In Newlands (C. sh. 70).—Among the rocks which flank Newlands on the east much good material may be found. One is reminded a little of the Wastwater Screes, but of course these are not on anything approaching that scale. The greatest height of the craggy part is only about 400 ft.
Eight-foot Drop.—On the Pillar Rock is the passage from the ridge of the Curtain down onto the lower part of the Steep Grass. It figures in some of the earlier accounts as a formidable feature of the ascent. Nowadays it is known how much easier it is to keep on the flank of the curtain, and only leave it when at the top of the chimney which runs up from the head of Steep Grass. No 'drop' is, in fact, necessary; but the climb, though not in any sense difficult, is generally regarded as a good test of neatness of style.
Ennerdale.—For a valley which not only is one of the largest and most impressive in the Lake country, but contains moreover a share of the most perfect mountain in broad England—Great Gable—and all of the most famous rock—the Pillar—singularly little is popularly known of Ennerdale. But, when we consider that the place is one which is, or should be, hallowed to all devout Wordsworthians as the scene of one of the finest productions of their poet, the thing becomes incomprehensible. To begin with, the guide-books have never done it justice. In area of paper covered with descriptions of it English Lakeland is probably many square miles ahead of any equal portion of the earth's surface. But guide-book writers love to stand upon the ancient ways; and any one who takes the trouble to compare West or Otley with the works of to-day must admit that, except in matters of detail, the advance has been incredibly small. The public are better judges of accuracy than of enterprise, and what pleases the public pays. These gentlemen, therefore, worthy and painstaking as they are, share to some extent in the narrow aspirations of the hireling, and, indeed, we are tempted to believe that their motives in shunning Ennerdale were not wholly foreign to the character of him who 'fleeth because he is afraid,' for they have brought up a terrible report of the dale. If, however, this has been a wise precaution on their part, a means of deterring any inquirer from exposing their want of energy, it has been rewarded with a large measure of success. Here is an inviting prospect for a timid traveller: 'Ennerdale Lake ... is so wild in the character of its shores and in its position among the mountains as to have caused more terrors and disasters to strangers than any other spot in the district. At every house from Wastdale Head to Ennerdale Bridge stories may be heard of adventures and escapes of pedestrians and horsemen in Mosedale and the passes of Black Sail and Scarf Gap' (Whellan's 'History of Cumberland,' 1860). Can it be wondered at that, in the face of such terrors as this, very few people find their way into Ennerdale, except those who with fear and trembling cross the head of it on their way between Buttermere and Wastdale Head? Every guide-book, indeed, mentions Ennerdale and the Pillar by name, because it gives an opportunity for quoting the well-worn lines from 'The Brothers,' after which a few meagre remarks may be expected to follow on the 'Pillar Mountain,' the 'Pillar Rock,' and 'Ennerdale Lake,' expressions of which not one, strictly speaking, is correct, for the proper name of the first is beyond all doubt 'Pillar Fell,' 'mountain' being an innovation of tourists and guide-book writers, who between them have made 'Pillar Rock' sound more familiar than the genuine name 'Pillar Stone,' and have almost ousted 'Broadwater' in favour of 'Ennerdale Lake.'
Printed authorities are scanty, because Ennerdale is of very recent discovery. The early guide-books simply know nothing about it. West (1778) does not mention it, and the gifted authoress of that touching poem 'Edwina' did not even know how to spell its name:
But chiefly, Ennersdale, to thee I turn,
And o'er thy healthful vales heartrended mourn,
Vain do thy riv'lets spread their curving sides
While o'er thy glens the summer zephyr glides.
And yet Mrs. Cowley was by no means indifferent to such points. Indeed, we owe the origin of this exquisite poem to her etymological zeal and to her desire to immortalise the brilliant suggestion that the name 'Wotobank' was derived from some one having once said, 'Woe to this bank!' It may even be that the spelling is a symbolical subtlety—a kind of refinement on 'word-painting' intended to shadow forth to less poetic minds, by the sinuosity of the superfluous 's,' the unique manner in which the rivulets of this happy valley are wont to 'spread their curving sides.' One of the earliest visitors to Ennerdale appears to have been the artist Smith, of Derby (1767), who sketched the lake, as did also Wilkinson in 1810. Wordsworth had been there before 1800, and Green's description shows that he was much struck by the scenery of upper Ennerdale. But, though visitors to Ennerdale have been and still are few, most of these few speak highly of its beauties, 'partly perhaps,' says Mr. Payn, 'in consequence of their having endured certain inconveniences (with which they are anxious that you should also become acquainted) when belated in that lovely spot.' The dale is not without its associations. Formerly it was a deer forest, the property of the Crown by forfeiture from the father of the ill-fated Lady Jane Grey. The Sandford manuscript speaks enthusiastically of 'the montaines and fforest of Innerdale, wher ther is reed dear and as great Hartts and Staggs as in any part of England. The bow-bearer is a brave gentleman.' But it is now many years since the last of the herd was destroyed, and no one living can remember the days when Ennerdale could show—what in almost any landscape is a crowning beauty—the stately figure of a great red stag. Certainly an element of romance has here been lost; but how can that be felt so long as here and there some aged man survives to keep green among the dalesmen the memory of 't' girt wild dog'? The stories told of this remarkable animal would fill volumes and form a highly interesting study in contemporary mythology; and yet, when we consider the state of unparalleled excitement into which the whole countryside was thrown at the time, and the assiduity with which it has ever since been talking over the events of that stirring period, we shall find cause to wonder, not that the story in some of its details should have acquired a slight legendary flavour, but rather that the great bulk of the incidents narrated should be so thoroughly well authenticated. Certainly it is a lesson in faith, and makes it easier to credit stories such as that which Ovid tells with so much spirit of the Calydonian boar; for if in the days of modern firearms a dog can defy a large district and kill a couple of sheep a day for nearly half a year together, there is less reason for doubting that in old days an amount of destruction and devastation which would not discredit a modern minister could be wrought by the unaided exertions of one malevolent pig. For months the dog was hunted and shot at, but seemed to lead a charmed life; in the excitement farming operations were terribly neglected, until at last, in the person of John Steel of Asby, arose the modern Meleager.
