“My lord,” said Quentin, “there are many who could testify that I assumed not the character of an envoy of France in the town of Liege, but had it fixed upon me by the obstinate clamours of the people themselves, who refused to give credit to any disclamation which I could make. This I told to those in the service of the Bishop when I had made my escape from the city, and recommended their attention to the security of the Castle, which might have prevented the calamity and horror of the succeeding night. It is, no doubt, true that I did, in the extremity of danger, avail myself of the influence which my imputed character gave me, to save the Countess Isabelle, to protect my own life, and, so far as I could, to rein in the humour for slaughter, which had already broke out in so dreadful an instance. I repeat, and will maintain it with my body, that I had no commission of any kind from the King of France respecting the people of Liege, far less instructions to instigate them to mutiny; and that, finally, when I did avail myself of that imputed character, it was as if I had snatched up a shield to protect myself in a moment of emergency, and used it, as I should surely have done, for the defence of myself and others, without inquiring whether I had a right to the heraldic emblazonments which it displayed.”

“And therein my young companion and prisoner,” said Crevecoeur, unable any longer to remain silent, “acted with equal spirit and good sense; and his doing so cannot justly be imputed as blame to King Louis.”

There was a murmur of assent among the surrounding nobility, which sounded joyfully in the ears of King Louis, whilst it gave no little offence to Charles. He rolled his eyes angrily around; and the sentiments so generally expressed by so many of his highest vassals and wisest councillors, would not perhaps have prevented his giving way to his violent and despotic temper, had not De Comines, who foresaw the danger, prevented it, by suddenly announcing a herald from the city of Liege.

“A herald from weavers and nailers!” exclaimed the Duke. “But admit him instantly. By Our Lady, I will learn from this same herald something farther of his employers' hopes and projects than this young French Scottish man at arms seems desirous to tell me!”

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CHAPTER XXXIII: THE HERALD

Ariel.—Hark! they roar.
Prospero. Let them be hunted soundly.
THE TEMPEST

There was room made in the assembly, and no small curiosity evinced by those present to see the herald whom the insurgent Liegeois had ventured to send to so haughty a Prince as the Duke of Burgundy, while in such high indignation against them. For it must be remembered that at this period heralds were only dispatched from sovereign princes to each other upon solemn occasions; and that the inferior nobility employed pursuivants, a lower rank of officers at arms. It may be also noticed, in passing, that Louis XI, an habitual derider of whatever did not promise real power or substantial advantage, was in especial a professed contemner of heralds and heraldry, “red, blue, and green, with all their trumpery,” to which the pride of his rival Charles, which was of a very different kind, attached no small degree of ceremonious importance.

The herald, who was now introduced into the presence of the monarchs, was dressed in a tabard, or coat, embroidered with the arms of his master, in which the Boar's Head made a distinguished appearance, in blazonry, which in the opinion of the skilful was more showy than accurate. The rest of his dress—a dress always sufficiently tawdry—was overcharged with lace, embroidery, and ornament of every kind, and the plume of feathers which he wore was so high, as if intended to sweep the roof of the hall. In short, the usual gaudy splendour of the heraldic attire was caricatured and overdone. The Boar's Head was not only repeated on every part of his dress, but even his bonnet was formed into that shape, and it was represented with gory tongue and bloody tusks, or in proper language, langed and dentated gules, and there was something in the man's appearance which seemed to imply a mixture of boldness and apprehension, like one who has undertaken a dangerous commission, and is sensible that audacity alone can carry him through it with safety. Something of the same mixture of fear and effrontery was visible in the manner in which he paid his respects, and he showed also a grotesque awkwardness, not usual amongst those who were accustomed to be received in the presence of princes.

“Who art thou, in the devil's name?” was the greeting with which Charles the Bold received this singular envoy.