It is hither that Marius had come the first time that he absented himself from Paris; it was to this spot he retired each time that M. Gillenormand said,—"He sleeps out." Lieutenant Théodule was absolutely discountenanced by this unexpected elbowing of a tomb, and felt a disagreeable and singular sensation, which he was incapable of analyzing, and which was composed of respect for a tomb, mingled with respect for a colonel. He fell back, leaving Marius alone in the cemetery, and there was discipline in this retreat; death appeared to him wearing heavy epaulettes, and he almost gave it the military salute. Not knowing what to write to his aunt, he resolved not to write at all; and there would probably have been no result from Théodule's discovery of Marius's amour had not, by one of those mysterious arrangements so frequent in accident, the scene at Vernon had almost immediately a sort of counterpart in Paris.
Marius returned from Vernon very early on the morning of the third day, and wearied by two nights spent in a diligence, and feeling the necessity of repairing his want of sleep by an hour's swimming exercise, he hurried up to his room, only took the time to take off his travelling coat and the black ribbon which he had round his neck, and went to the bath. M. Gillenormand, who rose at an early hour like all old men who are in good health, heard him come in, and hastened as quick as his old legs would carry him up the stairs leading to Marius's garret, in order to welcome him back, and try and discover his movements. But the young man had taken less time in descending than the octogenarian in ascending, and when Father Gillenormand entered the garret Marius was no longer there. The bed had been unoccupied, and on it lay the coat and black ribbon unsuspectingly.
"I prefer that," said M. Gillenormand, and a moment later he entered the drawing-room, where Mlle. Gillenormand the elder was already seated embroidering her cabriolet wheels. The entrance was triumphant; M. Gillenormand held in one hand the coat, in the other the neck-ribbon, and shouted,—
"Victory! we are going to penetrate the mystery, we are going to know the cream of the joke, we are going to lay our hands on the libertinage of our cunning gentleman. Here is the romance itself, for I have the portrait."
In fact, a box of shagreen leather, much like a miniature, was suspended from the ribbon. The old man took hold of this box, and looked at it for some time without opening, with the air of pleasure, eagerness, and anger of a poor starving fellow who sees a splendid dinner, of which he will have no share, carried past under his nose.
"It is evidently a portrait, and I am up to that sort of thing. It is worn tenderly on the heart,—what asses they are! Some abominable wench, who will probably make me shudder; for young men have such bad tastes now-a-days."
"Let us look, father," the old maid said.
The box opened by pressing a spring, but they only found in it a carefully folded-up paper.
"From the same to the same" said M. Gillenormand, bursting into a laugh. "I know what it is,—a billet-doux!"
"Indeed! let us read it," said the aunt; and she put on her spectacles. They unfolded the paper and read as follows,—