Imaginary Conversations and Poems: A Selection

by Walter Savage Landor

Southey. If we add any to the number, and the literary world hears of it, we shall raise an outcry from hundreds who never could see either his excellences or his defects, and from several who never have perused the noblest of his writings.

Landor. It may be boyish and mischievous, but I acknowledge I have sometimes felt a pleasure in irritating, by the cast of a pebble, those who stretch forward to the full extent of the chain their open and frothy mouths against me. I shall seize upon this conjecture of yours, and say everything that comes into my head on the subject. Beside which, if any collateral thoughts should spring up, I may throw them in also; as you perceive I have frequently done in my Imaginary Conversations, and as we always do in real ones.

Southey. When we adhere to one point, whatever the form, it should rather be called a disquisition than a conversation. Most writers of dialogue take but a single stride into questions the most abstruse, and collect a heap of arguments to be blown away by the bloated whiffs of some rhetorical charlatan, tricked out in a multiplicity of ribbons for the occasion.

Before we open the volume of poetry, let me confess to you I admire his prose less than you do.

Landor. Probably because you dissent more widely from the opinions it conveys: for those who are displeased with anything are unable to confine the displeasure to one spot. We dislike everything a little when we dislike anything much. It must indeed be admitted that his prose is often too latinized and stiff. But I prefer his heavy cut velvet, with its ill-placed Roman fibula, to the spangled gauze and gummed-on flowers and puffy flounces of our present street-walking literature. So do you, I am certain.

Southey. Incomparably. But let those who have gone astray, keep astray, rather than bring Milton into disrepute by pushing themselves into his company and imitating his manner. Milton is none of these: and his language is never a patchwork. We find daily, in almost every book we open, expressions which are not English, never were, and never will be: for the writers are by no means of sufficiently high rank to be masters of the mint. To arrive at this distinction, it is not enough to scatter in all directions bold, hazardous, undisciplined thoughts: there must be lordly and commanding ones, with a full establishment of well-appointed expressions adequate to their maintenance.

Occasionally I have been dissatisfied with Milton, because in my opinion that is ill said in prose which can be said more plainly. Not so in poetry: if it were, much of Pindar and Aeschylus, and no little of Dante, would be censurable.

Landor. Acknowledge that he whose poetry I am holding in my hand is free from every false ornament in his prose, unless a few bosses of latinity may be called so; and I am ready to admit the full claims of your favourite South. Acknowledge that, heading all the forces of our language, he was the great antagonist of every great monster which infested our country; and he disdained to trim his lion-skin with lace. No other English writer has equalled Raleigh, Hooker, and Milton, in the loftier parts of their works.

Southey. But Hooker and Milton, you allow, are sometimes pedantic. In Hooker there is nothing so elevated as there is in Raleigh.

Landor. Neither he, however, nor any modern, nor any ancient, has attained to that summit on which the sacred ark of Milton strikes and rests. Reflections, such as we indulged in on the borders of the Larius, come over me here again. Perhaps from the very sod where you are sitting, the poet in his youth sate looking at the Sabrina he was soon to celebrate. There is pleasure in the sight of a glebe which never has been broken; but it delights me particularly in those places where great men have been before. I do not mean warriors: for extremely few among the most remarkable of them will a considerate man call great: but poets and philosophers and philanthropists, the ornaments of society, the charmers of solitude, the warders of civilization, the watchmen at the gate which Tyranny would batter down, and the healers of those wounds which she left festering in the field. And now, to reduce this demon into its proper toad-shape again, and to lose sight of it, open your Paradise Lost.