Fly, Fleance, fly!—Thou mayst escape.
Macbeth.
It was one branch of the various arts by which Norna endeavoured to maintain her pretensions to supernatural powers, that she made herself familiarly and practically acquainted with all the secret passes and recesses, whether natural or artificial, which she could hear of, whether by tradition or otherwise, and was, by such knowledge, often enabled to perform feats which were otherwise unaccountable. Thus, when she escaped from the tabernacle at Burgh-Westra, it was by a sliding board which covered a secret passage in the wall, known to none but herself and Magnus, who, she was well assured, would not betray her. The profusion, also, with which she lavished a considerable income, otherwise of no use to her, enabled her to procure the earliest intelligence respecting whatever she desired to know, and, at the same time, to secure all other assistance necessary to carry her plans into effect. Cleveland, upon the present occasion, had reason to admire both her sagacity and her resources.
Upon her applying a little forcible pressure, a door which was concealed under some rich wooden sculpture in the screen which divides the eastern aisle from the rest of the Cathedral, opened, and disclosed a dark narrow winding passage, into which she entered, telling Cleveland, in a whisper, to follow, and be sure he shut the door behind him. He obeyed, and followed her in darkness and silence, sometimes descending steps, of the number of which she always apprized him, sometimes ascending, and often turning at short angles. The air was more free than he could have expected, the passage being ventilated at different parts by unseen and ingeniously contrived spiracles, which communicated with the open air. At length their long course ended, by Norna drawing aside a sliding panel, which, opening behind a wooden, or box-bed, as it is called in Scotland, admitted them into an ancient, but very mean apartment, having a latticed window, and a groined roof. The furniture was much dilapidated; and its only ornaments were, on the one side of the wall, a garland of faded ribbons, such as are used to decorate whale-vessels; and, on the other, an escutcheon, bearing an Earl’s arms and coronet, surrounded with the usual emblems of mortality. The mattock and spade, which lay in one corner, together with the appearance of an old man, who, in a rusty black coat, and slouched hat, sat reading by a table, announced that they were in the habitation of the church-beadle, or sexton, and in the presence of that respectable functionary.
When his attention was attracted by the noise of the sliding panel, he arose, and, testifying much respect, but no surprise, took his shadowy hat from his thin grey locks, and stood uncovered in the presence of Norna with an air of profound humility.
“Be faithful,” said Norna to the old man, “and beware you show not any living mortal the secret path to the Sanctuary.”
The old man bowed, in token of obedience and of thanks, for she put money in his hand as she spoke. With a faltering voice, he expressed his hope that she would remember his son, who was on the Greenland voyage, that he might return fortunate and safe, as he had done last year, when he brought back the garland, pointing to that upon the wall.
“My cauldron shall boil, and my rhyme shall be said, in his behalf,” answered Norna. “Waits Pacolet without with the horses?”
The old Sexton assented, and the Pythoness, commanding Cleveland to follow her, went through a back door of the apartment into a small garden, corresponding, in its desolate appearance, to the habitation they had just quitted. The low and broken wall easily permitted them to pass into another and larger garden, though not much better kept, and a gate, which was upon the latch, let them into a long and winding lane, through which, Norna having whispered to her companion that it was the only dangerous place on their road, they walked with a hasty pace. It was now nearly dark, and the inhabitants of the poor dwellings, on either hand, had betaken themselves to their houses. They saw only one woman, who was looking from her door, but blessed herself, and retired into her house with precipitation, when she saw the tall figure of Norna stalk past her with long strides. The lane conducted them into the country, where the dumb dwarf waited with three horses, ensconced behind the wall of a deserted shed. On one of these Norna instantly seated herself, Cleveland mounted another, and, followed by Pacolet on the third, they moved sharply on through the darkness; the active and spirited animals on which they rode being of a breed rather taller than those reared in Zetland.
After more than an hour’s smart riding, in which Norna acted as guide, they stopped before a hovel, so utterly desolate in appearance, that it resembled rather a cattle-shed than a cottage.
“Here you must remain till dawn, when your signal can be seen from your vessel,” said Norna, consigning the horses to the care of Pacolet, and leading the way into the wretched hovel, which she presently illuminated by lighting the small iron lamp which she usually carried along with her. “It is a poor,” she said, “but a safe place of refuge; for were we pursued hither, the earth would yawn and admit us into its recesses ere you were taken. For know, that this ground is sacred to the Gods of old Valhalla.—And now say, man of mischief and of blood, are you friend or foe to Norna, the sole priestess of these disowned deities?”