9-12. Here the thought approaches the prevailing motif of the Gītā Govinda, where Rādhā is the higher self of man, and Krishna the self entangled in the world of sensation.
18. Rasa bujha'i rasamanta: a pregnant epigram, valid equally in love and art.
MĀNĀNTE MILNA
Reunion after Wilfulness
4. 'Might not bend,' lit. 'was like a stambha,' a monumental pillar.
The lovers are mixed like milk and water.
2. 'Spell,'—sādhanā.