Later, after I had acquired these objects, I naturally used some of them as well as some of my own for general trading with museums. In other words, if a certain museum was interested in one of those pictures and I was interested, for my gallery, in a picture which was in the possession of that museum, we would make an exchange. This exchange also took place with art dealers from abroad. This did not concern exclusively pictures and art objects of these acquisitions, but also those which I had acquired in the open market, in Germany, Italy, or in other countries or which were earlier in my possession.
At this point, I would like to add that independent of these acquisitions—and I am referring to the Salle du Jeu de Paume, where these confiscated objects were located—I, of course, had acquired works of art in the open market in France as in other countries before and after the war, or rather during the war. I might add that usually if I came to Rome, or Florence, Paris, or Holland, as if people had known in advance that I was coming, I would always have in the shortest time a pile of written offers, from all sorts of quarters, art dealers, and private people. And even though most were not genuine, some of the things offered were interesting and good, and I acquired a number of art objects in the open market. Private persons especially made me very frequent offers in the beginning. I should like to emphasize that, especially in Paris, I was rather deceived. As soon as it was known that it was for me the price was raised 50 to 100 percent. That is all I have to say briefly and in conclusion in regard to this matter.
DR. STAHMER: Did you make provisions for the protection of French art galleries and monuments?
GÖRING: I should like to refer at first to the state art treasures of France, that is, those in the possession of the state museums. I did not confiscate a single object, or in any way remove anything from the state museums, with the exception of two contracts for an exchange with the Louvre on an entirely voluntary basis. I traded a statue which is known in the history of art as La Belle Allemande, a carved wood statue which originally came from Germany, for another German wood statue which I had had in my possession for many years before the war, and two pictures—an exchange such as I used to make before the war with other museums here, and as is customary among museums. Moreover I have always instructed all authorities to do their utmost to protect art objects against destruction by bombs or other war damage. I remember that when the directors of the Louvre told me that most of the things had just been put into the rooms of the so-called Loire castles, I said that I would be willing at their request, and if it seemed necessary with the increased bombing attacks, to help them put these objects into safekeeping at places determined by them, as they complained of not having transportation facilities.
Now I wish to refer to art monuments, which I would call the buildings, churches, and other monuments—anything of a stationary character. Here I can say that perhaps sometimes I issued an order which stood in contradiction to my strictly military duties, because I strongly emphasized to my fliers that the magnificent Gothic cathedrals of the French cities were, under all circumstances, to be protected and not to be attacked, even if it were a question of troop concentrations in those places; and that if attacks had to be made, precision bombing Stukas were to be used primarily. Every Frenchman who was present at the time will confirm this, that the peculiar situation arose, be it in Amiens, Rouen, Chartres or in other cities, that the cathedrals—those art monuments of such great importance and beauty—were saved and purposely so, in contrast to what later happened in Germany. There was of course some broken glass in the cathedrals, caused by bomb detonations, but the most precious windows had been previously removed, thank God. As far as I remember, the small cathedral in Beauvais had fallen victim to bombing attacks on the neighboring houses, the large cathedral still is standing. The French Government repeatedly acknowledged recognition of this fact to me. I have no other comment on that point.
DR. STAHMER: What reasons made you put Colonel Veltjens in charge of centralizing the black market in France?
GÖRING: Colonel Veltjens was a retired colonel. He was a flier in the first World War. He then had entered business. Therefore, he was not sent there in his capacity as colonel, but as an economist. He was not only in charge of the black market in France, but also of that in Holland and Belgium. It came about in the following manner: After a certain period during the occupation, it was reported to me that various items, in which I was particularly interested for reasons of war economy, could be obtained only in the black market. It was then, for the first time, that I became familiar with the black market, that is that copper, tin, and other vital materials were still available, but that some of them lay buried in the canals of Holland, and had also been carefully hidden in other countries. However, if the necessary money were paid, these articles would come out of hiding, while, on the basis of the confiscation order, we would receive only very little of the raw materials necessary for the conduct of the war. At that time, as during the entire war, I was guided only by intentions and ideas leading toward the ultimate war aim, the winning of victory. It was more important to me to procure copper and tin, just to cite one example, to get them in any case, no matter how high the price might be, than not to get them merely because I did not consider such high prices justified. I therefore told Veltjens in rather general terms, “You know in what things German war economy is interested. Where and how you get these things is immaterial to me. If you get them by means of confiscation, that is all the better. If we have to pay a great deal of money to get them, then we shall have to do that too.” The unpleasant thing was that other departments, first without my knowing it—as the French Prosecution has shown here quite correctly—also tried in the same way to get the same things, in which they also were interested. The thought of now having internal competition as well was too much for me. So then I gave Veltjens the sole authority to be the one and only office in control as far as the civilian dealers were concerned who insisted they could procure these things only in that other way, and to be the only purchasing office for these articles and, with my authority, to eliminate other offices.
The difficulty of combating the black market is the result of many factors. Afterwards, at the special request of Premier Laval, I absolutely prohibited the black market for Veltjens and his organization as well. But in spite of this it was not thereby eliminated, and the statement of the French Prosecution confirms my opinion that the black market lasted even beyond the war. And as far as I know it is again flourishing here in Germany today to the widest extent. These are symptoms which always arise during and after a war when there is on the one hand a tremendous scarcity and holding back and hiding of merchandise and on the other hand the desire to procure these things.
DR. STAHMER: Shall I stop now?
THE PRESIDENT: Dr. Stahmer, the Tribunal understood from you that the witness would probably—that the defendant would probably finish his examination in chief at midday today. Can you now tell me how much longer you think the defendant will be with his testimony?