Many a story is told of that exciting time, and one especially has hit the fancy of the dale. Until recently the custom was that fox-hunts should take place on one particular day of the week—a day the selection of which for a Southern meet would, however convenient, be regarded with considerable surprise. Possibly this custom was held to govern dog-hunting also; for one Sunday, as the Rev. Mr. Ponsonby (probably the identical 'homely priest' who is mentioned in 'The Brothers') was conducting Divine Service, the attentive cars of the congregation caught the sound of some commotion without, followed by the rush of hounds and the panting of human lungs. There could be no mistaking these signs. A faint murmur passed round the sacred building, 'T' girt dog!' and in an instant the reverend gentleman was the only male within the walls. A moment's pause, and then female sympathy and female curiosity triumphed, and the other and better half of the congregation disappeared. The story goes in Ennerdale (but for this we decline to vouch) that the aged pastor, casting a sorrowful glance upon the empty benches, hastily adjusted the robes of his office, and ere the last petticoat had fluttered from the porch was in full career to join the headlong hunt.
For five months Ennerdale had been in a state of convulsive excitement, for the first and last time, it is said, 'syn t' Flud'; the honour of having enlivened the dale is fairly divided between the Deluge and the Dog.
To see Ennerdale as it should be seen, and to get a clear idea of the surrounding district, there is no better plan than to mount from Buttermere to Red Pike—the Rigi of Cumberland—and from there follow with eye and, if necessary, map the following account of a 'run,' telling how 'oald Jobby o' Smeathat tallyho't a fox ya Sunday mworning, just as day brak, oot ov a borran o' steeans, abeunn Flootern Tarn, i' Herdas end; an' hoo it teukk ower be t' Cleugh gill an' t' hoonds viewt him sa hard 'at he teuk t' Broadwater an' swam 'cross t' hee end on't, an t' dogs went roond an' oop t' Side Wood ... an' they whisselt him oop be t' Iron Crag, an' be t' Silver Cwove an then throo t' Pillar, an' a gay rough bit o' grund it is. Hoo he shakt 'em off a bit theer, an' they at him agean an' meadd o' ring amang t' rocks. Hoo they ran him roond be Black Sail, an' Lizza hee faulds an' clam oot be t' Scarf Gap an' on to t' Wo' heead an' they beeldit 'am onder t' Brock Steeans an' he was seaff aneugh theer.'
With or without the fox-hunt this view from Red Pike is magnificent, yet there are several others which run it very close. What, for instance, can be better, just at the clearing of a shower, than the look-out from the Pillar Fell on the opposite side of the valley? From the gloom and grandeur around it the eye travels right along to the smiling green of the open country beyond the lake bordered by a line of glittering sea. This view has one drawback in that you cannot at one time be looking both from the Pillar and at it; but then it is hardly possible to enter Ennerdale at all without seeing this rock, the real glory of the valley, from many effective points; and, moreover, no day there is complete without a quiet half-hour spent in floating on the lake about sunset; for, whether it be due to the westerly lie of the dale or to some other cause, the fact remains that the Ennerdale sunsets are not to be beaten among the Lakes. By the early morning light the upper part of the valley should be explored, and the marvellous view enjoyed from Haystacks: from the 'bulky red bluff of Grasmoor' on the right to the dark recess of Mosedale half seen upon the left all is beautiful; separated from Crummock and Buttermere, which are both well seen, by the steep Red Pike range, Broadwater throws in a dash of life to relieve the desolation of upper Ennerdale, while the richly coloured screes of Red Pike sweep down in striking contrast to the forbidding frown of the Pillar Fell. We have seen a fine water-colour sketch which renders this view with great fidelity. It has additional interest as the work of the first amateur who ever scaled the Pillar Stone—Lieut. Wilson, R.N.