"Celui qu'il est content, est riche. Vous et je nous avons peu d'argent; mais nous sommes content. Nous sommes ainci à mon avis plus riches que tel qui a un tonne d'or, et il est...."
That is true, mademoiselle, you and je have little money; you are satisfied, as it seems, and you laugh at a ton of gold; but, if, by chance, I were not satisfied, you must agree that, for me, a ton of gold might be rather pleasant.
On leaving Bayreuth, one goes up. Slender pruned firs represented to me the pillars of the mosque at Cairo or the Cathedral of Cordova, but shrunk and blackened, like a landscape reproduced in the camera obscura. The road runs on from hill to hill and valley to valley: the hills wide, with a tuft of wood on their brows; the valleys narrow and green, but badly watered. At the lowest point of these valleys, one sees a hamlet marked by the campanile of a little church. The whole of Christian civilization was formed in this way: the missionary, become a parish-priest, stopped; the Barbarians cantoned themselves around him, like flocks gathering round the shepherd. In former days, those remote habitations would have made me dream more than one kind of dream; to-day, I dream not at all and am nowhere at ease.
Baptiste, suffering from over-fatigue, compelled me to stop at Hollfeld. While supper was being made ready, I climbed the rock which overlooks a part of the village. Upon that rock rises a square belfry; swifts screamed as they swept round the roof and fronts of the turret. That scene consisting of a few birds and an old tower had not repeated itself since the days of my childhood at Combourg; my heart was quite oppressed by it. I went down to the church on a hanging ground towards the west; it was surrounded by its grave-yard abandoned by the new deceased. The old dead only marked out their furrows there: a proof that they had tilled their field. The setting sun, pale and drowned, on the horizon, in a fir-plantation, lit up the lonely refuge where no other man than I stood erect. When shall I be recumbent in my turn? We are beings of nothingness and darkness; our impotency and our potency are strongly characterized: we cannot, at will, procure for ourselves either light or life; but nature, by giving us eye-lids and a hand, has put night and death at our disposal.
Entering the church, whose door was half-open, I knelt down with the intention of saying an Our Father and Hail Mary for the repose of my mother's soul: a servitude of immortality laid upon Christian souls in their mutual affection. Suddenly I thought I heard the shutter of a confessional open; I fancied that Death, instead of a priest, was about to appear at the penance grating. At that very moment, the bell-ringer came to lock the door of the church: I had only time to leave.
The little basket-carrier.
Returning to the inn, I met a little basket-carrier: she had bare legs and feet; her skirt was short, her bodice torn; she walked stooping and with her arms crossed. Together we climbed a steep road; she turned her sun-burnt face a little to my side; her pretty and dishevelled head was glued against her basket. Her eyes were black; her mouth was half open to facilitate her breathing; one saw that, under her burdened shoulders, her young breast had as yet felt no other weight than the spoils of the orchards. She tempted one to talk to her of roses:
"Ρόδα μ'εἴ ρηχας[13]."
I applied myself to casting the adolescent vintager's horoscope: will she grow old at the wine-press, unknown and happy as the mother of a family? Will she be carried off to the camps by a corporal? Will she fall a prey to some Don Juan? The abducted village-girl loves her ravisher as much with astonishment as with passion: he transports her to a marble palace on the Straits of Messina, under a palm-tree beside a spring, opposite the sea displaying its azure billows and Etna belching flames.