"As gold is better that in fire's tried,
So is the Bankside Globe, that late was burn'd;
For where before it had a thatched hide,
Now to a stately theatre 'tis turn'd;
Which is an emblem that great things are won;
By those that dare through greatest dangers run."
It is also alluded to in some verses by Ben Jonson, entitled, "An Execration upon Vulcan," from which it appears that Ben Jonson was in the theatre when it was burnt.
This theatre was open in summer and the performances took place by daylight; the King's company usually began to play in the month of May. The exhibitions appear to have been calculated for the lower class of people, and to have been more frequent than those at the Blackfriars, till 1604 or 5, when it became less fashionable and frequented. Being contiguous to the Bear Garden, it is probable that those who resorted there went to the theatre, when the bear-baiting sports were over, and such persons were not likely to form a very refined audience.
We have no description of the interior of the Globe, but that it was somewhat similar to our modern theatres, with an open space in the roof: or perhaps it more resembled an inn-yard, where, in the beginning of Queen Elizabeth's reign, many of our ancient dramatic pieces were performed. The galleries in both were arranged on three sides of the building; the small rooms under the lowest, answered to our present boxes and were called rooms; the yard bears a sufficient resemblance to the pit, as at present in use, and where the common people stood to see the exhibition; from which circumstance they are called by Shakspeare "the groundlings," and by Ben Jonson, "the understanding gentlemen of the ground." The stage was erected in the area, with its back to the gateway where the admission money was taken. The price of admission into the best rooms, or boxes, was in Shakspeare's time, a shilling, though afterwards it appears to have risen to two shillings and half-a-crown. The galleries, or scaffolds, as they were sometimes called, and that part of the house which in private theatres was named the pit, seem to have been the same price, which was sixpence, while in some meaner playhouses it was only a penny, and in others two-pence.
We learn from Sir Henry Hebert, that 20l. was the greatest receipt for one day's performance; by that we may calculate upon the house having contained about 700 persons, at the prices before stated; that is to say, 100 for the boxes, and the rest in the other parts of the house.