The bairns, and oyes, were all within doors;}
The youngest of us chewing cinders,}
And all the auld anes telling wonders.}
Pennycuik's Poems, p. 7.
The causes of the preservation of these songs have either entirely ceased, or are gradually decaying Whether they were originally the composition of minstrels, professing the joint arts of poetry and music; or whether they were the occasional effusions of some self-taught bard; is a question into which I do not here mean to enquire. But it is certain, that, till a very late period, the pipers, of whom there was one attached to each border town of note, and whose [cxxviii] office was often hereditary, were the great depositaries of oral, and particularly of poetical, tradition. About spring time, and after harvest, it was the custom of these musicians to make a progress through a particular district of the country. The music and the tale repaid their lodging, and they were usually gratified with a donation of seed corn[[63]]. This order of minstrels is alluded to in the comic song of Maggy Lauder, who thus addresses a piper—
"Live ye upo' the border?"
By means of these men, much traditional poetry was preserved, which must otherwise have perished. Other itinerants, not professed musicians, found their welcome to their night's quarters readily [cxxix] insured by their knowledge in legendary lore. John Graeme, of Sowport, in Cumberland, commonly called The Long Quaker[[64]], a person of this latter description, was very lately alive; and several of the songs, now published, have been taken down from his recitation. The shepherds also, and aged persons, in the recesses of the border mountains, frequently remember and repeat the warlike songs of their fathers. This is more especially the case in what are called the South Highlands, where, in many instances, the same families have occupied the same possessions for centuries.
It is chiefly from this latter source that the editor has drawn his materials, most of which were collected, many years ago, during his early youth. But he has been enabled, in many instances, to supply [cxxx] and correct the deficiencies of his own copies, from a collection of border songs, frequently referred to in the work, under the title of Glenriddell's MS. This was compiled, from various sources, by the late Mr. Riddell, of Glenriddel, a sedulous border antiquary, and, since his death, has become the property of Mr. Jollie, bookseller at Carlisle; to whose liberality the editor owes the use of it, while preparing this work for the press. No liberties have been taken, either with the recited or written copies of these ballads, farther than that, where they disagreed, which is by no means unusual, the editor, in justice to the author, has uniformly preserved what seemed to him the best, or most poetical, reading of the passage. Such discrepancies must very frequently occur, wherever poetry is preserved by oral tradition; for the reciter, making it a uniform principle to proceed at all hazards, is very often, when his memory fails him, apt to substitute large portions from some other tale, altogether distinct from that which he has commenced. Besides, the prejudices of clans and of districts have occasioned variations in the mode of telling [cxxxi] the same story. Some arrangement was also occasionally necessary, to recover the rhyme, which was often, by the ignorance of the reciters, transposed, or thrown into the middle of the line. With these freedoms, which were essentially necessary to remove obvious corruptions, and fit the ballads for the press, the editor presents them to the public, under the complete assurance, that they carry with them the most indisputable marks of their authenticity.
The same observations apply to the Second Class, here termed ROMANTIC BALLADS; intended to comprehend such legends as are current upon the border, relating to fictitious and marvellous adventures Such were the tales, with which the friends of Spenser strove to beguile his indisposition:
"Some told of ladies, and their paramours;