STUDY OF THE LATIN AND GREEK CLASSICS.
Of all the "death-bed sayings" on record, none please me more than that of Beausobre to his son: Go, said he,
| "Argentum et marmor vetus, æraque et artis Suspice. Suspice, et forma non fragilis Movebit in pectore delectationis multum. Ibi, cum Euroauster, tum erit admiratio— Flori felicitatis suavis et jucunda." |
Moving among the solid temples of "silver," and of "marble," reared by ancient literature, the intruder finds the holy beauty around him giving softness to his step, and banishing all ungentle levity. The plastic mind gradually yielding to the touch of that loveliness which has crept in through the senses, becomes of itself grand and lovely. The heart too receives its coloring—even as the cheek is colored, when standing beneath the stained windows of some real temple.
These truths have come home to me, at too late an hour, and a quill or two will not be worn out sinfully, in an attempt to impress their importance upon younger men.
If I fail, as most probably I shall, the consciousness of having consumed a day in useful effort, will be a tolerable reward—perhaps reward enough.
"The inner man moulds the outer," is an old and true saw. Its truth may be seen, reader, by looking around you—indeed, by looking at yourself. If you are a philosopher—a genuine philosopher—your glass will image forth an aspect of serene dignity. If a sophist, one of perplexed cunning. In the first instance, your manner will be lofty yet affable—a key to the better feelings of all:—in the latter grovelling, yet scornful—to every one food for the most unreserved contempt. Yielding that these different appearances are produced by the workings of the inner man, can you hit upon a mode for ennobling these workings, in themselves confused and feeble, so evidently effectual as the introduction of knowledge and its all-arranging hand? Some may say that the manner is of no moment. The effects produced under every one's own observation would, if remembered, serve to stifle this assertion. Why was it that the most eloquent of Grecians struggled for years to remove the defects of a faulty bearing, if no valuable end was to be attained?
It follows then that dignity and suavity are of service: that these—in many cases essential—are the offspring of a confidence in one's own knowledge. And now, I ask, whence may we draw richer supplies of this than from the pages of ancient writers? Are they not rife with all the useful reasoning—the philosophic intelligence—the happiness of application, that cultivated man could devise for the assistance of untutored intellect?
From the logic of the sage we learn, by a spirit of imitation natural to human beings, to quicken our own powers of reasoning. The perspicuity of arrangement and expression, so admirable in our master, becomes gradually a part of our own style. We are led by the strength of example to lop off the redundancies of a corrupt method, and by the acquirement of correct notions of purity, enabled to render our productions chaste and clear. And these improvements in the reasoning powers are effected at the same time that we possess ourselves of the richest treasures of lore!
But this is only one source of advantage among many as valuable. Wit, a power of the mind seldom granted with a liberal hand by nature—receives, in the course of communion with the playful and keen, a training of no little value. Charmed by the attic grace which softens and mellows the satire of our companions, (for let us conjure up at the hearthside the great masters of the past, and through their works hold with them 'pleasant converse,') our efforts will be to increase by farther intercourse, the small store already laid up perhaps unintentionally. Thus may we, if naturally possessed of wit, so polish and sharpen the gift of nature, that no armor may resist its progress: or, if destitute of this strong weapon, form for ourselves one less beautiful indeed, but of scarce less real worth.