AFTER US
THE workman, in my new abode, now spreads the luscious plaster; he hums a blithe and cheerful ode, and labors fast and faster. I stand and watch him as he works, I stand and watch and ponder; I mark how skillfully he jerks the plaster here and yonder. “This plaster will be here,” he cries, “unbroken and unshredded, when you sing anthems in the skies—if that’s where you are headed.” How good to feel, as on we strive, in this bright world enchanted, that what we do will be alive when we are dead and planted! For this the poet racks his brain (and not for coin or rubies) until he finds he’s gone insane and has to join the boobies. For this the painter plies his brush and spreads his yellow ochre, to find, when comes life’s twilight hush, that Fame’s an artful joker. For this the singer sprains her throat, and burns the midnight candle, and tries to reach a higher note than Ellen Yaw could handle. For this the actor rants and barks, the poor old welkin stabbin’, and takes the part of Lawyer Marks in Uncle Tommy’s Cabin. Alas, my labors will not last! In vain my rhythmic rages! I cannot make my plaster plast so it will stick for ages!
SOME OF THE POOR
So many have no roofs or doors, no sheets to cuddle under! You hire some men to do your chores, and then you cease to wonder. Alas, he is so hard to find—he takes so much pursuing—the worker who will keep his mind on what he may be doing. I hire a man to saw some sticks, to keep the fire a-going, and he discusses politics, in language smooth and flowing; the saw grows rusty while he stands, the welkin shrinks and totters, as he, with swinging jaws and hands, denounces Wall Street plotters. When I go home, as dusk grows dense, I hear his windy rages, and kick him sadly through the fence, when I have paid his wages. I hire a man to paint the churn and hoe the morning glories, and when at evening I return he’s busy telling stories. “That toiler is no good, I fear,” remarks the hausfrau, Sally; I take him gently by the ear and lead him to the alley. I hire a man the stove to black, and fix the kitchen table, and when at evening I come back, he’s sleeping in the stable. And thus we suffer and endure the trifler’s vain endeavor; we do not wonder that the poor are with us here forever.
THE HARVEST HAND
Triumphantly the toiler roared, “I get three bones a day and board! That’s going some, eh, what?” And on he labored, brave and strong; the work was hard, the hours were long, the day was passing hot. I sat at ease beneath a tree—that sort of thing appeals to me—and watched him as he toiled; the sweat rolled down him in a stream, and I could see his garments steam, his face and hands were broiled. He chuckled as he toiled away, “They’re paying me three bones a day, with board and washing, too!” That was his dream of easy mon—to stew and simmer in the sun, for that, the long day through! And I, who earn three iron men with sundry scratches of a pen, felt sorry for the jay; but, as I watched his stalwart form, the pity that was growing warm within me, blew away. For he was getting more than wealth—keen appetite and rugged health, and blessings such as those; and when the day of toil was through, no doubt the stalwart worker knew a weary child’s repose!