THREE ELEMENTS OF AFRICAN CULTURE
The passion for self expression is one of the most potent factors in social development. No problem of social philosophy yields to a satisfactory solution where the passion for expression is not regarded as a requisite factor. This principle is operative in the life of the individual, the race, and the nation. All human achievements are directly traceable to some inward urge, and evolution, as a theory, is but the universalization of this principle. Civilization, whether in its more perfected stages or whether in its manifestations that are crude and rudimentary, is essentially a measure of human expression. The inward urge that drives mankind onward has a variety of manifestations and the difference in the number of these manifestations is the measure of differences between various civilizations, and between civilization and barbarism or savagery. The impulse that moves the saintly worshipper in St. Peter's to kiss the rosary as he kneels low-bowed and earnest before the high altar is the same that moves the aborigine in Zululand to dance in frenzied ecstacies around his devil-bush. That there are various degrees of self-expression, with a maximum in this nation and age, and a minimum in that, is a fact that is as undeniable as it is obvious; but that there are impulses of cultural possibilities which are lavished upon some races while totally withheld from others is a thesis which finds no sanction in history or archaeology.
Archaeology is the guiding light in which we grope in our attempt to explore the life of ancient man. In Europe and in Asia we have unearthed numerous evidences of prehistoric cultures. There may have been surprise at the antiquity and variety but certainly not at the location, for it was highly probable that the present high civilization of Europe and Asia had risen from the ruins of older ones; yet it cannot be longer doubted that when archaeology as a searchlight was turned upon Africa there was occasion of surprise when that Dark Land yielded evidences of a civilization that antedated the arrival of the European. It would be just as hard to designate the African cultures as purely Negro as to designate the European cultures as purely Teuton. However, a study of African culture promises richer results when it can be identified with certain Negro tribes or such Negroid tribes as have a large extraction of Negro blood. The findings of archaeology have not only a backward look but also a meaning for the future and especially is this true of African cultures, which not only throw light upon the past of the black man but may also become prophetic of his future. It shall be the purpose of this treatise to analyze the African cultures so as to disclose their essential elements and to compare these elements with their counterparts in European cultures.
Once attention had been directed towards Africa, there arose numerous archaeological expeditions and especially noteworthy were the findings of those from Germany and England, the two European countries which had the most ambitious schemes of colonization. In details there is not always agreement among the various archaeological explorers; but, in the main, there is a unanimity that is marvelous and especially is this true when there is evidenced such keen rivalry that is at bottom doubtless economic.
What are the essential elements of civilization? What are the cultural manifestations which constitute the sine qua non of human progress? What is the "irreducible minimum" of civilization? A studied answer must include ethics, art and government, for without any one of these no social order can claim for itself an approach to civilization. The cultures of nations and races must be expressive of these cardinal elements of social expression. In investigating African cultures and their essential elements it is deemed best to dwell at greatest length on the positive aspects of these cultural manifestations. To attempt a negative exposition of the primitive cultures of any people will not reveal any worthwhile criterion of its worth especially when the scope of investigation is limited to three essential elements of culture. If ethics, art and government constitute the irreducible minimum of civilization which is manifested in certain cultural aspects, it is clear at the outset that specialization in ethics, art and government is the measure of a people's advancement.
I. Ethics
Of the African peoples let us consider first their ethics. It can hardly be doubted that it was an important step in man's upward journey when he reached what anthropologists have called "the dawn of mind" but it was no less momentous an event when there was within him the dawn of morality. Morality is the highest defensive weapon which mankind can wield. So important has it become in the struggle for existence that, to man, the highest form of greatness is a moral greatness. That the highest civilizations of history have been grounded in moral strength has become an historical postulate, but what of the races and nations that live beyond their pale? Were the Africans in their crude and primitive surroundings moral beings? Tillinghast and Beauvais would doubtless answer in the negative. The former in his The Negro in Africa and America is loud in his criticism of the ethical standards of the African, in fact he seriously doubts the advisability of saying that the tribes of Africa have an awakened moral sense. Frobenius, however, comes forward with an assertion to the contrary, asserting: "I cannot do otherwise than say, that these human creatures are the chastest and most ethically disposed of all the national groups in the world which have become known to me."[1] In justice to the other "national groups" we may say that Frobenius here doubtless overdraws the virtues of the Yoruban tribes, yet his assertions when taken with ever so much reserve would lead to the conclusion that the Africans have considerable moral sense. Frobenius leaves no doubt that the Yorubans are a mixed people, although certain degrees of mixtures of people are found everywhere; and the fact that they are mixed alone will not vitiate the validity of Yoruban civilization as a phase of African culture. Roscoe in writing of the Baganda tribes has been as careful to impress us with their blackness as Frobenius has been to indicate the Yoruban mixture. He says: "Sex profligacy is open and thought to be no wrong. They thought it no moral wrong to indulge the sex desire."[2] Yet Roscoe further says: "The most stringent care was exercised by the king and chiefs, but it proved inefficient to keep the sexes apart, while horrible punishment meted out to the delinquents when caught seemed to lend zest to the danger incurred."[3] The significant thing in Roscoe's account is not the open sex profligacy but the "stringent care exercised by kings and chiefs" and the "horrible punishment meted out to offenders." After all, there is abundant evidence that even in Baganda there is some ethical standard.
Roscoe continues: "Theft is not common among the people for they were deterred from stealing by fear of punishment which was certain to follow."[4] The very fact that there was fear of punishment is indicative of some conception of social morality. Fear as a preventive of crime is not the most commendable incentive to morality, but it is one that must be employed in all civilizations; for man is first an animal then a moral being. The fear referred to does not prove that the Baganda has the highest type of morality, but it proves that they have a type and this is significant for primitive peoples. The low standard in anything may be prophetic of higher ones which are approachable only by means of the lower ones as stepping stones. This is true in art, science and religion. The fact that the Bagandas were "hospitable and liberal and that real poverty did not exist"[5] shows the presence of a social consciousness which in many ways evidences a standard of ethics. According to Roscoe the thief was killed on the spot, death for adultery was certain;[6] yet he attempts to maintain his thesis as to their lack of morality in these words: "The moral ideas of the people are crude, it was not wrongdoing but detection that they feared; men were restrained from committing crimes through fear of the power of the gods."[7] It is obvious that "detection" is to be feared only where there are detectives and these are present only when they have been called forth in response to some social demands.
There is still other light to be turned on the ethical status of the African tribes. Bent, more sympathetic towards the natives of Mashonaland, delivers himself thus: "Not only has Khama established his reputation for honesty; but he is supposed to have inoculated his people with the same virtue. I must say that I looked forward with great interest to seeing a man with so wide a reputation for integrity and enlightenment as Khama in South Africa. Somehow one's spirit of skepticism is on the alert on such occasions and especially when a Negro is the case in point; and I candidly admit that I advanced towards Palapwe fully prepared to find Ba Mangwato a rascal and hypocrite and I left his capital after a week's stay there one of his fervent admirers."[8] But Dent adds: "Doubtless on the traversed roads and large centers where they are brought into contact with traders and would-be civilizers of the race, these people become thieves and vagabonds, but in their primitive state the Makalangas are naturally honest, exceedingly courteous in manner."[9]