RIGHTLY enough had the young girl been called "The White Rose of Sorrento." Monte-Leone had based on her his most ardent hopes and tenderest expectations. Nothing in fact could be more angelic than the expression of her face. She seemed the virgo immaculata of Rubens, the virgo of divine love. What would first attract attention at Aminta's appearance was a marble pallor, the paleness of that beautiful marble of Carara, in which when Canova had touched it the blood seemed to rush to the surface and circulate beneath the transparent flesh of the great master.

We must however say that beneath the long lids of the young Neapolitan, the observer would have discovered an expression of firmness and decision rarely found in so young a girl. Any one who examined her quickly saw that in her frail and delicate frame there was a soul full of energy and courage, and that if it should ever be aroused, what she wished must be, God willing. Nothing in nature is more persevering and irresistible than woman's will, especially if the woman be an Italian.

Antonia Rovero, the mother of Aminta and Taddeo, was the widow of a rich banker of Naples, devoted to the cause of Murat, and had been created by the late king one of his senators and then minister of finances. In this last office M. Rovero died, and his widow, after having received every kindness from Murat, retired to Sorrento. Taddeo then felt an interest in everything which had a tendency to overturn the government of Fernando IV. The restoration of the latter had crushed his ambition and broken his fortunes. On that account he had become one of the Pulcinelli whom we have described in the last book.

While this well-beloved son of an affectionate mother, this brother so idolized by an affectionate sister, languished perhaps like Monte-Leone, Madame Rovero and her daughter in their quiet retreat fancied that Taddeo was enjoying at Naples all the pleasures of the Carnival and abandoning himself to all the follies of that day of pleasure. Sometimes, however, as the sun set on the hills of Sorrento, Aminta said to her mother, "Taddeo forgets us. It is not pleasant to enjoy this beautiful day without him. Were we three together, how delicious it would be!" Then Aminta would take a volume of Alfieri, her favorite author, and wander alone amid the fields.

The day on which the scene we are about to describe happened was one of those burning ones, which make us even in winter fancy that an eternal spring exists in that heaven-protected land. We may add that the winter of 1816 was peculiar even in Italy, and that the sun was so warm and the heat so genial that nature under their influence put on the most luxuriant vegetation. The favorite haunt of Aminta was a green hill, behind which was a pretty and simple house, the cradle of one of the most wonderful geniuses of the world. This genius was Tasso. A bust of the poet in terra cotta yet adorned the façade of the house, which though then in ruins has since been rebuilt. At that time the room of the divine yet unfortunate lover of Leonora did not exist—the sea had swept over it. Admirers of the poet yet however visited the remnants of his habitation. The tender heart of Aminta yet paid a pious worship to them, and "The White Rose of Sorrento" went toward "The House of Tasso." Aminta's mother was always offended when she indulged in such distant excursions.

She did not however go alone. A singular being accompanied her. This being was at once a man and a reptile. His features would have denoted the age of sixteen. They were the most frightful imaginable. A forehead over which spread a few reddish hairs; a mouth almost without teeth; small eyes, sad and green, which were however insupportably bright when they were lit up by anger; long and bony arms; legs horribly thin; a short and square bust,—all united to make a being so utterly ungraceful, so inhuman, that the children of the village had nicknamed him Scorpione—so like that reptile's was his air. The morale of Scorpione was worthy of his physique. The true name of this child was Tonio. Being the son of Aminta's nurse, he had never in his life been separated from her, and seemed to grow daily more ugly as she became more beautiful. He became so devoted to Aminta that he never left her. This whimsical intimacy was not that of children, the attachment of brother and sister, but that of the intellectual and brute being, of the master and dog. He was the dog of Aminta. He accompanied and watched over her in all her long walks. Did a dangerous pass occur, he took her up and carried her across the pool or torrent, so that not a drop of water touched her. If any one chanced to meet her and sought to speak to her, he first growled, and then having looked at Aminta, made the bold man understand that like a mastiff he would protect her against all assailants.

During the winter evenings when Aminta read to her mother, Tonio lying at the fair reader's feet, warmed them in his bosom, where she suffered them to remain with as much carelessness as she would have let them rest on the back of a dog. She became so used to his horrid features, that she no longer thought them repulsive. No contrast was stronger than that these two presented. It was like the association of an angel and a devil.

The young girl had in vain attempted to impart some knowledge to Scorpione: his nature did not admit of it. Had he been able to comprehend anything, if the simple idea of right and wrong could have reached his heart, Aminta would have accomplished much. This Cretin,[7] however, knew but three things in the world, to love, to serve, and to defend Aminta. Nothing more.

[7] The Cretins are a miserable, feeble and almost idiotic race, found not infrequently in the south of France. They have sometimes been horribly persecuted.

Accompanied by her faithful dog one day, the fair creature had walked to the house of Tasso. She had perhaps twenty times gone through those magnificent ruins, and read over again and again the inscription every tourist fancies himself obliged to engrave with his dagger's point on the tesselated walls of the poet's home. One which seemed new attracted her attention. Thus it read: