Page [132], line 111—'And the host had bid them lay him.' 'The Maimed King' invariably figures in the Grail Romances, whether they deal only with the Quest, as here, or with the early history of the Grail. He is generally wounded through the thighs, either with a lance, or with a sword, but the circumstances under which he receives the wound vary greatly. In most of the versions he is met with while engaged in fishing, and is known as the Fisher King, or the 'Rich Fisher.'
Page [132], line 125—'The bleeding lance.' This is a feature in most of the Grail Romances, and seems to have been an original feature of the story, though it had not the close connection with the Grail, which the fully developed Christian legend has given to it. In the earlier versions of the story it is the weapon with which the Maimed King was wounded; finally, it became the spear with which our Lord's side was pierced on the cross. Wolfram, who never appears to connect the Grail with the Passion, gives it the first meaning. The visit to the Grail Castle is told in varying forms, but the King, the Grail, Sword, and Lance almost invariably appear, and the hero is either Perceval or his companion Gawain, but Perceval is, undoubtedly, the original hero of the Quest.
Page [133], line 137 and seq.—'The Grail Procession.' In Chrêtien this is much more simply treated. There are two squires bearing candlesticks, and two maidens, one of whom carries the Grail, the other a silver dish, tailleor. Wolfram has evidently seized the opportunity to give play to his love of detailed description, and his account of the Grail Feast and the Grail Maidens is far more elaborate than any given elsewhere.
Page [136], line 223—'The food-supplying powers of the Grail.' In other romances of the cycle we find similar powers attributed to the Grail. Malory, who borrowed largely from the Queste and Grand S. Graal, gives a like account. There is evidently a connection between this feature of the Grail, and the food-supplying talismans which figure largely in the legendary lore of most countries.
Page [137], line 247—'A squire who a sword did bear.' Cf. p. [144], lines 472 and seq. This incident also occurs in Chrêtien, and in varying form in most of the versions. In this poem the meaning and use of the sword are somewhat inexplicable. In Chrêtien that sword will break in one peril, known only to its maker, and then can be made whole by dipping it in a lake. Wolfram's account seems to be based on a misunderstanding of a French original. In some of the other versions the sword is already broken, and can only be made whole by the achiever of the Quest. In Wolfram the sword is a very puzzling feature of the story, with which indeed it seems to have little or no connection. The sword, which breaks in Parzival's deadly combat with his unknown brother, is not this sword, but the one taken from Ither of Gaheviess.
Page [137], line 267—'The fairest of old men ancient.' Titurel, cf. Book IX. p. 287.
Page [137], line 273—''Tis a symbol good, the bowstring.' Introduction to Book I., line 9, and note.
Page [139], line 325—'The garden of Paradise.' This is one of the allusions which seem to connect the Grail in Wolfram's version with an Oriental source, cf. p. [135].
Page [141], line 371—'A hidden hand drew the rope taut.' Chrêtien has the incident of the drawbridge rising, but in no other version are the reproaches addressed to the hero immediately on his leaving the castle, they are invariably put into the mouth of the maiden with the dead knight. In the Perceval the maiden's words, 'The Lord hates thee,' recall Wolfram's Ihr sult varen der sunnen has, which Bartsch says is an ancient formula of declaring a person accurst, and unworthy of the light of day.
Page [141], line 381—'Doubled the throw of sorrow.' Cf. Book III. p. 100; Book II. p. 47. Similes borrowed from games of chance are not unusual in this poem.