Is our Foundation Stone still unlaid when the more important streets are decorated for Queen Victoria’s Jubilee?

I find Maud Gonne at her hotel talking to a young working-man who looks very melancholy. She had offered to speak at one of the regular meetings of his socialist society about Queen Victoria, and he has summoned what will be a great meeting in the open air. She has refused to speak, and he says that her refusal means his ruin, as nobody will ever believe that he had any promise at all. When he has left without complaint or anger, she gives me very cogent reasons against the open air meeting, but I can think of nothing but the young man and his look of melancholy. He has left his address, and presently at my persuasion, she drives to his tenement, where she finds him and his wife and children crowded into a very small space—perhaps there was only one room—and, moved by the sight, promises to speak. The young man is James Connolly who, with Padraic Pearce, is to make the Insurrection of 1916 and to be executed.

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The meeting is held in College Green and is very crowded, and Maud Gonne speaks, I think, standing upon a chair. In front of her is an old woman with a miniature of Lord Edward Fitzgerald, which she waves in her excitement, crying out, “I was in it before she was born.” Maud Gonne tells how that morning she had gone to lay a wreath upon a martyr’s tomb at St. Michael’s Church, for it is the one day in the year when such wreaths are laid, but has been refused admission because it is the Jubilee. Then she pauses, and after that her voice rises to a cry, “Must the graves of our dead go undecorated because Victoria has her Jubilee?”

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It is eight or nine at night, and she and I have come from the City Hall, where the Convention has been sitting, that we may walk to the National Club in Rutland Square, and we find a great crowd in the street, who surround us and accompany us. Presently I hear a sound of breaking glass, the crowd has begun to stone the windows of decorated houses, and when I try to speak that I may restore order, I discover that I have lost my voice through much speaking at the Convention. I can only whisper and gesticulate, and as I am thus freed from responsibility, I share the emotion of the crowd, and perhaps even feel as they feel when the glass crashes. Maud Gonne has a look of exultation as she walks with her laughing head thrown back.

Later that night Connolly carries in procession a coffin with the words “British Empire” upon it, and police and mob fight for its ownership, and at last that the police may not capture, it is thrown into the Liffey. And there are fights between police and window-breakers, and I read in the morning papers that many have been wounded; some two hundred heads have been dressed at the hospitals; an old woman killed by baton blows, or perhaps trampled under the feet of the crowd; and that two thousand pounds worth of decorated plate glass windows have been broken. I count the links in the chain of responsibility, run them across my fingers, and wonder if any link there is from my workshop.

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Queen Victoria visits the city, and Dublin Unionists have gathered together from all Ireland some twelve thousand children and built for them a grandstand, and bought them sweets and buns that they may cheer. A week later Maud Gonne marches forty thousand children through the streets of Dublin, and in a field beyond Drumcondra, and in the presence of a Priest of their Church, they swear to cherish towards England until the freedom of Ireland has been won, an undying enmity.

How many of these children will carry bomb or rifle when a little under or a little over thirty?