“Right you are,” said I, and moved away in order to change the subject.

It was a glorious experience, by the way, this galloping on fire-engines through the crowded streets. It had in it much of the excitement of the chase—possibly that of war—with the noble end in view of saving instead of destroying life! Such tearing along at headlong speed; such wild roaring of the firemen to clear the way; such frantic dashing aside of cabs, carts, ’buses, and pedestrians; such reckless courage on the part of the men, and volcanic spoutings on the part of the fires! But I must not linger. The memory of it is too enticing. “Deep Down” took me to Cornwall, where, over two hundred fathoms beneath the green turf, and more than half-a-mile out under the bed of the sea, I saw the sturdy miners at work winning copper and tin from the solid rock, and acquired some knowledge of their life, sufferings, and toils.

the drawing room.

In the land of the Vikings I shot ptarmigan, caught salmon, and gathered material for “Erling the Bold.” A winter in Algiers made me familiar with the “Pirate City.” I enjoyed a fortnight with the hearty inhabitants of the Gull Lightship off the Goodwin Sands; and went to the Cape of Good Hope, and up into the interior of the Colony, to spy out the land and hold intercourse with “The Settler and the Savage”—although I am bound to confess that, with regard to the latter, I talked to him only with mine eyes. I also went afloat for a short time with the fishermen of the North Sea in order to be able to do justice to “The Young Trawler.”

To arrive still closer at the truth, and to avoid errors, I have always endeavoured to submit my proof sheets, when possible, to experts and men who knew the subjects well. Thus, Capt. Shaw, late chief of the London Fire Brigade, kindly read the proofs of “Fighting the Flames,” and prevented my getting off the rails in matters of detail, and Sir Arthur Blackwood, financial secretary to the General Post Office, obligingly did me the same favour in regard to “Post Haste.”

One other word in conclusion. Always, while writing—whatever might be the subject of my story—I have been influenced by an undercurrent of effort and desire to direct the minds and affections of my readers towards the higher life.


Trials And Troubles of an Artist.