Part of the site of this theatre is now occupied by the brewery of Messrs. Barclay and Perkins; and in the History of St. Saviour's, already quoted, we read that "the passage which led to the Globe Tavern, of which the playhouse formed a part, was, till within these few years, known by the name of Globe Alley, and upon its site now stands a large store-house for porter."
The Rose or smaller theatre, was erected in the year 1592, and is stated to have cost £103. 2s. 7d.—a sum which would scarcely pay half the expenses of a modern patent theatre for a single night!
These theatres appear to have been cited as nuisances by the parish officers of St. Saviour's, in which they stood; for in July, 1597-8, a resolution was agreed to by a vestry of the parish, "that a petition shall be made to the bodye of the Councell, (Privy Council,) concerning the play-houses in this parish; wherein all the enormities shall be showed that come thereby to the parish, and that in respect thereof they may be dismissed, and put down from playing: and that four, or two of the Churchwardens, &c. shall present the cause with a collector of the Boroughside, and another of the Bankside." The presentation of this petition did not produce the desired effect; for some time afterwards the play-houses not having been put down, the Churchwardens of St. Saviour's, as appears from an entry in their Parish Register, endeavoured to obtain tithes and poor-rates from the owners and managers of the theatres on the Bankside. [5] This corresponds with the state of the English theatre, at this period, at the height of its glory and reputation. Dramatic authors of the first excellence, and eminent actors equally abounded; every year produced a number of new plays; nay, so great was the passion for show or representation, that it was the fashion for the nobility to celebrate their weddings, birthdays, and other occasions of rejoicing, with masques and interludes; the king, queen, and court frequently performing in those represented in the royal palaces, and all the nobility being actors in their old private houses. Alas!
What's gone and what's past help
Should be past grief.
Dryden sung
Support the stage,
Which so declines that shortly we may see
Players and plays reduced to second infancy!
—What would he sing in these times!