That the olive grows to a great age, has long been known. Pliny mentions one which the Athenians of his time considered to be coëval with their city, and therefore 1600 years old; and near Terni, in the vale of the cascade of Marmora, there is a plantation of very old trees, supposed to consist of the same plants that were growing there in the time of Pliny. Lady Calcott states that on the mountain road between Tivoli and Palestrina, there is an ancient olive-tree of large dimensions, which, unless the documents are purposely falsified, stood as a boundary between two possessions even before the Christian era. Those in the garden of Olivet or Gethsemane are at least of the time of the Eastern Empire, as is proved by the following circumstance:—In Turkey every olive-tree found standing by the Mussulmans, when they conquered Asia, pays one medina to the treasury, while each of those planted since the conquest is taxed half its produce. The eight olives of which we are speaking are charged only eight medinas. By some it is supposed that these olive-trees may have been in existence even in the time of our Saviour; the largest is about thirty feet in girth above the roots, and twenty-seven feet high.
ACCORDANCE BETWEEN THE SONGS OF BIRDS AND THE DIFFERENT ASPECTS OF THE DAY.
There is a beautiful propriety in the order in which Nature seems to have directed the singing-birds to fill up the day with their pleasing harmony. The accordance between their songs and the external aspect of nature, at the successive periods of the day at which they sing, is quite remarkable. And it is impossible to visit the forest or the sequestered dell, where the notes of the feathered tribes are heard to the greatest advantage, without being impressed with the conviction that there is design in the arrangement of this sylvan minstrelsy.—
First the robin (and not the lark, as has been generally imagined), as soon as twilight has drawn its imperceptible line between night and day, begins his lovely song. How sweetly does this harmonise with the soft dawning of the day! He goes on till the twinkling sun-beams begin to tell him that his notes no longer accord with the rising scene. Up starts the lark, and with him a variety of sprightly songsters, whose lively notes are in perfect correspondence with the gaiety of the morning. The general warbling continues, with now and then an interruption by the transient croak of the raven, the scream of the jay, or the pert chattering of the daw. The nightingale, unwearied by the vocal exertions of the night, joins his inferiors in sound in the general harmony. The thrush is wisely placed on the summit of some lofty tree, that its loud and piercing notes may be softened by distance before they reach the ear; while the mellow blackbird seeks the inferior branches.