned in some monk's dream,
Lying thus, in the transepts,
On the cold, gray floor of the cathedral.
A curious conceit, truly!
But the prairie is also consecrated,
And quite as sacred I think it
As Rome's most holy of holies.
It blossoms and runs over with religion.
These meek and beautiful flowers!
What sweet thoughts and divine prayers are in them!
These song birds! what anthems of praise
Gush out of their ecstatic throats!
I pray you, also, tell me,
What floors, sacred to what dead,
Can compare with the elaborate mosaic work
Of this wide, vast, outstretching floor of grass?
As good a place, I take it,
For the mound builder to make his man-effigies
Out of the mould in,
As the cathedral is, for its artists
To make man-effigies out of the black marble!
And the thought, too, is the same!
The thought of the primeval savage of the stone era,
Roaming about in these wilds,
Before the beautiful Christ
Made the soul more beautiful,
Revealed the terror of its divine forces,
Announced its immortality,
And was nailed on a tree for His goodness!
While the monk, therefore, lay yet in the pagan brain,
And' Time had not so much as thought
Of sowing the seed for his coming—
While his glorious cathedral, which, as we now know it,
Is an epic poem built in immortal stone,
Had no archetype except in the dreams of God,
Dim hints of it, lying like hopeless runes
In the forest trees and arches,
Its ornamentations in the snow drifts, and the summer leaves and flowers—
No doubt, the mound-builder's man, put in effigy on the prairie,
Had been a benefactor, in his way and time;
Or, a great warrior; or learned teacher
Of things symbolized in certain mound-groups,
And which, from their arrangement,
Appertain, it would seem, to mysteries,
And ghostly communications.
They thought to keep green his memory,
The worship of him and his good deeds,
Unto the end of time,
Throughout all generations.
The holy men, born of Christ,
All Christendom but the development of him,
And all the world his debtor;
Even God owing him more largely
Than He has thought fit to pay back,
Taking the immense credit
Of nigh two thousand years!
These holy men, so born and cultured,
Could think of no way wiser,
Of no securer method
Of preserving the memory of their saints,
And of those who did good to them,
Than this rude, monumental way of the savage.
So singular is man,
So old-fashioned his thinkings,
So wonderful and similar his sympathies!
Everywhere the same, with a difference;
Cast in the same moulds,
Of the same animal wants, and common mind,
Of the same passions and vices,
Hating, loving, killing, lying—
A vast electrical chain
Running through tradition, and auroral history,
Up through the twilights,
And blazing noons,
Through vanishing and returning twilights,
Through azure nights of stars—
Epochs of civilization—
Unto the calmer glory,
Unto the settled days,
Unto the noble men—
Nunc formosissimus annus!
Thus do I, flinging curiously the webs of fancy
Athwart the time-gulfs, and the ages,
Reconcile, after a kind, the primitive savage of America
With the wonderful genealogies—
Upsprung from the vital sap
Of the great life-tree, Igdrasil!
Thick and populous nations
Heavily bending its branches,
Each in its autumn time of one or two thousand years,
Like ripe fruits, fully developed and perfected,
From the germ whence they proceeded;
Nourished by strong saps of vitality,
By the red, rich blood of matured centuries,
By passionate Semitic sunlights;
Beautiful as the golden apples of the Hesperides!
Radiating, also, a divine beauty,
The flower-blossom and the aroma,
The final music, of a ripe humanity,
Whereof each particular nation
Was in its way and turn
The form and the expression,
Grand autumns were some of them!
Grand and beautiful, like that of Greece,
Whose glorious consummation always reminds me
Of moving statues, music, and richest painting and architecture:
Her landscapes shimmering in golden fire-mists,
Which hang over the wondrously colored woods,
In a dreamy haze of splendor;
Revealing arched avenues, and tiny glades,
Cool, quiet spots, and dim recesses,
Green swards, and floral fairy lands,
Sweeping to the hilltops;
Illuminating the rivers in their gladsome course,
And the yellow shadows of the rolling marshes,
And the cattle of the farmer as they stand knee-deep
Switching their tails by the shore;
Lighting up the singing faces,
The sweet, laughing, singing faces,
Of the merry, playful brooks,
Now running away over shallows,
Now into gurgling eddies;
Now under fallen trees,
Past beaver dams long deserted;
Now under shady banks,
Lost in the tangled wood-growths;
Quivering now with, their laughter,
Out in the open meadow,
Flowing, singing and laughing,
Over the weeds and rushes,
Flowing and singing forever!