Marius had gained a little mastery over his agony, and was listening. The last possibility of doubt had vanished, and it was really the Thénardier of the will. Marius shuddered at the charge of ingratitude cast at his father, and which he was on the point of justifying so fatally, and his perplexities were redoubled. Besides, there was in Thénardier's every word, in his accent and gestures, in his glance, which caused flames to issue from every word, in this explosion of an evil nature displaying everything, in this admixture of boasting and abjectness, pride and meanness, rage and folly, in this chaos of real griefs and false sentiments, in this impudence of a wicked man enjoying the pleasure of violence, in this daring nudity of an ugly soul, and in this conflagration of every suffering combined with every hatred, something which was hideous as evil and poignant as truth.
The masterpiece, the picture by David, which he offered M. Leblanc, was, as the reader will have perceived, nought else than his public-house sign, painted by himself, and the sole relic he had preserved from his shipwreck at Montfermeil. As he had stepped aside Marius was now enabled to look at this thing, and in the daub he really recognized a battle, a background of smoke, and one man carrying another. It was the group of Thénardier and Pontmercy,—the savior sergeant and the saved colonel. Marius felt as if intoxicated, for this picture represented to some extent his loving father; it was no longer an inn sign-board but a resurrection; a tomb opened, a phantom rose. Marius heard his heart ringing at his temples; he had the guns of Waterloo in his ears; his bleeding father vaguely painted on this ill-omened board startled him, and he fancied that the shapeless figure was gazing fixedly at him. When Thénardier regained breath he fastened his bloodshot eyes on M. Leblanc, and said to him in a low, sharp voice,—
"What have you to say before we put the screw on you?"
M. Leblanc was silent. In the midst of this silence a hoarse voice uttered this grim sarcasm in the passage,—
"If there's any wood to be chopped, I'm your man."
It was the fellow with the pole-axe amusing himself. At the same time an immense, hairy, earth-colored face appeared in the door with a frightful grin, which displayed not teeth but tusks. It was the face of the man with the pole-axe.
"Why have you taken off your mask?" Thénardier asked him furiously.
"To laugh," the man answered.
For some minutes past M. Leblanc seemed to be watching and following every movement of Thénardier, who, blinded and dazzled by his own rage, was walking up and down the room, in the confidence of knowing the door guarded, of holding an unarmed man, and of being nine against one, even supposing that his wife only counted for one man. In his speech to the man with the pole-axe he turned his back to M. Leblanc; the latter seizing the moment, upset the chair with his foot, the table with his fist, and with one bound, ere Thénardier was able to turn, he was at the window. To open it and bestride the sill took only a second, and he was half out, when six powerful hands seized him and energetically dragged him back into the room. The three "chimney-sweeps" had rushed upon him, and at the same time Mother Thénardier seized him by the hair. At the noise which ensued the other bandits ran in from the passage, and the old man on the bed, who seemed the worse for liquor, came up tottering with a road-mender's hammer in his hand. One of the sweeps, whose blackened face the candle lit up, and in whom Marius recognized, in spite of the blackening, Panchaud alias Printanier alias Bigrenaille, raised above M. Leblanc's head a species of life-preserver, made of two lumps of lead at the ends of an iron bar. Marius could not resist this sight. "My father," he thought, "forgive me!" and his finger sought the trigger. He was on the point of firing, when Thénardier cried,—
"Do not hurt him!"