“Go to—you shall have no blame, young soldier,” said Orleans; and passing forward, paid his compliments to the Princess, with that air of constraint which always marked his courtesy when addressing her.
He had been dining, he said, with Dunois, and understanding there was society in Roland's Gallery, he had ventured on the freedom of adding one to the number.
The colour which mounted into the pale cheek of the unfortunate Joan, and which for the moment spread something of beauty over her features, evinced that this addition to the company was anything but indifferent to her. She hastened to present the Prince to the two Ladies of Croye, who received him with the respect due to his eminent rank; and the Princess, pointing to a chair, requested him to join their conversation party.
The Duke declined the freedom of assuming a seat in such society; but taking a cushion from one of the settles, he laid it at the feet of the beautiful young Countess of Croye, and so seated himself, that, without appearing to neglect the Princess, he was enabled to bestow the greater share of his attention on her lovely neighbour.
At first, it seemed as if this arrangement rather pleased than offended his destined bride. She encouraged the Duke in his gallantries towards the fair stranger, and seemed to regard them as complimentary to herself. But the Duke of Orleans, though accustomed to subject his mind to the stern yoke of his uncle when in the King's presence, had enough of princely nature to induce him to follow his own inclinations whenever that restraint was withdrawn; and his high rank giving him a right to overstep the ordinary ceremonies, and advance at once to familiarity, his praises of the Countess Isabelle's beauty became so energetic, and flowed with such unrestrained freedom, owing perhaps to his having drunk a little more wine than usual—for Dunois was no enemy to the worship of Bacchus—that at length he seemed almost impassioned, and the presence of the Princess appeared well nigh forgotten.
The tone of compliment which he indulged was grateful only to one individual in the circle; for the Countess Hameline already anticipated the dignity of an alliance with the first Prince of the Blood, by means of her whose birth, beauty, and large possessions rendered such an ambitious consummation by no means impossible, even in the eyes of a less sanguine projector, could the views of Louis XI have been left out of the calculation of chances. The younger Countess listened to the Duke's gallantries with anxiety and embarrassment, and ever and anon turned an entreating look towards the Princess, as if requesting her to come to her relief. But the wounded feelings and the timidity of Joan of France rendered her incapable of an effort to make the conversation more general; and at length, excepting a few interjectional civilities of the Lady Hameline, it was maintained almost exclusively by the Duke himself, though at the expense of the younger Countess of Croye, whose beauty formed the theme of his high flown eloquence.
Nor must I forget that there was a third person, the unregarded sentinel, who saw his fair visions melt away like wax before the sun, as the Duke persevered in the warm tenor of his passionate discourse. At length the Countess Isabelle de Croye made a determined effort to cut short what was becoming intolerably disagreeable to her, especially from the pain to which the conduct of the Duke was apparently subjecting the Princess.
Addressing the latter, she said, modestly, but with some firmness, that the first boon she had to claim from her promised protection was, “that her Highness would undertake to convince the Duke of Orleans that the ladies of Burgundy, though inferior in wit and manners to those of France, were not such absolute fools as to be pleased with no other conversation than that of extravagant compliment.”
“I grieve, lady,” said the Duke, preventing the Princess's answer, “that you will satirize, in the same sentence, the beauty of the dames of Burgundy and the sincerity of the Knights of France. If we are hasty and extravagant in the expression of our admiration, it is because we love as we fight, Without letting cold deliberation come into our bosoms, and surrender to the fair with the same rapidity with which we defeat the valiant.”
“The beauty of our countrywomen,” said the young Countess, with more of reproof than she had yet ventured to use towards the high born suitor, “is as unfit to claim such triumphs, as the valour of the men of Burgundy is incapable of yielding them.”