Mayflower (Flor de mayo): A Tale of the Valencian Seashore

by Vicente Blasco Ibáñez

Far down the long street, what looked like an army of cockroaches could be seen assembling, figures, called las vestas, in tall, black, sharp-pointed hoods, like so many astrologers, or judges of the Inquisition, their cloth masks rolled up over their foreheads, their long black trains hung over their arms, and each with a baton painted black in one hand. Some of the paraders, to add a touch of ingenuity, had slipped white petticoats on, well ironed and pleated, and from under them pairs of trousers protruded with the legs turned up, and, at the very bottom, top-shoes unutterably tormenting enormous feet accustomed to walking bare on the sands.

Then came the "Jews," fierce villains apparently snatched from some lowly stage for dramas of the Middle Ages that could afford only a conventional costume of poor quality. Their induments were what the Valencian populace refers to as its "war trappings," short skirts or kilts, much mottled with spangles, trimmings and lace fringes, like the tunic of the Apaches; helmets topped off with huge cock plumes, arms and legs "armored" with a rude fabric of cotton tufts to give a distant suggestion of mail. To cap the climax of caricature and anachronism, following the vestas and the "Jews," came—tall and handsome fellows all—the "Virgin's Grenadiers," wearing high-fronted caps like those of Frederick's Prussian guards, with black uniforms decorated with silver lace that must surely have been ripped from the caskets in an undertaker's store.

A stranger might have laughed at that naïf array had he dared brook the wrath of those solemn boys whose faces all wore expressions of stern professional seriousness. It is never safe to make fun of an army ready to fight; and these "Jews" and "grenadiers" who were to guard the crucified Christ and his mother were carrying, unsheathed in their hands, all the varieties of sword known from the dawn of history to the present time, beginning with the heavy cavalry saber of the ordinary marcher, to the slender, delicate rapier of the drum-major.

Following the march, or keeping up with it along its flanks, trooped the gamins of the town, enviously studying the colorful uniforms. Mothers, sisters and sweethearts looked on admiringly from their doorways: "There he is, there! Do you see him? Reina y siñora! How grand he looks!" The devout procession, like the parade that heralds the coming of a circus to town, seemed to recall to the sinful, backsliding population of the Cabañal that at seven A. M. sharp Jesus and his mother would meet—hence the name Encuentro—in the middle of the Calle de San Antonio, in front of the "Side of Bacon," the tavern of tio Chulla.

As the twilight brightened into the rosy glow of sunrise, promising a warm spring day, the martial uproar about the village grew. There were drums, cornets and brass horns sounding on every hand. An army seemed suddenly to have descended on the Cabañal. The various companies—collas, as they are called—had formed four abreast, and solemn, stiff, and as much admired as soldiers returning from victory, were marching to the homes of their respective captains to collect the banners displayed there—weird standards of black velvet embroidered with the horrifying symbols of the Passion.

The Rector was hereditary captain of the "Jews," and long before dawn he had gotten up and crammed his person into the handsome costume that was kept securely locked in a chest at other times of the year and was revered by the whole family as the treasure of the house. Lord help us! What are we coming to! Every Easter the poor Rector was getting fatter and fatter and finding it a more and more serious task to stuff his corpulency into that tight-fitting "coat-of-mail." Dolores, in her nightgown and with her hair down, was making the tour of his spacious waist, pushing in the stomach here, and stretching the cloth there, to make room for one more cubic inch of husband inside the cotton armor. On the bed sat little Pascualet gazing in amazement and alarm at that helmet with Indian plumes on the man's head and at that menacing cavalry saber which clanked against the walls and the furniture every time the Rector turned around. Could that be papa?

At last the dread toilette was over. Not exactly what you would call comfortable, but they had spent enough time over it. The Rector's underwear, at odds with the stringency encircling it, was all lumpy, and what looked like tumors could be seen standing out under the "Jew's" stockings. And those trousers! They were so tight around the middle that the poor man could hardly breathe. His helmet, far too small for his head, kept slipping forward and bumping on his nose. But this was a day for dignity, not for ease! And the Rector drew his saber, struck up a rub-a-dub-dub in his stentorian voice, and began to stride up and down the room, as though the baby there were a crown prince reviewing guard. His wife's golden, mysterious eyes followed him as he walked back and forth from one wall of the bedroom to the other like a bear in a cage. She was tempted to laugh at those bandy legs; but no—she liked him better in that costume than in the tarred and pitchy clothes he came home from work in at night, tired out and stupid from toil.

And now they were coming! The "Jews" could be heard, with their band, down the street. They would be wanting their banner. Dolores hastily threw a wrapper on, while the captain advanced to the frontiers of his domain to welcome his army. The lurid company drew up in front of the house. The drum-beat softened in tone, but continued to give the rhythm for the privates who stood there marking time, keeping their heads and bodies and legs moving energetically in space but without moving from their positions. Tonet and two other "Jews" came gravely forward, entered the house, and started for the second story, whence the standard was hanging from a window.

Dolores met her brother-in-law on his way upstairs, and instantly, instinctively, she drew the overwhelming comparison. There was a real soldier, a general! Tonet had something about him that distinguished him from the uncouthness and clumsiness of the others—of the other. His legs were straight, and his stockings had no wrinkles—everything in his make-up was stylish, well fitting, sleek. He belonged to the Juan Tenorios, the royal don Pedros, the Henri Lagardères, she had seen on the stage of the theater of La Marina, reciting verses and fighting duels that had thrilled her to the bottom of her soul.

And now all the collas were off toward the church, their bands and banners in front of them, looking, from a distance, like troops of glossy insects moving up and down in the rhythm of the march. The Encuentro was at hand! Two processions were coming-down different streets. In one was the Virgin, weeping, sorrowful, escorted by her guard of funereal grenadiers; in the other, Jesus, in a showy purple mantle spangled with gold, his hair awry, his face stained with blood, collapsing under the burden of the Cross. The image had fallen on the rocks of painted cork that covered its pedestal. Around the Christ, to prevent his escape, crowded the ruthless "Jews," who, in line with their parts, had marshaled ferocious scowls; and with the "Jews" came the vestas, their masks lowered now and their trains dropped and dragging through the puddles. The whole scene was so dreadful, so awe-inspiring, that children along the road began to scream and to hide in fright behind their mothers' skirts.