By Fred Miller.
Illustrations by E. M. Jessop.
Are any professional men so liable to public insults as painters? Only last summer a new, and I think unique, type of insult was dropped upon me. I had a picture in hand, and wanted a bit of background to complete it. I had seen just the very thing near Twickenham, so, taking my sketching-box and camp-stool, I trained out, and in due course started work. Although I was painting by the side of a public road, the traffic was small and the passers-by few. Still there were passers-by, mostly children, with their nurses or governesses. I am too used to being looked at to take any notice of those who try to peep as they pass, and I soon got quite absorbed in my task. Presently, I was aroused from my artistic abstraction by a little girl dropping a penny in my box, and before I had time to explain, expostulate, or thank her, she had run away. “The world is less hard-hearted than I thought,” was my reflection as I resumed painting. A little while after this I noticed, during the pauses of my work, another little girl hovering about me in an undecided sort of way. After a few moments’ indecision, she dropped a penny in my box and disappeared. “This is encouraging,” I said to myself, “I shall certainly come here again.”
I resumed my sketch, when presently a young girl with two children came and stood near me. These were of a different class. There was no timidity or reticence about them. After standing at my side, and finding that they could not see to advantage, the three sidled round to the back, and gradually edged themselves nearer and nearer until they commanded a satisfactory view of the sketch.
They watched in silence for awhile, and then the girl said—“You ain’t done much yet. ’Spose you’re going to finish it at ’ome?”
The tone of her voice made me inclined to humour her, so I replied—