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[312]
[313]
INDEX
- Abstract vs. concrete, [89], [90].
- “Adams and Jefferson,” Webster’s, quotation from, [176].
- Adjectives, [78].
- “Alice in Wonderland,” a story without facts, [25].
- Allegory, [261].
- Allusion, [263].
- Amphibrach, [273].
- Analogy, use of, [137].
- Anapest, defined, [273];
- interchangeable with iambus, [278].
- “And,” use of, [192].
- Andersen, Hans Christian, his “Tannenbaum,” [12].
- Anecdotes in exposition, [97].
- “Annabel Lee,” quotations from, [271], [278], [279].
- Anti-climax, [210].
- Antithesis, [227].
- “Apologia,” Newman’s, quotation from, [160].
- Apostrophe, [261].
- Argument, [4], [128]-[137];
- Arnold, Matthew, quotation from, [159];
- quotation to illustrate repetition, [167];
- to illustrate sentence structure, [222].
- Arrangement, in narration, [29]-[32];
- Association of ideas, [103].
- “Autumn Effect, An,” quotation from, [17].
- “Baa, Baa, Black Sheep,” its purpose, [7];
- beginning, [29];
- length of sentences in, [33];
- time for the action, [36].
- Balanced sentences, [227], [228].
- Ballad, defined, [285].
- “Barbara Frietchie,” a narrative poem, [4].
- Bates, Arlo, quoted, [35].
- Beauty, gained by use of figurative language, [258].
- Beginning of a story, [29].
- Bellamy, Edward, his “Looking Backward,” [7].
- “Biglow Papers,” quotation from, [51].
- “Birthmark,” Hawthorne’s, [24].
- Blake, William, “Tiger, Tiger,” quoted, [282], [283].
- “Bonnie Brier Bush, Beside the,” [25].
- Bookish words, [242].
- “Break, Break, Break,” quotation from, [283].
- “Bridge of Sighs, The,” quotation from, [270].
- Brief in argument, [138], [139].
- Browning, Robert, vivid narration of, [23].
- “Burial of Sir John Moore, The,” quotation from, [277].
- Burke, Edmund, quotation from his speech on “Conciliation with the Colonies,” [116];
- Burroughs, John, his knowledge of his field, [9];
- “But,” use of, [192].
- Capital letters, [303].
- Cause and effect, [133]-[136].
- Characters, number of, [35].
- Chaucer, Geoffrey, quotation from, [245].
- Choice of subject, [8]-[12].
- Choice of words, [78]-[80], [239]-[255].
- “Cinderella,” [12].
- Clearness and coherence, [180]-[193], [224], [225].
- Clearness gained by use of figurative language, [258].
- Climax, [139]-[141], [211], [218];
- Coherence, [20];
- Colons, [306], [307].
- Comedy, [286].
- Commas, [303], [304].
- Comparisons, use of, [77], [98];
- Composition, [1];
- oral and written, [2];
- conventions of, [2].
- “Conciliation with the Colonies,” Burke’s speech on, quoted, [116], [171], [175], [177], [188], [214], [226];
- [314]
Conclusion of a story, [23].
- Concrete facts, use of, [89], [90].
- Conjunctions, use of, [190], [191].
- Connectives in sentences, [228], [229].
- Consistency, [25].
- Cooke, Josiah P., his essay on “Fire,” [8].
- “Copyright,” quotations from Macaulay’s speech on, [159], [172].
- Correction, marks for, [300].
- Curtis, George William, quoted, [111].
- Dactyl, defined, [272];
- interchangeable with trochee, [278].
- “Daisy, The,” Wordsworth’s quotation from, [274].
- “Darkness and Dawn,” [8].
- Dash, [307], [308].
- “David Copperfield,” description quoted from, [65].
- “David Harum,” its construction criticised, [22].
- Davis, Richard Harding, small number of characters in his books, [35];
- simple plot in his “Gallegher,” [36].
- Deduction, [129].
- Definition, a, [91]-[94].
- Description, [4], [49]-[80];
- an aid to narration, [34];
- and exposition, [91].
- Description and painting, [50].
- Details, in narration, [22]-[25];
- Dickens, Charles, his “Nicholas Nickleby” as an exposition, [5];
- description from his “David Copperfield” quoted, [65];
- quotations from Mr. Micawber’s conversation, [253].
- Dictionary, use of, [237].
- Differentia, [92], [93].
- Digression, [22].
- Dimeter, [274].
- Discourse, forms of, [3]-[7].
- “Discussions and Arguments,” Newman’s, quotation from, [97].
- Dramatic poetry, [286].
- Dynamic point of sentence, [221].
- Elegy, the, [285].
- Eliot, George, her “Silas Marner,” [13];
- Emerson, Ralph Waldo, primarily an essayist, [9].
- Emotional statement, [115].
- Emphasis, how secured, [110]-[112], [115], [116], [217]-[219].
- End of a paragraph, [175]-[179];
- “English Composition,” Wendell’s, quotation from, [94].
- Enthymeme, [130].
- Enumeration vs. suggestion, [52].
- Enumerative description, [54].
- Epic, the, [284].
- Epithet, [260].
- “Evangeline,” quotation from, [277], [278].
- Events, order of, [29], [30].
- Everett, Edward, description from, quoted, [71].
- Examples, paragraph of, [171].
- Exclamation, [262].
- Exclamation point, [308].
- Exclusion of details, [22], [23], [26].
- Exposition, [4], [89]-[120];