Siñor!... Ay, siñor, Deu meu!... the old fisherwomen murmured sympathetically at sight of the bleeding Christ in the clutches of that mob of infidels.
The low-pitched cymbals were clanging meanwhile, and the cornets were shrieking long-sustained, ear-splitting blasts like the bellowing of calves in a slaughter-house. In the midst of the throng of cruel guards marched some tall, well-built girls, with painted cheeks, and in costumes copied from the Turkish maidens of comic opera. They carried water jugs to show they were the Biblical women from Samaria. From their mothers they had borrowed earrings and breast-pins. Their plump legs were ostentatiously exposed in open-work stockings under short Polish peasant skirts. But this was not the occasion for mocking raillery from the men in the crowds.
Among the spectators, to be sure, were a few pale faces and blue-ringed eyes—revelers who had been up all night and, to finish their carousals, had come down from Valencia to witness the famous popular festival. But if such people ventured a smile at any incongruity in the costumes, a soldier of Pilate would step up and raise his saber menacingly, calling them to order in righteous indignation:
"Morrals! Morrals! Hey, there, you pig! This is not a joke! The idea! The most religious ceremony of the coast, and as old as the Cabañal itself! You're no gentleman! You must come from Valencia. But I'll teach you manners, if you don't behave yourself!"
The "meeting" place, on a crossing of the Calle de San Antonio, along which, every now and then, some tiles of curious design had been placed to mark the stations of the march to Calvary, was drawing the bulk of the crowd. Rough, aggressive shore-women, in checkered shawls and with kerchiefs on their heads for hats, were competing restlessly for places in the front line.
Among a group of older ones Rosario was stoutly defending her excellent position on the sidewalk with her elbows and her knees. Had they seen her Tonet? Not a "Jew" in the whole lot to compare with him! And in all this enthusiasm for her handsome husband, the poor woman was still rubbing the bruises he had inflicted on her that morning in the course of getting his costume out and on. But suddenly Rosario felt a rude shove which brushed her aside, while a compact, muscular female body crowded into the place she had been occupying. She looked around. Did any one ever hear of such brazen impudence! It was Dolores, leading Pascualet by the hand! They had at last forced their way through the crushing throng. The comely girl still had her usual pout of disdain as she looked at people and carried herself with her habitual queenly pride. The harlot! Yet how everybody made way for her and fawned upon her in spite of her conceit!
To the exceeding alarm of tia Picores, the two women stood there frowning at each other angrily. Their reconciliation some days before in the ice-cream place had been nothing but a truce. They had promised to be good friends, but without much warmth, and one could see from the looks in their eyes at the time that there would be trouble again soon. Rosario, taken aback by the violence of the push that had displaced her, rested content with a grimace. What nice manners some people had! Some people wanted the earth with a fence around it! Gangway for Her Majesty the Queen! Well, there are people and people in this world! And the wrong sort reveal themselves—you don't have to bother to point them out.
As the pale, sickly woman muttered on, her face grew redder and redder with the intoxication of her own words. Her friends near by kept nudging her, egging her on to stand her ground. Dolores, meanwhile, began to toss her gorgeous head like a lioness preparing to cuff at a hornet buzzing behind her back. However, the processions were debouching into the square, and a wave of expectancy swept over the multitude.
Slowly the two lines of celebrants approached each other, measuring their steps so as to reach the designated spot at exactly the same moment. The sun was darting its first golden rays upon the purple robe of Jesus, the maze of plumes, helmets and upraised swords of the guards—one bright, sparkling brilliancy. From the other direction came the Virgin, bobbing up and down on her throne in rhythm with the footsteps of her bearers, dressed in a black velvet gown with widow's weeds, some big wax tears glistening on her face, and—to catch them, supposedly—a black-bordered mourning handkerchief in her stiff, lifeless hands. She it was who riveted the attention of all the mothers present. Many of them began to weep. Ay reina y soberana! How she must be suffering! A mother finding her boy in a fix like that! Suppose I should meet my boy—do you see him over there, and isn't he handsome?—handcuffed, and on the way to the penitentiary! And I'm only an ordinary mother! The fisherwomen were now groaning and weeping all around the square, not forgetting, meanwhile, to study the Virgin's costume for any improvement or shortcoming as compared with the year before.
The exciting moment was now at hand. The drums ceased beating, the cornets interrupted their dolorous bleating, and the bands were hushed. The images of Jesus and Mary were face to face. A plaintive, tremulous voice began to recite in monotone some stanzas which told how very sad and mournful the whole scene was. Tio Grancha, an aged velvet-spinner, came down from Valencia every year to declaim those couplets, and his art was one of the attractions of the festival! What a voice! How it went to your heart! And that is why a riot almost started when some gamblers in the "Side-of-Bacon" began to laugh at a turn in their game, and people rushed to the doors exclaiming angrily: