Greener Than You Think

by Ward Moore

Now I cannot account for this, but the instant I took the pencil in my fingers all thought of the grass left my mind. No effort to summon back those fine rolling sentences was of the least avail. I slapped my forehead and muttered, "Grass, grass, Bermuda, Cynodon dactylon" aloud, varying it with such key words as "Dinkman, swallowing up, green hill" and the like, but all I could think of was buying a tire (700 x 16) for the left rear wheel, paying my overdue rent, Gootes' infuriating buffoonery, the possibilities for a man of my caliber in Florida or New York, and with a couple of thousand dollars a nice mailorder business could be established to bring in a comfortable income....

I left the chair and walked up and down the cramped room until the lodger below rapped spitefully on his ceiling. I went to the bathroom and washed my hands. I came back and inspected my teeth in the mirror. Then I resumed my seat and wrote, "The Grass—" After a moment I crossed this out and substituted, "Today, the grass—"

I decided the whole approach was unimaginative and unworthy of me. I turned the paper over and began, "Like a dragon springing—" Good, good—this was the way to start; it would show the readers at once they were dealing with a man of imagination. "Like a dragon springing." Springing from what? What did dragons spring from anyway? Eggs, like snakes? Dragons were reptiles werent they? Or werent they? Give up the metaphor? I set my teeth with determination and began again. "Not unlike a fierce and belligerently furious dragon or some other ferocious, blustery and furious chimerical creature, a menacing and comminatory debacle is burning fierily in the heart of our fair and increasingly populous city. As one with an innocent yet cardinal part in the unleashing of this dire menace, I want to describe how the exposure of this threatening menace affected me as I looked upon its menacing and malevolent advance today...."

I sat back, not dissatisfied with my beginning, and thought about the neat little bachelor apartment I could rent on what the Intelligencer was paying me. Of course in a few days this hullabaloo would be all over—for though I had little faith in the efficacy of the crudeoil I knew really drastic measures would be taken soon and the whole business stopped—but even in so short a time there could be no doubt Mr Le ffaçasé would realize he needed me permanently on his staff and I would be assured of a living in my own proper sphere. Thus fired with the thoughts of accomplishment, I returned to my task, but I cannot say it went easily. I remembered many great writers indulged in stimulants in the throes of composition, but I decided such a course might blunt the keen edge of my mind and afterall there was no better stimulant than plain oldfashioned perseverance. I picked up the pencil again and doggedly went on to the next sentence.

16. "What the hell's this?" demanded the cityeditor, looking at my neatly rolled pile of manuscript.

I disdained to bandy words with an underling too lazy to make an effort to get at what was probably the finest piece of writing ever brought to him, so I unrolled my story, flattening it out so he might read it the more easily.

"By the balls of Benjamin Franklin and the little white fringe on Horace Greeley's chin, this goddamned thing's been wrote by hand! Arent there any typewriters anymore? Did Mister Remington commit suicide unbeknownst to me?"

"I'm sorry," I said stiffly. "I didnt think youd have any difficulty in reading my handwriting." And in fact the whole business was absurd, for if there's anything I pride myself on it's the gracefulness and legibility of my penmanship. Typewriters might well be mandatory for the ephemeral news item, but I had been hired as a special correspondent and someday my manuscript would be a valuable property.

The cityeditor eyed me in a most disagreeable fashion. "I'm an educated man," he stated. "Groton, Harvard and the WPA. No doubt with time and care I could decipher this bid for next year's Pulitzer prize. But I must consider the more handicapped members of the staff: compositors, layoutmen and proofreaders; without my advantages and broadmindedness they might be so startled by this innovation as to have their usefulness permanently crippled. No; I'm afraid, Mr Weener, I must ask you to put this in more orthodox form and type it up."

Just another example of pettish bureaucracy, the officiousness of the jack-in-office. Except for the nuisance, it didnt particularly matter. When Mr Le ffaçasé read my contribution I knew there would be no concern in future whether it was handwritten, typewritten, or engraved in Babylonic cuneiform on a freshly baked brick.