But Fortuna has not only been conjectured to be a deity of the dawn; she has been made out to be both a moon-goddess and a sun-goddess. For her origin in the moon there is really nothing of any weight to be urged; the advocate of this view is one of the least judicious of German specialists, and his arguments need not detain us[[691]]. But for her connexion with the sun there is something more to be said.
The dedication day of the temple of Fors Fortuna was exactly at the summer solstice. It is now St. John the Baptist’s day, and one on which a great variety of curious local customs, some of which still survive, regularly occur; and especially the midsummer fires which were until recently so common in our own islands. Attention has often been drawn to the fondness for parallelism which prompted the early Christians to place the birth of Christ at the winter solstice, when the days begin to grow longer, and that of the Baptist—for June 24 is his reputed birthday as well as festival—at the summer solstice when they begin to shorten; following the text, ‘He must increase and I must decrease[[692]].’ Certainly the sun is an object of special regard at all midsummer festivals, and is supposed to be often symbolized in them by a wheel, which is set on fire and in many cases rolled down a hill[[693]]. Now the wheel is of course a symbol in the cult of Fortuna, and is sometimes found in Italian representations of her, though not so regularly as the cornucopia and the ship’s rudder which almost invariably accompany her[[694]]. Putting this in conjunction with the date of the festival of Fors Fortuna, the Celtic scholar Gaidoz has concluded that Fortuna was ultimately a solar deity[[695]]. The solar origin of the symbol was, he thinks, quite forgotten; but the wheel, or the globe which sometimes replaces it, was certainly at one time solar, and perhaps came from Assyria. If so (he concludes), the earliest form of Fortuna must have been a female double of the sun.
All hints are useful in Roman antiquities, and something may yet be made of this. But it cannot be accepted until we are sure of the history and descent of this symbol in the representations of Fortuna; it is far from impossible that the wheel or globe may in this case have nothing more to do with the sun than the rudder which always accompanies it. In any case it can hardly be doubted that it is not of Italian origin; it is found, e. g. also in the cult of Nemesis, who, like Tyche, Eilithyia, and Leucothea, is probably responsible for much variation and confusion in the worship of Italian female deities[[696]]. As to the other fact adduced by Gaidoz, viz. the date of the festival, it is certainly striking, and must be given its full weight. It is surprising that Prof. Max Müller has made no use of it. But we must be on our guard. It is remarkable that we find in the Roman calendars no other evidence that the Romans attached the same importance to the summer solstice as some other peoples; the Roman summer festivals are concerned, in accordance with the true Italian spirit, much more with the operations of man in dealing with nature than with the phenomena of nature taken by themselves. It is perhaps better to avoid a hasty conclusion that this festival of Fors Fortuna was on the 24th because the 24th was the end of the solstice, and rather to allow the equal probability that it was fixed then because harvest was going on. Columella seems to be alluding to it in the following lines[[697]]:
Sed cum maturis flavebit messis aristis
Allia cum cepis, cereale papaver anetho
Iungite, dumque virent, nexos deferte maniplos,
Et celebres Fortis Fortunae dicite laudes
Mercibus exactis, hilaresque recurrite in hortos.
The power of Fortuna as a deity of chance would be as important for the perils of harvest as for those of childbirth; and it is in this connexion that the Italians understood the meaning of that cornucopia which is perhaps her most constant symbol in art[[698]].
Lastly, there is a formidable question, which may easily lead the unwary into endless complications, and on which I shall only touch very briefly. How are we to explain the legendary connexion between the cult of Fortuna and Servius Tullius? That king, the so-called second founder of Rome, was said, as we have seen, to have erected more than one sanctuary to Fortuna, and was even believed to have had illicit dealings with the goddess herself[[699]]. The dedication-day of Fors Fortuna was said to have been selected by him, and, as Ovid describes it, was a festival of the poorer kind of people, who thus kept up the custom initiated by the popular friend of the plebs.