I abandoned my plans on discovering that our young men, not yet educated by Mr. Birrell’s university, would certainly shout down everyone they disagreed with, and that their finance was so extravagant that we must content ourselves with a foundation stone and an iron rail to protect it, for there could never be a statue; while she carried out every plan she made.
Her power over crowds was at its height, and some portion of the power came because she could still, even when pushing an abstract principle to what seemed to me an absurdity, keep her own mind free, and so when men and women did her bidding they did it not only because she was beautiful, but because that beauty suggested joy and freedom. Besides there was an element in her beauty that moved minds full of old Gaelic stories and poems, for she looked as though she lived in an ancient civilization where all superiorities whether of the mind or the body were a part of public ceremonial, were in some way the crowd’s creation, as the Pope entering the Vatican is the crowd’s creation. Her beauty, backed by her great stature, could instantly affect an assembly, and not as often with our stage beauties because obvious and florid, for it was incredibly distinguished, and if—as must be that it might seem that assembly’s very self, fused, unified, and solitary—her face, like the face of some Greek statue, showed little thought, her whole body seemed a master work of long labouring thought, as though a Scopas had measured and calculated, consorted with Egyptian sages, and mathematicians out of Babylon, that he might outface even Artemisia’s sepulchral image with a living norm.
But in that ancient civilization abstract thought scarce existed, while she but rose partially and for a moment out of raging abstraction; and for that reason, as I have known another woman do, she hated her own beauty, not its effect upon others, but its image in the mirror. Beauty is from the antithetical self, and a woman can scarce but hate it, for not only does it demand a painful daily service, but it calls for the denial or the dissolution of the self.
“How many centuries spent
The sedentary soul,
In toil of measurement
Beyond eagle or mole
Beyond hearing and seeing
Or Archimedes’ guess,
To raise into being
That loveliness?”
V
On the morning of the great procession, the greatest in living memory, the Parnellite and Anti-Parnellite members of Parliament, huddled together like cows in a storm, gather behind our carriage, and I hear John Redmond say to certain of his late enemies, “I went up nearer the head of the Procession, but one of the Marshals said, ‘This is not your place, Mr Redmond; your place is further back.’ ‘No,’ I said, ‘I will stay here.’ ‘In that case,’ he said, ‘I will lead you back.’” Later on I can see by the pushing and shouldering of a delegate from South Africa how important place and procedure is; and noticing that Maud Gonne is cheered everywhere, and that the Irish Members march through street after street without welcome, I wonder if their enemies have not intended their humiliation.
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We are at the Mansion House Banquet, and John Dillon is making the first speech he has made before a popular Dublin audience since the death of Parnell; and I have several times to keep my London delegates from interrupting. Dillon is very nervous, and as I watch him the abstract passion begins to rise within me, and I am almost overpowered by an instinct of cruelty; I long to cry out, “Had Zimri peace who slew his master?”
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