The street did not strike us as so varied and interesting as other cities we had seen, and the house fronts seemed plainer and more modern, as a rule, though the streets were narrow enough.

THROUGH AMRITZAR—SIT TIGHT AND HOLD A SMELLING BOTTLE!

From a sort of terrace we got our first view of the Golden Temple, which is built in the centre of the large tank or lake in the centre of the city. A broad paved causeway connects with the paved walk along two sides of the lake. After the magnificent and beautifully proportioned Mogul architecture of Agra and Delhi, the Golden Temple, built at the beginning of the nineteenth century is rather disappointing, despite its gilded domes, the building looking rather squat, though the gold reflected in the rippling water has a charming effect. The gilded dome of the Atal tower also shows over the buildings behind the temple seen from the terrace. Leaving our carriage at this spot we were surrounded and eyed by a curious crowd. Rival guides apparently contended for us, and there was a sudden quarrel, ending in a free fight, between two of them, the end of which we did not remain to see. The temple and its precincts is held most sacred by the Sikhs, Amritzar being their religious centre, the place is most jealously watched. It seemed impossible to get away from the crowd, who appeared to be none too friendly to strangers, and sketching was out of the question without a bodyguard.

We had a very courteous and kind reception from Dr Dinghra, three of whose sons we had known in London. One son and his wife were staying with him, and we spent a pleasant hour under his hospitable roof, and he presented us with handsome saddle bags, made of the local carpet, on leaving. He also introduced us to one of the leading citizens, a magistrate, who had an extensive pile carpet manufactory, and he showed us over the works. These were long sheds, having round arched arcades opening on to a court, and in these were a series of high-warp hand-looms with rows of shuttles filled with the different coloured wools hanging from the top. The weavers sat, or rather squatted, in a row on the ground in front of the warp and worked in the pattern. They were young boys and youths trained to the work early. They used a small curved knife like a small sickle to shear off the ends of their threads and press them home when a particular bit of coloured pattern was finished. Little oblong labels written in Arabic were placed on the warp in front of each weaver, which gave the written directions for the colours to be used in the work. No individual judgment or choice appeared to be exercised by the weavers.

There was a design room also open to the court under an arcade, here some quite aged natives were preparing designs, sketching them out in pencil or charcoal on squared paper, quite in the European method, and in some cases working from photographs of special carpets.

I learned from the manager that the working hours in this factory were from 8 A.M. till dark. The boy weavers only got one and a half annas a day! We finally were shown the finished product—a whole series of large handsome carpets being rolled out for us to see. One of these, of a Persian kind of design, would be priced at 200 rupees, the manager said. Before leaving we were requested to write our names, and any remarks on our visit, in a visitor’s book, where the list had been headed by the Prince and Princess of Wales, who visited these works on their tour in India in 1905.

In the forenoon of January 14th we saw the eclipse of the sun from our terrace. It rather took us by surprise—the light quickly becoming curiously pale like moonlight and the air unusually chilly. We could see the sun turned into a crescent quite distinctly, and pass through various phases like a moon, till it gradually regained its normal shape and power shortly after noon.

AN INDIAN AUTOLYCUS