"One must have suffered as much as the lover of Leonora, to be unhappy in the paradise of Sorrento."
These three lines were signed by the Marquis de Maulear.
Aminta read the inscription two or three times, without fancying that it related to her. The simple style touched her heart, and with no slight emotion, she left the wall.
At that moment the sun was at the height of its power, and shed its burning rays over nature. Aminta's straw hat sheltered her from the torrents of lava which seemed to fall from heaven and a few drops of perspiration stood on her marble forehead. While she was seeking in the ruined house for some shadowed nook, Scorpione amused himself behind a wall in torturing a gray lizard he had found, and which had taken refuge in a hole, from which it could not get out. The cruel child made numerous blows at the timid animal whenever it attempted to escape. He was perfectly delighted when he had beaten out the eyes of the animal, and the poor creature, rushing out, surrendered himself. One thrust completed the work, and it died in convulsions. Aminta found Scorpione thus engaged.
"Fie, fie," said she, "you deserve to suffer as much pain as you have inflicted on this poor animal."
"I am no lizard, but a scorpion, as the children of Sorrento say. I have a sting always ready for those who seek to injure me." He showed his dagger.
Aminta left, and Tonio, glancing at his mistress like a dog which has been punished, placed his back against the wall and pretended to sleep. Before long he really did sleep.
Not far from Tasso's house there was a grotto, beneath which ran a little stream, overgrown with aquatic herbs, and which beyond doubt in other days fed the fish-ponds of the house. It however had insensibly dried up, and only a feeble thread could henceforth be traced. This was the grotto which gave Aminta the refuge she sought. A mossy bench was placed by the side of a stream. She sat on it, took her book, and recited aloud the harmonious verses of her favorite bard. She gradually felt the influence of the heat. For a while she contended against the approach of sleep, which, however, ere long surrounded her with its leaden wings. The sight of Aminta became clouded, and shadowy mists passed before her eyes. Her brow bowed down, her head fell upon the rustic pillow. She was in oblivion. It was noon. All at this hour in Italy, and especially in Naples, slumber, "except," says the proverb, certainly not complimentary to my countrymen, "Frenchmen and dogs." The fact is, that Frenchmen, when they travel, pay no attention to the customs of the country. A Frenchman who travels unfortunately insists that everything should be done a la Française, in countries and climates where such a life as ours is impossible.
A profound silence covered all nature. The indistinct humming of insects in the air for a while troubled him; then all was silent. The wind even was voiceless, and the wave which beat on the rock seemed to repress every sound to avoid interrupting the repose of earth and heaven.
All at once, distant steps were heard. At first they were light, then more positive and distinct as they resounded on the calcined rock which led to Tasso's house. A young man of twenty-five approached. He was almost overcome by the sultriness. A whip and spurs showed that he had just dismounted. He had left his horse in an orange grove. Overcome, he had sought a shelter, and remembering the ruins he had seen a few days before, hoped to find freshness and repose there. The poet's mansion, the roof of which had fallen in, did not answer his expectations. He hurried toward the very place where Aminta slept. His eyes, dazzled by the brilliant light, did not at first distinguish the young girl in the darkness of the grotto. After a few moments, however, his sight became stronger, and he was amazed at the white form which lay on the mossy seat. Gradually the form became more distinct, and finally the young stranger was able to distinguish a beautiful girl. Just then a brilliant sunlight passed over the top of the crumbling wall and fell on her, enwrapping her in golden light, and, as it were, framing her angelic head like a glory round one of Raphael's pictures.